Check out our latest Writing in the Modern Age book spotlight here.

Check out our latest Writing in the Modern Age book spotlight here.

I don’t know if anyone is actually reading this, but I really hope they are. I feel I have some great stuff to share and I hope I’m not being read as too arrogant. But let’s move on.

Why do we write fiction? I think there are many reasons, but one pertains to the fact that when we write fiction we get to create the world of our choice. This is one reason. As a writer, I always throw in a part of me in everything I write and I will do the same here. Though, I may be more throwing myself out into the slaughterhouse. But hey, writers are weird; we express our emotions. Enough jabber, here I go:

In Creative Writing right now, the class has been assigned to read short stories of our peers in our group. So far, I haven’t found anything that I consider to be “bad writing,” though, I do believe that all writing is good anyway. The point is, I’ve read a few where people throw love into the story. Love is a prominent issue and is probably addressed in every story. Though, I could be wrong. Remember the Einstein quote:

“No amount of experimentation can ever prove me right; a single experiment can prove me wrong.”

Anyway, what’s my point here? My point is, we all think of love whether we have it or not. In this sense, I’m talking about passionate relationships between a boy and a girl, or a boy and a boy, or a girl and a girl. I’m not going to get into transgenders. I’m not talking about love for your parents or friends. Though, love is important in all aspects. I’m not focusing on what you may call 'family love' or 'friend love'. I guess you could call this love 'sexual attraction' - attraction to the opposite or same sex. If we have this love, well, as a writer, we may write about our loved ones. If not, we may write about our wish to be with 'the one'. Petrarchan poems are all about the longing for the one you can’t have, but I’m not really addressing that. I’m more thinking about “dreaming” about that one who you haven’t met yet. Think of the Michael Bublé song, Haven’t Met You Yet. Is that Petrarchan? I don’t believe so.

In creating these stories, you get to decide what occurs. If you feel very negative, you may write a very negative end. If the story’s hopeful, well, it would be filled with hope. The feelings you express can affect the writing or the exact opposite. I find that when I read these love stories, so far the ones I’ve read, they end happy. But, sometimes it seems so easy. Within a story, it is. But it’s harder in real life. I think time and time again about 'the one', and I always wonder if I’ll ever find them. I don’t think about physical characteristics. I think more of just having fun and enjoying their company. All right, you want me to really throw myself out there? I envision a slim body, but not unhealthy. Nothing cruel, I assure you. Ask me more questions and you’ll be dead. Well, not really. 

I guess the real title for this article/curious essay is 'Why Do We Write Love Stories?'.

I believe it has to do with your feelings. I think, in order to write a great love story, we must be playing the feelings we actually have; if we want to bring in that affection from the reader, that is. I relate to more teenage novels/young adult fiction because the characters are closer to my age. Not that those younger or older characters don’t seem real, they do, but I can’t relate to them as well. It’s what makes a good book: reaching your audience. Everyone can read it, but if you really want to capture the reader you’ve got to find a connection within the writing. With love, it could be heart-wrenching or very sweet. But if it’s bland, no one will feel connected. And I think readers can usually tell if the emotions in the story are fake, unless you’re very good at conveying the opposite. For that, I congratulate you. You can join T.S. Eliot. He believed that poetry should be written through characters not feelings. He creates characters and they have no relation to him whatsoever. Maybe not directly, but maybe there’s more meaning. I don’ t know and can’t exactly ask him.

What am I getting at here? With fiction, you are constructing a fake reality, but in order to get readers involved, it has to contain realism. I’m not writing that fantasy should be scrapped, I’m saying that the characters need to be three dimensional.

But, what’s the main reason we write fiction?

To tell a story and share our ideas. And above all, to be creative.

So true. Many thanks for visiting us today, Andy!

Guest Blogger Bio

Andy Ruffett is a writer who lives in Toronto (Ontario, Canada). He is getting a Bachelor of Arts degree at the University of British Columbia. His focus is Creative Writing. In high school, he was lead editor at the school newspaper. He is a proficient editor and writer, and you can connect with   him on LinkedIn, Facebook, Twitter or his blog.

LinkedIn:  http://www.linkedin.com/profile/view?id=192002172

Facebook:  https://www.facebook.com/pages/Andy-Ruffett/159163347452440                     
Twitter:  https://twitter.com/AndRuff8

Blog:  http://ruffpost.tumblr.com/

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Our lives take a toll on us.  We amble through each day, dealing with each stressor the best way we can.  But, we are not infallible.  Nor are we indestructible.  
 

Some of us have to pay the bills somehow while we wait for our ship to come in.  So your job can put more stress on you.  There are a million distractions, and not always the good kind.  Yeah, it’s nice when the day looks pretty and you feel encouraged to go explore.  That’s a pleasant distraction.  The not so pleasant kind can deter from your writing.  We all know what that can entail.  Pressure in all directions.

