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Writing in the Modern Age


Writing & Guest Author Blog

WritModAge Advice from Writers Ten Year Anniversary Multi-Author Special Spring Event

4/8/2023

2 Comments

 
For this year, I wanted to commemorate a special occasion. The Writing in the Modern Age blog has been running for ten full years! Woo hoo! That’s great! We’ve come such a long way.
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Image by Freepik.
So, to celebrate, I thought I’d look back at the very first post, which was featured in March of 2013. It was written by Stefan Vucak and titled "Practical Advice for Beginning Fiction Writers". Feel free to view the article in full here.

But it also ties in to today’s post, as I’ve gone to the trouble to ask for advice from 47 different authors. I wanted to take what they’ve learned and help other writers at various stages in their careers. It’s also how we’re marking the ten-year anniversary on the blog this month.

By the way, this year, I’ll be shifting the WritModAge blog into taking on less guest posts and interviews (or none for a while, since I’m so swamped with other work), and doing more of my own articles about writing instead. However, I will still run occasional group events such as this, or even host big book giveaways. But I just thought that posing a big question to some of the authors who donated to previous events on the blog would be a great way to mark our ten-year reunion.

Here are some of the previous multi-author features in which other questions were asked of various participants.


https://marielavender.blogspot.com/2015/04/what-does-inspiring-mean-to-you-by-lois.html
https://marielavender.blogspot.com/2015/08/why-do-we-write-250th-anniversary-multi-author-special-event.html
https://marielavender.blogspot.com/2016/11/what-does-your-writing-process-look-like-special-multi-author-blog-event-and-350th-anniversary.html
https://marielavender.blogspot.com/2019/06/500th-anniversary-do-authors-read-while-writing-multi-author-special-blog-event.html

As you’ll likely surmise, back in 2022, I changed the blog’s domain over to https://writinginthemodernage.weebly.com/. I will eventually shift all the posts to this URL, transitioning them until I can close down the other blog. I will still have a splash page there for fans who don’t know about the big move.

However, to properly display each participant’s answer today, I’m listing their preferred genre/genres to write in, the advice they’re offering, as well as some links where you can follow their published work.
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This is the big question I’ve posed to them…

What top five pieces of advice (lessons or tips) would you offer to another writer in your specific genre?

Without further ado, let’s see what they said.
Author Participants and Responses to the Main Question
1) Judi Getch Brodman 
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Genres: I write in a number of genres: cozy mystery, time travel/mystery, historical romance, romance, and many times, I mix and match these genres as I write. My love of the writing process, the creation of a story and its characters, keeps me writing story after story.

Advice:
First, you need to want to write... to be dedicated to your writing. Writing is hard work; good writing is almost impossible. It is time-consuming and isolating.

Second, you need to learn to write.  What does that mean? Join a writers group, listen to other writers and learn from them, from their writing and from the constructive criticism of your peers. I joined one early on and learned so much from them all. I will be forever grateful to this group. I also took an encouraging creative writing class. The professor urged me to continue my writing because I had, as she called it, a unique voice and writing process.

Third, after I said all that, anyone can write, string words together. You can sit down, write 50K words and feel as though you have a book.  Well, you don't, not one that a publisher will touch. When I said above, "good writing is almost impossible", I meant it. Good writing comes after many drafts, much editing, and many revisions. This is where your story comes alive... here you polish it by working on words that best tell the story and fit the character, by making dialogue meaningful (this is very important), removing errors and misspellings, and by creating a story that will capture the reader. 

Fourth, create interesting, three-dimensional characters. I learned this from a workshop I took given by a writer whose books I loved. No one wants to read a story with ‘flat’ characters. You, as the writer, need to know their backstories, what’s in their ‘bag of rocks’ that they carry with them, what their secrets are… what’s in that box under their bed. You may not put all that information into the manuscript, but you will use it as you write, trust me, and your characters will come alive.

Fifth, do your research! If you are writing a time travel back to the 1800s, know what it was like to live in that time. One of my favorite books, The Looking Glass Labyrinth, was a time travel back to 1804. As I wrote, the story evolved into a mystery within a mystery with a beautifully layered romance. I won’t say much more except that I spent hours and hours doing my research on sea captains and their trade routes, on how women were educated and treated culturally, the fashion and family dynamics. The research fascinated me and although I didn’t use it all, I felt I knew my characters well enough to tell this beautiful story. Remember, your readers are smart, and if you make errors in history or anything else, they’ll notice, put the book down and not trust your story telling ever again.