I saw a quote recently that I think is very apropos.  Ray Bradbury said, “You must stay drunk on writing so reality cannot destroy you.”  So, what kind of reality does he mean?  Well, I think all of us can imagine.  What in your reality keeps you from working on your novel, poem or play?  I have a tendency to be too realistic, a flaw my fiancé reminds me of often.  But, I’m a creative soul too.  And my tendency to be so realistic does distract me from writing.  Because I tend to focus too much, to worry too much about the future.  What if?  What will happen…blah, blah, blah.  I’m sure some of you are familiar with that train of thought.

I have a manuscript, a sequel to my newly released book, that is just waiting to be finished.  My first historical romance took me years to write.  Years!  Why?  Because life got in the way.  Because I had this or that to do.  I’m realistic enough to know that I can’t just sit and write 24/7, whether I want to or not.  I have to sleep.  I have to eat.  I have to, well…live, for lack of a better word.  And those experiences do shape us as writers.  They add to our core.  They help us write.  But, they can kill the creative fire too.  

  
You know the fire.  The burn.  The urge to make your hands pick up a pen or fly across a keyboard.  You feel it every day, even underneath all those distractions.  You feel it when, finally, at some point, a scene comes into your mind.  The muse has blessed you again.  And yet, as writers, we can be hurt too.  Yes, we’re all human.  But, I don’t imagine many people know how hard it is not to write, not to feel that utter freedom of creativity.  How exhilarated you can be when something just clicks inside of you, some part of the plot, some facet of the character.  You start writing and don’t stop for twenty minutes or even longer.  Ah, the ecstasy of it.  No one knows better than a writer how that can feel.


So, let’s examine Mr. Bradbury’s words a little.  Stay drunk on writing?  As if it’s a drug or alcohol?  Do we actually want to be intoxicated?  Well, maybe not in reality.  But, on writing?  Yes!  Oh, if only we could endlessly feel that freedom.  Every one of us wants to.  Don’t deny it.  And it is like a drug, addictive in its own way.  

And what else did Ray say?  Reality will destroy you.  Okay, being realistic isn’t so bad, right?  It helps us accomplish our tasks for the day.  Hell, it even takes a little realism to outline your story because you’re looking at it from a different perspective.  So, maybe what we can surmise from it is this:  too much reality destroys our joy of writing.  Sure, I can see that.  With all the deadlines and the phone calls and the bills (of course), and any other distraction in our lives, how can we truly enjoy writing?  I guess finding a good balance is a good way to live. 

Find your joy.  I urge you to write.  We know we can’t immerse ourselves too much in that world or things won’t get done, right?  How many times have you written or focused on a project for hours only to come up for air when someone in your family says, “Are you still working?”  I have to laugh at that.  Because you just did it.  You were able to close out the distractions of the world around you long enough to experience how wonderful writing is.  And you didn’t even realize it.  Isn’t that the best part?  How does the saying go?  How time flies when you’re having fun.  And despite all those deadlines and edits or rewrites, despite the way you have to promote yourself to sell a book, you were able to feel the joy of writing.  Because writing can be fun.  It can be fulfilling. 

So, my one piece of advice I can leave you with, friends, besides finding a happy medium, of course, is to be joyful.  Find the inner child in yourself.  The writer knows what I’m talking about.  Even those who aren't writers know what I'm talking about.  Maybe your passion is scrapbooking or pottery.  There is that part of yourself that cannot help but feel happy when you’re in the moment.  Nourish that part of yourself.  Sure, there will be things that drag your attention away from it, but as long as you can return to that joy time and time again, you’ll never stray too far.  And we can thank Ray Bradbury for his wise words.  “Stay drunk on writing” and never let reality destroy your joy.       


Author Bio
 
Marie Lavender has been writing for over twenty years. She has more works in progress than she can count on two hands. She has published sixteen books. Marie’s real love is writing romances, but she has also written mysteries, literary fiction and dabbled a little in paranormal stories. Her most recent release, Upon Your Return, a historical romance, was published with Foundations Books.   
 
Website:  http://www.marielavender.com/ 
Facebook:  https://www.facebook.com/AuthorMarieLavender
Twitter:  https://twitter.com/marielavender1

Check out our latest Writing in the Modern Age blog article here.

My guest today is Laura Graham. Hello, Laura! Welcome to Writing in the Modern Age! It’s such a pleasure to have you here.

Can you tell us a little bit about your latest book? When did it come out? Where can we get it? 


My book, Down a Tuscan Alley, which was published last year, can be bought on Amazon.com and Amazon.co.uk in paperback and e-books where it is collecting 5 star reviews. My other books are cat’s adventure stories for children, Tale of Two Tuscan Cats and Tuscan Cats Get Into Mischief. In paperback and e-books, they can also be found on Amazon.
 
Is there anything that prompted your latest book? Something that inspired you?

I was prompted to write Down a Tuscan Alley because it happened – I found myself at a loose end in life with no clear idea of what to do or where to go. But I owned a minute apartment down a back alley in Tuscany bought and paid for. So I was prepared to take the risk and change my life.

Great! So, when did you know you wanted to write? Or has it always been a pastime of yours?

I knew I wanted to write when I was about 17. But I won a scholarship into drama school and from then on worked as an actress in the theatre in London, understudying Helen Mirren and playing major roles in other productions both in theatre and television. But I always wrote, secretly, stuff hidden in a box, never dreamt it would any good. Then one day I dared to show it to a trusted friend. Because of her reaction I wrote with a passion every day, hoping that sometime in the future I might be published.

Do you have any favorite authors? 

Iris Murdoch, Truman Capote, Joyce Carol Oates, Ian McEwan, Tolstoy, George Orwell, James Joyce, PD James, to name but a few.

Do you write in a specific place? Time of day?

I like writing in a bar down the road from my house every morning. It’s called the Divine Comedy (says everything really) There are people about, a counter crowded with cakes, But it is less distracting than being at home.

Are there any words you'd like to impart to fellow writers. Any advice?

The only advice I feel capable of offering is to never give up. Write for yourself. Pour your heart and passionate ideas out onto the page. Give the very best of yourself. For that’s what any creative work is about – giving!

Here is the blurb for Down a Tuscan Alley.

A long relationship ends. At 48, house taken by the bank, Lorri has little money. What can she do? And where can she go? Gathering her meager savings and her two beloved cats, she escapes England for a new life in a remote Italian village, never imagining the intrigue, passion and romance she will find . . .

Here's an excerpt from Down a Tuscan Alley.

I’d lain on the bed, half covered with a sheet, and he had stepped across the room still wet from the shower and stretched himself on top of me. I’d gasped at the hardness of his body.

After, I’d sat at the window, looking out at the stars. The insistent thrumming of the crickets, the distant humming of the generator in the vineyards, the vibration sounds had closed us off, created our own separate reality. “Don’t think too much,” he’d said, turning over in bed.

I closed the shutters. When it rose, the sun would toast his body. It was not so much thinking as adjusting, I’d liked to have said, but couldn’t find the words in Italian. It would have to wait until I’d studied the dictionary.

This is a small review for Down a Tuscan Alley.

Neil Osborn, Arts Theatre review:

Lorri, a quintessentially English woman in her late forties decides to change her life and go to Tuscany. There’s only one problem: she has no money. But she does have two cats and a back alley apartment with a view of the street steps and the greengrocer’s moldy fruit – and I nearly forgot – an ex on the prowl, a shady character following her and a Quasimodo type lurking in the alleyway. Wonderful stuff! It gets even better when a passionate love affair blossoms with a younger man and friends arrive from England causing havoc. To sum up, Down a Tuscan Alley is a well written and entertaining read.

Author Bio

Laura Graham was an actress for many years performing in Shakespearean productions at the National Theatre in London. She has also played leading roles in Chekhov and Strindberg in major theatres in England. One of the major influences in her life was coming to Italy to live, with virtually no money, only two beloved cats for company, and coping with the mishaps, the passion and the intrigue. Which is what her first book, Down a Tuscan Alley, is about. Her second book, this time for children, Tale of Two Tuscan Cats, is about the adventures of her own two cats, one found in the forest, the other on the street. There is now a sequel, Tuscan Cats Get Into Mischief, which is also for sale on Amazon.co.uk.

Website:  http://www.lauragraham.co.uk/
Facebook:  https://www.facebook.com/lauragraham7
Amazon:  http://www.amazon.com/Laura-Graham/e/B007A0CQ6O/ref=sr_tc_2_0?qid=1365136990&sr=1-2-ent

Check out our latest Writing in the Modern Age blog article here.

My guest today is Gail Picado. Hello, Gail! Welcome to Writing in the Modern Age! It’s such a pleasure to have you here.

Can you tell us a little bit about your latest book? When did it come out? Where can we get it?  

My latest book, A Cow Named John, is a true labor of love.  It’s a collection of great memories of what we used to do on my aunt and uncle’s farm; a time without toys.  All we had were farm animals, the land, and our imagination.  It came out in August, 2012, and can be purchased through Amazon, Solstice Publishing, or Barnes & Noble if you have a Nook.

Is there anything that prompted your latest book? Something that inspired you? 

As I see how kids today are so disconnected from family, it saddens me.  They’ll spend hours texting their friends, but not a word to their siblings. Family is very important!  So, I wrote A Cow Named John to show the world the humorous and nostalgic side of growing up on a farm.

Great! So, when did you know you wanted to write? Or has it always been a pastime of yours? 

I wrote a play in the 6th grade and had a lot of fun directing it.  But my dad didn’t approve of the arts and pushed me into business courses in high school.  Then after he died, his adopted mom listed him as a “stranger that assumed their name” in her will.  I was so hurt by this that I wrote my first novel, No One’s Son.  It’s a real tearjerker.  Now, I write for the fun of it.

Do you have any favorite authors?

Stephen King, Dean Koontz, plus the classics like Dickens and Steinbeck.  There are so many good writers out there!  I’ll choose a book just from its title, and I’m seldom disappointed.

Do you write in a specific place? Time of day? 

I have a “hobby” room that’s mine exclusively where I draw, write, sew, and do puzzles.  You can find me there anytime of the day.

Are there any words you’d like to impart to fellow writers? Any advice? 

Don’t try to get rich by writing.  Only the few get there - - very few.  Write only if it’s what you love and you have something to say. 

Here is the blurb for A Cow Named John.