I could go on and on, but Marie asked for only five points. My advice to all -- enjoy the process of creating and writing! I’ve passed my love, my passion for writing, on to two of our little ones, eleven and nine, who wrote every word of their first book, Two Mice and a Train, and I published it. What a huge accomplishment for them! May their imagination fire many more. One of the keys to their writing was that they are both avid readers and LOVE stories.

Links:

https://tinyurl.com/JudiGB
https://judigetchbrodman.wordpress.com/
 
 
 
​
 2) 
Jane Riddell  
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Genres: commercial fiction, somewhere between chick lit and literary; humor
 
Advice:
1.  Research locations/topics raised so that your story is plausible. 
2.  Use fresh language, avoiding clichés, unless they are part of a character's way of talking.
3.  Don't overexplain, but avoid confusing the reader.
4.  Leave room for the reader's imagination.
5.  Use subtext in the dialogue.
 
Links:

http://JaneRiddellquietfiction.com
https://www.amazon.com/stores/Jane-Riddell/author/B00B9E4ABQ
#JaneRiddell  

 

​
 3) 
Natalie Silk  ​
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Genre: Science Fiction and Alternative History
 
Advice
The greatest advice:  Don't stop the dream.
 
Link:
Amazon Author Page:
  https://www.amazon.com/stores/Natalie-Silk/author/B00EA8VY76
 
 
 
​
 4) 
Giulietta M Spudich
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Genre: Young (Middle Grade) Fantasy

Advice:
  • This would be true for any genre - if you are writing in young fiction/fantasy, read books in the same genre! Another way to look at it would be, write in the genre you love to read.
  • Observe young people. Watch films, read books, interact with actual children, preteens and teens. Know your audience. This will make your story reach your target readers more. Your young characters will be more realistic.
  • Don't forget the emotion! It can be fun to think up brainy plots, but young readers especially dwell in emotions and will connect with emotional characters.
  • Remind yourself what it was like to be a child or young person. Think back to your own experience. Make notes about your thoughts, feelings, and experiences at that age.
  • Have some fun! If you enjoy writing your story, your reader will enjoy reading it.

Links:

https://medium.com/@elementgirl
https://www.amazon.com/stores/Giulietta-M.-Spudich/author/B008D2MSTS
 
 
 

​5) 
​P.T. Macias
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Genres: Dark Alpha Romance, MC Romance, Mafia Romance, Paranormal Romance, Military Romance, and Contemporary Romance
 
Advice:
What top 5 pieces of advice (lessons or tips) would you offer to another writer in your specific genre?
​

1.Write, Write, Write!
2. Research
3. Edit
4. Promo - ARC Team
5. Reviews are constructive criticism.

Links:  
Amazon https://www.amazon.com/author/ptmacias.com
Facebook https://www.facebook.com/P.T.MaciasAuthorPage
Newsletter Sign up P.T. Macias Legacy Romance! Author's Official Website





6) J.R. Wirth
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Genre: Suspense/Thriller, some supernatural magical realism
 
Advice:
  1. Edit, edit, edit! Then put it down for a month or so, and do your final edits. I think it was Hemmingway (though I could be wrong) who said, “the first draft is always crap.” Then run it through the Microsoft and Google docs filters for mistakes—they pick up different errors. If you have other software, do that too!
  2. If you are in a rush, then find a good proofreader. You may have to pay for this service.
  3. Don’t give up! There will be times when you will just feel like quitting—for a number of reasons. Remember that rejection and frustration are part of the process—though unwanted for sure.
  4. If you tend to be self-critical or get feelings of depression and anxiety (neurological or otherwise) from time to time, just remember that it, too, shall pass!
  5. Turn your phone off or mute it. It can be the biggest distraction to anything from driving to getting that great scene realized.