Why did you name your cow John? After all, John is a boy's name.

Twelve-year-old Mike Elsasser lives on a farm in 1950s Nebraska. John is his favorite cow – she lets him go cow skiing with her in the mud. He constantly gets asked about her name, but he doesn't feel like explaining. "Just because," he tells them.

Then one day, John gets lost…

…And even worse, Mike finds himself saddled with his younger cousin, Gaylyn, a girl who smiles all the time and doesn’t know anything.

While John gets up to odd adventures, the two children have adventures of their own. They fight mosquitoes, make their own ice cream, find a secret passage and risk electrocution in irrigation trenches. They get involved in the trickery of fishing and the hunting of snipe. They learn horse tricks, escape an angry sheep, keep their trickster uncle at bay, and even survive a tornado!

A Cow Named John is a nostalgic and humorous story about children on a farm, their antics, and how work can feel like play – and how the search for John can be just as fun as actually finding her.  

Yes.  You asked for it.  We do have an excerpt from A Cow Named John.  Enjoy!

           Two weeks before the fourth of July in 1959, the Elsasser family slept as black, billowy clouds hung in the night, blocking the moon and stars. The lightning cracked; chirping crickets lay silent. Buzzing grasshoppers, the babbling spring, and fish and pollywogs nipping at mosquitoes, all were silent too. Nothing made any noise to alarm the family of John’s intent.

            John’s nose rubbed against the rough rope fibers that held her captive and kept her from exploring. Higher and higher went the rope, until at last, it went over the top of the post and fell to the ground below. John was free! Free to roam. Free to run. Free to be. 

            A coyote yelped and yipped such news, but the family didn’t stir. Hungry was this coyote. Hungry to the bone. 

***

             Twelve-year-old Mike Elsasser crouched in the barnyard the next morning and put his right index finger in his mouth. Getting it nice and wet, he stuck it in the air to check which way the wind blew. He didn’t want Old Red to smell his scent as he snuck up on her. 

            “Sow, boss,” whispered Mike, as he crept quietly behind the cow. Last night’s summer storm made the ground perfect for this: all wet and slippery. He inched closer. When he was within reach of the cow’s tail, Mike grabbed it and hollered, “Whoop, whoop!”

            The startled cow jumped in fright and ran for her life, dragging Mike along! He hung onto her tail, fighting to stay on his feet over the wet, slippery mud. Cow skiing wasn’t easy, and he prided himself on being pretty good at it. 

            “Whoop, whoop!” Mike repeated, throwing one arm in the air. He skied for almost thirty feet before falling over. He looked up from the mud and watched Old Red run to the safety of the barn. He laughed. 

            “Crazy cow!” he yelled. He got up and brushed himself off. Hope Dad doesn’t find out this time, he thought. He’d sure be angry if he knew that I tried to ski behind another cow.

             Mike walked into the barn and patted the backside of Bessie as she stood eating hay. “Sow boss,” he said, while taking a wet cloth from his hip pocket. He wiped the cow’s teat clean and then sat on the three-legged stool to milk her.

            Three kittens came over and he squirted them with milk, much to their delight. After he finished milking Bessie, he moved on to Molly and milked her too. Done, he picked up the milking pails, groaning from the weight. 

            Mike had blond hair and blue eyes like his dad, with lean muscles from carrying milk from the barn to the white, wood-framed bunkhouse, a porch-length away from the farmhouse. They used the basement under the bunkhouse only in case of tornadoes. Hired hands, the men who used to help work the farm, and their beds were long gone, but it still held an old wood-burning stove and a milk separator. The separator looked like a large stainless steel funnel on legs. It had a crank handle like on the front of an old-timey car.

Mike set two buckets under the large funnel and poured the milk in the top. Taking hold of the crank handle with both hands, he began turning it in a continuous circle. The large metal funnel spun around and around until the cream separated from the milk. The milk filtered down one side of the funnel, and the cream filtered down the other side. 

            Once this was done, Mike took the cream and milk to his mom. One day, thought Mike, I’m going to move off this farm, away from this town, and then I won’t have to do all this milking. I’m going to buy my milk from the store, just like city folks. 

            Mike lived in Brady, Nebraska, a small town shaped like a horseshoe off Highway 30, just east of North Platte. Brady couldn’t be found on any map, and a house number wasn’t needed in the address on letters. With a population of 240 people, the mailman delivered the mail by just the name on the envelope.

            Unlike the city, the town had no paved roads, only dirt, and it had wooden walkways in front of each establishment. The restaurant behind the gas station had most of the local branding irons tacked up around the walls as its décor. The town also had a bank, a drug store, a post office, a feed store, and a community center, where every Saturday night people would come to square dance. An outdoor movie theater used the white wall of the drug store as a movie screen. Logs split in half and placed on the ground served as benches, and other logs outlined where walls would have been. The best part? It was free to watch. 

            “Take your boots off,” Mike’s mother, Evelyn, reminded him as he put the milk and cream into the refrigerator. “And go wash up for dinner.”

            Evelyn was a slim, pretty woman. Her blue eyes contrasted with her black hair, which she tied up in a bun to keep out of her face. 

            Mike did as he was told, and then walked to his room without saying a word. He tossed his straw cowboy hat on his bed and went to the farmhouse’s one bathroom to wash up. The bathtub stood on four legs in the corner, and they didn’t have a shower. 

            He heard the screen door bang shut and knew it was his dad.

            “Where’s Mike?” asked his father, Arno.

            “In the bathroom,” said Evelyn. “Why? What did he do now?”

            “I think he’s been cow skiing again. I got to the barn just after Mike left and Old Red’s acting all nervous and upset. Dang kid! I’ve told him a hundred times not to do that!”

            Arno was a fair-minded man, but also hot tempered, and he had a short fuse. His good looks – almost six feet tall, blond wavy hair, blue eyes, and long dimples on the sides of his face that showed off straight white teeth when he smiled – hid his quick temper. 

            Mike listened to his parents’ conversation through the open bathroom door. Oh man, he thought, should I lie or should I come out with it? 

            Mike dried his hands and walked into the kitchen: time to face the music.

Universal Reader Link:  https://books2read.com/u/m2lMBG

Author Bio

Gail Picado was born in 1949. In high school, she loved to draw and write, but her father discouraged her, saying that there were too many starving artists, so instead, she took typing and bookkeeping, always working in an office.

As a child, her parents would take her and her siblings to her aunt and uncle’s farm in Brady, Nebraska, every summer to spend time with their cousins. She spent many hours learning chores that seemed more like play, and each chore created a good memory. There were no toys, but the animals were all the toys any child would need. This is how A Cow Named John was created.

Gail’s first novel, No One’s Son, published in 1991, is based on her father’s life. She and her husband reside in California and have three daughters.

Facebook:  https://www.facebook.com/gail.picado

Authors Den:  http://www.authorsden.com/visit/author.asp?authorid=168207

Twitter:  https://twitter.com/GailPicado 

Amazon:  http://www.amazon.com/s/ref=nb_sb_noss_1?url=search-alias%3Daps&field-keywords=Gail%20Picado 

Check out our latest Writing in the Modern Age blog article here.

Back in March, you may have seen my post about social networking and how useful a tool it can be. I still stand by that statement with the exception of a few things. 

Facebook is a good social networking tool. Remember how I said to connect with as many people as possible to expand your presence? You should. And joining discussion groups on Facebook is a good idea too. If you are published, your publisher may have its own authors group. Definitely join. It will save you a lot of unanswered questions. Facebook is a really good tool.

However, Facebook has this funny way of preventing you from adding friends like crazy. I have been blocked before. This is basically like putting a hold on your account for a certain length of time. You can do everything except add new friends and send direct messages to people you aren’t connected with. The only way you can get new friends is if people add you and then you confirm. I know it's not great while you're waiting for the wonderful people at Facebook to take the hold off of your account, but it's something. I think part of it is Facebook’s fault. The other reason you get blocked is because the people you have tried to add have nothing better to do than to report to Facebook that you are a complete stranger or are spamming them. It is simple. They don’t have to confirm you as a friend. They can simply hit “ignore”. Instead, they chose to report you. The only good reason I see for blocking someone is if they are sending you creepy or threatening messages. That is just my take on being blocked. Unfortunately, Facebook has their own rules. So, that is one of the disadvantages of adding friends like crazy on Facebook.

LinkedIn is still a tool I would recommend. Having said that, there is one hiccup you’re bound to come across at some point. LinkedIn lets you join 50 different discussion groups. This is nice if you have joined good ones. It is not so nice if you have not. I mentioned the notifications you’d receive before. Just be sure to change the notification settings on each of your groups so you’re not bombarded with messages in your inbox. 

The one thing I want to cover with LinkedIn today is knowing what those groups are about. Read the rules of each group. The moderators can get really picky with what they allow. I encourage you to join discussions. Make sure your website and any other information is on your profile so others can see it and link to it. Posting discussions can get hairy though. You need to decide if what you post goes with that specific group. One of my discussions was removed recently and I was flagged to be moderated in the future. All I posted was the fact that I was interviewed by a blogger. It’s not like I was doing multi-level marketing and trying to get people to look at and buy a specific product. I was just excited about the interview. So sue me. LOL. For future reference, just keep an eye on what you’re posting and what the group is all about.

Twitter is also a neat tool to use. You can tweet about pretty much anything from your book to interviews to where you went to eat last night to how you took your dog for a walk. I’m not kidding about the last two. People actually do that. Nowadays, it’s becoming the standard to talk about things besides what you really want to post. That is why you see the celebrities you follow tell everyone they just ate a bag of Doritos or painted their toe nails. Really? That’s nice. I know. Not very exciting. And not very hopeful for the burgeoning writer.