Links:
www.facebook.com/Author.JRWirth
http://www.amazon.com/J.R.Wirth/e/B00R9SDSR8/
 
 
 
 7) 
Kathryn Troy
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Genres: Fantasy/Romance/Horror

Advice: 
Tip #1. Write for pleasure. If you write for what's hot and trendy in the market, chances are by the time your book gets published, it will be out of fashion. Write what you want to read, and you'll always be in style.

Tip #2. Don't take it personally. Rejections from agents, editors, presses are NOT evaluations on your writing skills. They're just not. There's a lot of poorly-written books out there that make millions, and masterpieces that never see the light of day. Being published cannot be equated with quality.

Tip #3. Read broadly. The more you read in your genre (and others!), the more exposed to other ideas, concepts, and tropes you are. That will make you a more informed and potentially more unique storyteller as you develop your own voice.

Tip #4. Don't self-reject. We all have doubts. We're all not sure if our writing is good enough, if it's a good fit for this agent, that publishing house, whatever. But you never know. You can't make it if you never put yourself out there.
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Tip #5. Don't be afraid to try something new. Just because you haven't seen anything out there like what you're writing, that doesn't mean there isn't an audience for it. Not EVERYTHING is like something else. If you've got a story to tell, then tell it.
 
Links:
 
kathryntroy.blogspot.com
@Bathoryscloset
 
 
 

8) Leigh Podgorski
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Genre: I am being published now as an Oracle Card creator, and love doing it. My preferred fiction genre remains metaphysical work that delves into our spiritual aspects as humans. My writing is eclectic: historical novels, literary fiction, and mysteries-- not of the whodunit, but more mysteries that arise thru one's life journey. 
​
Advice: 
1. Apply the seat of the pants to the seat of the chair.
Best advice I have ever gotten which, to copy Nike, means 'Just do it'.
2. Whether you outline or simply scribble notes: know where you are going. I know many writers have said they just write, but I don't think that works best to create a fully realized piece. By thinking your work through, you can add foreshadowing and much better character development.
3. Characters! Reader's often fall in love with the characters you create. So create well-rounded people that jump off the page. Make them real. Many-faceted. Engaging-- yes, even, especially your villains. 
4. Listen to your quiet voice within. Let it guide you. When your characters speak to you, and they will, listen and heed.
5. Yes, Virginia, GRAMMAR MATTERS! I have read so many posts that eschew grammar. Eschew it at your peril. Grammar is your essential tool, your building blocks. If you didn't learn it, do it now! If you send a query with bad grammar, guess where your brilliant work ends up? The round file.

Links:

https://tinyurl.com/LeighPodgorski1
www.VioletHillsProductions.com
 
 
 
9) 
Edita A. Petrick  
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Genres:  Multi-genre – I write mysteries, sci-fi, romance, romantic suspense, thrillers, and even cozy mysteries - plus I ventured into YA fiction as well.
 
Focus of Advice:  Mysteries/Thrillers
 
What makes for an un-putdownable mystery?

There is a huge amount of advice floating out there, on writing and publishing. At times, it’s not just overwhelming to read through a few of these types of posts, but discouraging. How do you decide? How do you choose? Did you make the right choice—for anything, anyone?

What makes for a riveting read in the mystery genre? A question as big as the genre itself. Forget the classics. They will always stand in a category of their own. You can’t compete with Agatha Christie or Dickens or even the bevy of ghostwriters who fleshed out the Nancy Drew and Hardy Boys stories.

The first thing you need to understand about mysteries is very simple – do you like to read them? If so, go ahead and plunge into the genre. If not, you may try your hand at crafting one story, but that won’t spark your writing spirit. Your writing must run parallel to your interests in reading. You cannot force a mystery out of you, if you switch channels the moment one of the hundreds of police-thriller-action movies comes on.

Let’s say you like reading mysteries, and you like watching any and every show dealing with any kind of a mystery—whether it’s fictional or documentary. So—what makes for a riveting mystery?

Some will tell you it’s the story that the readers must find compelling. That may hold true for about ten percent of time the reader spends reading your blurb. Some will tell you it’s the twists and turns and cliffhangers in the story that will capture the reader. That accounts for another ten percent of time the readers may spend figuring out whether they like your cliffhanger or not.

But what really creates a riveting read is the story’s character—or characters. That’s where you should spend your time and energy—crafting larger-than-life, quirky, colorful, little bit insane, little bit crooked and a little bit plain, dark characters to lead your story. You can have it if you can craft one strong enough to carry the whole mystery for three-hundred pages, or you can have two or three supporting characters to help your main protag to carry the story.

Do you need an equally larger-than-life victim? No. Victims may be as colorful or as bland as you like them. It’s the motives and motivations that saw them depart this mortal plain that makes any victim interesting.

What you should not have is an average character, delivering average lines of a decent mystery, because the reader will not get past the average character to appreciate the complex and riveting mystery plot.
To me, average means real-life as it runs for normal people, not reality show stars.
Look around your circle of friends and relatives. Which one of them do you like – and most importantly, why? Once you answer that question, you will have a template for your character. Then write down at least three attributes for that character that closely mesh with the real ones of the real person. And finally, make that character larger than life. Way larger. Corrupt something in the sterling character; twist something in the protagonist’s otherwise honest approach. Craft the flaws so you can tie them to the psychological aspects of that character.

To do that, you need to ask yourself for each of the points considered: What if…? What if the trait you like him for was just a little bit…smudged, a little bit off-key, a little bit non-conforming. That’s what will give your chosen character his or her color. It’s our flaws that make us interesting to others, far more so than our virtues. It’s how we cope or hide such flaws that makes for a compelling reading.
And finally, you can inject a bit of mystery into any genre—whether it’s romance, or sci-fi or adventure or action. Often, it will make what would have been an otherwise straightforward plot, into a labyrinth.

Links:
https://twitter.com/BoniEdita
https://www.amazon.com/stores/author/B002BMI57U 
 
 
 

10) Stefan Vucak
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Genre: Contemporary drama/thriller/politics/military

Advice: 
Individuals write for many reasons, but I suggest all want to see their work reach a broad audience. The bonus, of course, is to be accepted by a literary agent and a major traditional publisher. It can happen. Many writers wonder why a poorly written book gets into a bookstore when theirs is so much better, but cannot be accepted by an agent or publisher. We can only scratch our heads and keep writing. Suggestions to writers? There are as many tips as there are writers, but I’ll risk repeating some of them anyway.

1 – In my opinion, to be a writer requires that he or she has that peculiar fire of creation burning inside that compels the individual to write, create new worlds, and share with readers their visions. Without that fire to carry the person through trials of procrastination, rejection, mental blues, frustration, the person will give up and concentrate on their day job to survive. Of course, some wannabe writers start a novel with bubbling enthusiasm, but when hard writing is required, or a new idea flashes into their minds, the work is abandoned in pursuit of that idea. In the end, nothing is achieved. So, if you don’t have that fire and desire to create, better take up golf instead.

2 – As with every profession, discipline is a must if anything is to be done. It is the same for any wannabe writer in whatever genre. Writing takes time, as does editing and proofreading, and a writer must be prepared to spend many days and months alone pushing that manuscript until it is done. For many, ongoing work and family commitments may not give a writer enough time they would like to pursue that novel. Nevertheless, a planned, disciplined approach that schedules a dedicated hour or two during the week and weekend to writing is a necessary step if that book is to be done. For those who can write full-time without the burden of holding down a job, discipline is equally important, as hours, days, and weeks can be whittled away in unrelated activities. Before you know it, months have passed with very little writing to show for it. A writer should set up a routine and a schedule devoted to writing time … and stick to it.

3 – In the contemporary genre -- and this applies to just about any genre -- research is a multi-pronged hook on which the author rests the book’s credibility. Getting historical, political, geographical, scientific, and other facts is critical to establish legitimacy and confidence in the reader’s mind, without which the book will be treated with the disdain it deserves. Social media and various internet search engines are invaluable tools for gathering information. However, the ‘buyer beware’ caveat applies. Search engines can dredge up many responses to a query, but an author should verify the supposed ‘facts’ from several sources to establish legitimacy. I suggest it is particularly important to validate scientific information that supports an author’s premise or hypothesis. There is nothing worse than having a reader cringe when coming across a glaring factual blooper because the author relied on his or her memory and did not bother to validate something, or have some outlandish space drive that flies in the face of current theoretical science. Although for any research a writer may delve into for a book, most of it will never be in the book itself. However, that is not a bad thing, as the wealth of information a writer uncovers provides a solid background, framework, and confidence for a writer that he/she is a subject matter expert, and that confidence will flow into the book.