So, there are a few things you can do to ramp up your presence on Twitter. Sure, you can post news about your writing. I recommend it. Also, try to gain a following by following other authors or your own interests (i.e. companies or brands you like, people you admire). Chances are they’ll follow you back. And on the left side of the page, Twitter gives you recommendations, kind of like the age old, "if you like this, you'll like this" notion. And always try to follow those who have followed you on Twitter. If someone direct messages you, asking a random question like, “What is your favorite food?” or maybe they want to talk about how they just finished a needlepoint project, go ahead and reply back. This puts out the idea that your efforts are not self-serving and you actually do want to talk to people, which is most likely the case. The downside of Twitter is this: some of the people you follow are not exactly professional, and you may get some pretty nasty comments or propositions. The best way to handle this is to go through your list of followers and unfollow those rude people. They may still follow you, but by unfollowing them, you have just saved yourself a big headache and a ton of embarrassment.

In my previous article, I did not mention any other tools that could help you network and give you more of a presence. But, I will now. Some of these include blogging and email lists. Blogging is a good tool. Start your own blog. Find a niche market, something to write about. You want to write about writing? Go ahead. You want to tell people how much you love baking pies? You can do that. In most cases, if you say you’re a writer somewhere on your profile and have a link to your website, curiosity alone will cause people to go there. Will they buy your book? I don’t know. But, it’s worth a try. The important thing is you have something to offer people, something that brings them back to the blog again and again. You’ll get subscribers. That’s a good thing. You’re building a web presence. I have two blogs, one that showcases my books and one that is all about writing. Obviously, you’re here so you know which one is which. LOL. Then, you want to look up ways to advertise your blog. There are many sites where you can list your blog and thereby draw attention to it.

Now, I’m going to say something about email lists. Sure, you can take a bunch of your connections and email them like wild about your books, etc. But, I don’t recommend it. You’re mainly going to piss people off. They’ll end up blocking you in some form or other. And you’ll get some replies back, mostly ones like, “Stop emailing me” or “Take me off your mailing list”. The same could happen if you buy email lists. But, if you go that route, mostly what you’ll get is a bunch of non-deliverable emails sent back because those emails were out of date. Probably the best thing to do is to make connections or even friends on LinkedIn, Twitter or in real life and simply ask them if it’s okay to put them on a mailing list for updates or news on your books/writing. 

So, that’s my spiel for the day, folks. Yes, there are a few disadvantages to social networking. I’m sure there are more than I even listed. But, without these tools, we would have no presence as writers. Gone are the days when all books ended up on shelves in libraries or bookstores. This is the digital age. E-books are the thing. If someone can read a book on their Kindle or Nook, then we have to use the tools provided to us in the digital age to try to reach those readers. Though I love traditional books as much as anyone else, even I have to evolve with the times. 

Thanks for reading! Keep an eye out for further posts. I am still hosting author interviews, guest blog articles, and I am beginning to take guest book reviews on my blog. Enjoy, or read back through the archives of Writing in the Modern Age. Have a great day!

Check out our latest Writing in the Modern Age blog article here.

I’ve had a lot of conversations about the best way to write a book. I have long believed there is no one system that works for everyone. It’s whatever process works for you; whether it’s outlines, daily word requirements, black boards, however you frame your story and get a draft onto paper. 

I write a story like you’d watch a movie, chapters being scenes, the end result being me as a director, assembling the chapter-scenes into a coherent story consisting of characters, conflict and resolution. Then I edit it. Someone asked me once, "How do you write a poem?" I told them I write it down and then I edit it for the next thirty years. This is a slight exaggeration, but there’s an elementary truth in it. Good writing requires good editing. Your imagination creates the story draft.  Editing is where you shape it into a book. Working with a good editor is a real plus.

My idea for a first draft always begins with the characters. My protagonist Ray in Children of the Enemy was a man I saw who ran a salvage yard, which could also be described more simply as a junkyard. He was sitting on a chair outside of a house trailer, smoking a cigarette, with virtual mountains of scrap metal pieces and junk appliances surrounding him. I imagined in real life he was perhaps a cross between Dirty Harry and James Earl Jones. It was just how he impressed me. Once I have a few characters I like, I put them into a situation. This is the conflict. The next step is I frame in my mind how I intend to resolve the conflict. The rest of the book consists of chapters that point toward the resolution.

The underlying theme in my latest book, The Death of Anyone, poses the Machiavellian question: Does the end justify the means? I developed this story around an impulsive former narcotics officer now in homicide called Bonnie Benham. Bonnie is a no nonsense cop who describes herself as a blond with a badge and a gun. Bonnie has her own answer to the question, but the legality of it will be answered in a real life courtroom in the California trial of a serial killer dubbed by the media: The Grim Sleeper.

Lonnie David Franklin, the Grim Sleeper, was caught because his son’s DNA was the closest match to DNA collected at the crime scenes in the database. Investigating Franklin’s son led them to investigate Lonnie Franklin. But there was no direct DNA evidence that linked Lonnie to the crime scene until they obtained a sample from him after his arrest. Lonnie Franklin will be the first person in the U.S. to ever stand trial based on this type of evidence, and its admissibility issues in court will be thoroughly tested by defense attorneys. These are the very same issues that face Detroit Homicide Detective Bonnie Benham and form the plot of my story. 

Thanks so much for visiting us today, DJ!

Guest Blogger Bio

DJ Swykert is a former 911 operator. His work has appeared in The Tampa Review, Detroit News, Monarch Review, Zodiac Review, Scissors & Spackle, Spittoon, Barbaric Yawp and Bull. His books include Children of the Enemy, a novel from Cambridge Books; Alpha Wolves, a novel from Noble Publishing, and The Death of Anyone is his third novel, just released by Melange Books. You can find him hanging out on the blogspot: www.magicmasterminds.com. He is a wolf expert.

Amazon author page:  https://www.amazon.com/D-J-Swykert/e/B00DD0B17U/

Here is a brief overview of two of his books:

Children of the Enemy

Jude St. Onge is a man on the run. He is an addict who has stolen a large cache of drugs from Detroit drug kingpin Mitchell Parson, who is determined to retrieve the drugs and take his revenge on Jude. After the torture slaying of Jude’s wife, and the kidnapping of Jude’s daughter, Angelina, the last thing Mitchell Parson expected to hear when he picked up the phone was: “I have your sons.” Raymond Little, with a murder conviction in his past, and newspaper reporter Ted Rogers have become unusual allies with Jude in an attempt to rescue his daughter. Together they kidnap Parson’s two boys, hoping to secure Angelina’s release. Risks for both hostage-takers skyrocket as the two sides square off, while Detroit Homicide Detectives work the case unaware of all that is at stake in the investigation. Only Ray and Ted can save the endangered children in Children of the Enemy.

Universal Reader Link:  https://books2read.com/u/mB2oAN

The Death of Anyone

Detroit homicide Detective Bonnie Benham has been transferred from narcotics for using more than arresting and is working the case of a killer of adolescent girls. CSI collects DNA evidence from the scene of the latest victim, which had not been detected on the other victims. But no suspect turns up in the FBI database. Due to the notoriety of the crimes a task force is put together with Bonnie as the lead detective, and she implores the D.A. to use an as yet unapproved type of a DNA Search in an effort to identify the killer. Homicide Detective Neil Jensen, with his own history of drug and alcohol problems, understands Bonnie's frailty and the two detectives become inseparable as they track this killer of children. 

Universal Reader Link:  https://books2read.com/u/b6vKl0

Check out our latest Writing in the Modern Age blog article here.

Okay, so we’ve all heard that to make it in the new publishing world, we have to promote, promote, promote! Sigh. Unfortunately, it’s true. It is important to maintain author accounts on significant social networking sites like LinkedIn, Facebook and Twitter. Did I miss any? Probably. I’ve heard Pinterest is up and coming, but that is not what I’m going to talk about here.

LinkedIn was at one time a social networking site for mainly the business world. Now, it still is, but tons of people use it. If you do decide to create an account on LinkedIn, make sure you connect to as many people as possible. As I have tons of accounts (one for each pen name…LOL), this is a hard thing to do. For the benefit of this blog, I’ll only mention my Marie Lavender identity. LOL. To this day, it still gets me that I have so many pen names, but I digress.

On LinkedIn, I have 1126 connections. What? How did that happen? Network, network, network. If someone wants to connect with you, do it. The more connections you have, the more potential readers you’ll have. Or peers. Fellow writers always come in handy because you can ask them questions. And they may recommend you to someone else. Cool, right? Mostly, I do it because I feel an affinity with other writers. We’re all going through the same thing. Also, try to reach out to as many people as you can and connect with them. If LinkedIn is suggesting you connect with five people, take the suggestion. LinkedIn will make suggestions depending on if you happen to be connected to someone else in that person’s network. LinkedIn has a three tier system for networking. The first level is who you’re connected to. The second is who those people are connected to. And the third…well, for the most part you don’t need to be concerned with them. They are so out of your reach, it would be a miracle if you ever connected to people like them. Think Bill Gates. But, if you happen to connect to Bill Gates, good for you. Those “third” connections are persons of influence. 

So, on to my next thing about LinkedIn. The other way to gain more connections is to join groups. Yes, I did say “groups”. Discussion groups are a time-consuming process, but believe me, they foster a lot of learning and networking. Try to join discussion groups that have a lot of members, and are about a subject you’re genuinely interested in. If you like making pottery, don’t join a comic book club. You get the idea. And LinkedIn lets you have about 50 groups, so you have a lot to choose from. Considering there’s about a million discussion groups on LinkedIn (I could be exaggerating...then maybe I'm not), you have your work cut out for you. In some cases, the moderator of the group will have to approve you to let you in. Nowadays, a lot of discussion groups are becoming open groups so it may be easier for you. 

Once you are in a group, you can post discussions. Yes, some people take this to the extreme and use it as an advertising tool. “Please look at my book….please go to my website…buy my pet rocks…” But, this is a sure-proof way to get the moderator to block you or boot you from the group. You can advertise, but please, oh please…do it sparingly. The thing you want to focus on here is the discussions posted asking someone else’s opinion about a topic or advice. If you have something to say, comment on the discussion.  Be mindful of your image, however.  You can choose to follow the discussion, and you will receive email notifications about other comments from group members. And if you’d like to post a question, go ahead. In most cases, you will get a response. You will get a ton of emails once you join a group though. Not only because of these discussions you participated in, but because of the discussions posted in the group overall. You’ll receive updates. Thankfully, you can change your notification settings when you click on each group. You can tell it to only send those once a day, once a week, etc. Take advantage of that, or you’ll end up screaming in frustration at the craziness in your inbox. 