4 – Having reviewed a library of novels, one thing manages to always stand out – a book that has been thoroughly planned and plotted, and one that seems to be written and made up as the author went along, allowing his/her characters and plot to evolve without any direction, or toward an ending the writer cannot wait to reach. There are numerous articles that argue the benefit of writing a detailed outline, and there are articles that suggest an outline is a waste of time. For a short story, I suggest a couple of dot points might be sufficient, or perhaps not. It all depends how clear the story is in the writer’s mind. For a major project such as a novel, I would argue the necessity for a detailed outline before the writer puts down the first word. No one would build a house without a detailed plan. In the same way, a disciplined, professional writer should not begin to build that novel without a detailed outline. An outline does several important things. It provides, or should provide, a profile for every major character, a clear set of plot and sub-plot steps, and a means to avoid that dreaded writer’s block because the author comes against a wall in his/her story and does not know how to get over it. Walls will come up, but they should be very small ones easily negotiated. Writing a detailed outline takes time and effort, but I suggest it is time well spent and avoids heartburn later.
​
5 – Writing a contemporary genre book intended for adults, or any book, establishing credibility and plausibility is critical to gain reader acceptance. An outlandish hypothesis or premise that is unsupported by historical, current, or plausible near-future events guarantees the book’s rejection. Contrary to some opinions, readers are savvy and don’t have much tolerance for what I call 'pulp trash'. Sadly, this is something a number of famous authors have forgotten, allowed their fame to swamp good writing and storytelling, and descended into producing trash that would never have gone past a literary agent’s or publisher’s slush pile were it not for the author’s name. I suggest this is death for any author, established or not. Once he or she produces such a novel, readers are likely never to pick up another of their work. We all like to read a thrilling, compelling book that has real characters set in a realistic story, evokes emotion, and gets us thinking. If a wannabe writer likes to read such a novel, it means that he or she should do their utmost to produce such a novel themselves. Readers deserve the very best we can give them. Settling for less is betrayal for the writer and reader. How to produce such a novel? Well, I could write a book on how to do it, but that’s for another day.

Links: 

https://www.stefanvucak.com  
https://www.amazon.com/stores/Stefan-Vucak/author/B005CDD1RY
 
 
 

11) Holly Bargo
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Genre: Romance

Advice:
1. Especially if you self-publish, hire a professional editor. Nothing dooms a book faster than a poorly written story riddled with errors.
2. Do your research. Verisimilitude is paramount to suspend the reader's disbelief, so don't guess at those realistic details, make sure they're correct.
3. Use active voice more than passive voice. Passive voice has great impact, but only if used in moderation.
4. Let your verbs do the heavy lifting. You're not writing an academic treatise, so engage your readers with strong, powerful verbs.
5. Explicit scenes should be natural to the progression of the story and the development of the protagonists' relationship not gratuitous. It's the story that engages readers, not the sex.
​
Links: 

https://www.amazon.com/stores/Holly-Bargo/author/B00JRK6VGQ 
https://www.facebook.com/HollyBargoBooks/
 
 


12) Dee Thompson
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Genre: Women’s Fiction

Writing is my passion and I write every day. I earned an MA in Creative Writing and I have worked as a freelance writer, a journalist, and a paralegal. I currently work as a freelance writer. I have published four novels on Amazon. I have been writing a blog, The Crab Chronicles, since 2005.

Advice:
1. 
End every chapter with at least one question, so the reader will want to keep turning pages. It doesn’t matter what category your novel falls into, readers need to be left wanting more. Always withhold information until the right time.

2. Once you’ve finished your manuscript, get beta readers to read it and give you useful feedback. You will need constructive criticism, not just 'I really liked your book'. You need someone to say things like 'Why did that character not say anything during the scene?' and 'You overuse the word “ponder” Get a thesaurus.' I have a close friend who is great about doing that for me, and it has made all my novels better. [There’s nothing wrong with hiring someone to help too, though, if you can afford it.]