The other thing you can do on LinkedIn is create a discussion group. If you really feel there aren’t many groups that interest you and you think there’s a niche for it, then make one. Be sure to make the rules for the group clear, and the description as accurate as possible. You can invite your connections to the group. You can sit and wait for people to join. In some cases, it totally works. In others, not so much. Really consider what you’re doing when you start a discussion group. For one of my accounts, I created a romance writing discussion group, and it has gone very well. People are posting discussions all of the time. For another account, that didn’t go so well. I had plenty of members, but no one wanted to say anything. You will have to post the occasional discussion in your group to actually foster discussion. And moderation is very important. You will have to approve members quite often and approve discussions. Occasionally, you’ll get someone that posts the same topic/advertising tool like crazy, and you have to delete those posts or it will make the group look bad. In some cases, you may have to tell that person the group is not a forum to advertise, but a “discussion” group. Again, I digress. But, forming a group can be a powerful tool, if that’s what you want to do and you have the time to moderate it.

There are ways of advertising on LinkedIn. Yes, you can send a blitz of messages to your connections, but you may get some pretty hateful replies in return. LinkedIn has paid advertising just like Google, if you want to do that. LinkedIn offers free accounts as well, but there are paid accounts that will give you more power. Do that if your budget allows it. For most of us writers, at least at the start of our careers, our budgets are pretty meager so we have to evaluate things like this.

On to the next tool. Facebook. Facebook can be a pretty useful medium. Once you have an account, you can “friend” people. At first, it might seem like you don’t know anybody. You want to look up your friends from high school? You can do that. You want to connect with other writers? You can do that. Facebook will suggest friends for you like LinkedIn does. Take the suggestion. The more friends you have, the better. Right now, I have 870 friends. Also, if you are an author, you will want to find fellow author’s pages and “like” them. They will likely connect with you and “like” your page if you have one. Like other people’s pages if you want too. 

Yes, you can create a page. It’s free, and it’s a very useful tool. You can create an author page and a page for each of your books. For some writers, this is very nice because once they reach the maximum amount of friends that Facebook allows, they can refer people to this page. If you are connecting with other authors, you’ll understand exactly what I mean very shortly. Then, you want to try to get people to “like” your page (or pages, if you have more than one). Sure, you can message people like crazy, but this can also get a pretty unsavory response. Believe me. LOL. You don’t want that can of worms. 

The best thing to do next is to join some discussion groups. “Oh, no!” you say. Not more discussion groups. Yes, my minions. LOL. Just kidding.  You should join more groups. On Facebook, you really don’t need to join that many. Between five or ten is a good number. Sometimes people will automatically add you to their groups, which can be good and bad. You can choose to leave at anytime, of course, just liked you can on LinkedIn.  Within these groups, you can post questions and present topics. 

The other thing is “events”. You may get invited to join “events.” Sometimes it’s a book signing or release. You can choose to join or decline. Or click “maybe” if you don’t know yet. In my case on two of my accounts, it was a “Liking” event. This was very, very cool because a bunch of authors joined it. And all of us started “liking” each other’s pages. And yes, you need as many likes as possible on your pages. In some cases, you can even encourage people to “like” your Amazon book page, if Amazon still allows that.   Never forget to return the favor of liking. If someone likes you or your book page, do the same. It’s only fair.

If you want to get the word out, Facebook has advertising too, and it’s cool if it’s within your budget. But, I don’t even have that kind of budget right now so I can’t give you advice in that regard.

The next tool is Twitter. Ah, Twitter. The wonderful Twitter where you can “tweet” like crazy. You can create your author account here. Yes, it is an advertising tool for the most part. Or it seems like that. It doesn’t have to be. If you are a new member, you will need to “follow” your interests. Most likely, Twitter will offer a tutorial. Once you have established what interests you, Twitter will make suggestions based on that. You can also search for what you want to follow. If you like healthcare, follow the CDC.  If you like Taylor Swift (*shudder), follow her.  If you like writing, follow other authors and their books. In most cases, people will “follow” you back.

You want to get as many followers as possible. This may seem hard. It will look as if you follow more than you’re followed. Keep pushing forward. You will also receive notifications about Tweets the people you’ve followed have posted. Yes, it does make your inbox crazy. I believe you can change the notification settings here too.   Another tip. With Twitter, you can customize your profile with your book cover, author pic or other background to make it look nice. Other people will see this when they follow you. Because you do want a lot of followers, I will give you this.  

Recently, I heard of a way to actually buy followers. I haven’t tried it yet, but it might be a decent way to get potential readers. As of right now, I have 181 followers. I’m getting there! LOL. 
As always, I’m still learning. We all try to pick stuff up every day to keep promoting ourselves as authors. Do you have any tips for writers in the modern age? Want to write an article for my blog here or maybe you’d like me to interview you? Please email me at marieannlavender@gmail.com and I’ll get back to you promptly.

Check out our latest Writing in the Modern Age blog article here.