3. Outlines are not always necessary. I was told over and over I HAD to outline the entire book before writing a word and that was too daunting a task, so I just didn’t write, for years. I hate outlines! However, if I start writing with a general idea of what I want to happen, then happy accidents occur. In my first novel, Ghosts in the Garden City, I started off thinking the mother was just a horrible person, but as I was writing her, I enjoyed it so much I softened her a good bit, and made her more integral to the story. I wasn’t chained to an outline, which worked in my favor.

4. Resist the urge to make everyone really beautiful or handsome, even when you’re writing romance. I get very bored quickly, as a reader, with a bunch of perfect looking people. Characters are much more interesting if you can say things like “he was losing his hair, but it didn’t matter to me because I loved his voice,” or "Scarlett O'Hara was not beautiful, but men seldom realized it when caught by her charm as the Tarleton twins were" – from Gone With the Wind, a famous novel that sold millions of copies.

​5. Do your research! I get so irritated, as a reader, when I read something just blatantly wrong. I read a book the other day where someone was typing and made a mistake, and used liquid paper to correct it – but that wasn’t available until 3 years later! That is so easy to check on. Grrr…

Links:
https://dethompson62.journoportfolio.com/
https://deescribbler.typepad.com/my_weblog/
 

 

13)         Bernard Foong/Young
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Genre: Memoirs/Autobiography

Advice/lessons:
1) Be truthful to yourself. Let your storytelling flow from the core of your being rather than plagiarize works from other writers. Allow your candor to glide rather than force. Write like you are downloading something divine and you are the messenger to deliver your piece of valuable information to the world.
If you allow yourself to achieve that, you’re close to being a successful author.  

2) Edit your writing until you are satisfied with your work. Even then, it is advisable to solicit the assistance of a professional editor to go through your writing. Often, an excellent editor will rephrase and shorten sentences/paragraphs to enable your writing to flow with ease and erase repetitiveness to the narrative. 

3) Proofread your writing several times. This will ensure no hidden mistakes such as spelling corrections, story flow, and other missed errors.

4) Don't be repetitive. The author only has to iterate a point or emphasize once. Otherwise, your reader will be bored reading the same message over and over again.

5) Reading an excellent book will transport the reader to distant realms, to lands far away where his/her imagination can take flight and be transported to live the author’s experience/experiences. Be they factual or fantastical, these virtual experiences will bring insights and exposures to a larger world. Hence, all excellent stories consist of one or more moral lessons/insights that is/are relevant to the reader/readers in today's world.  
​
Links:
Twitter:
@bernardfoong
Website:  http://aharemboysaga.com/wp/
 

​

14) Tony Flood
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PREFERRED GENRE THAT I WRITE IN: MYSTERY, THRILLER, SUSPENSE. I also write in other genres, including FANTASY and CHILDREN'S BOOKS and CELEBRITY REVELATIONS

HERE ARE MY 5 MAIN TIPS/ADVICE:
1. If possible, use a really big 'hook' at the start of your book to grab readers' attention. For example, I start my crime thriller, Stitch Up - Killer or Victim?, with a murder occurring.
2. Ask people for their email addresses, and when you have a new book coming out,  email them well in advance as well as just before the launch.
3. Offer potential readers details and a complimentary chapter from your book.
4. Use Facebook regularly and reply to COMMENTS because one COMMENT is worth 50 LIKES.
5. Provide information which should interest people on specialist websites. For example, I give interesting facts about Elvis Presley and Kylie Minogue, who are both featured in my celebrity book, My Life With The Stars - Sizzling Secrets Spilled.
​
LINKS: 

https://www.celebritiesconfessions.com/
https://www.fantasyadventurebooks.com/



15) Kim Lengling
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Genre: Non-fiction

Advice:
Five things to consider when writing non-fiction

Every writer has a style and voice regardless of the genre you write in or may want to write in. Here are five things I like to keep in mind while weaving words together.
Have access to the outdoors. Wherever you write, be sure there is a window, balcony, porch, or yard. Your brain needs rest just as your body does. So let yourself enjoy the view; who knows, that bird hopping around your yard, carrying around a worm, may be the inspiration you need!

Be relatable. People want to relate to what they are reading. Can you remember reading something and thinking, "Oh yeah, I've done that!" or "That's happened to me too!." Your readers want to relate to you. Write as if you are sharing a story with a friend.

Use emotion. Emotionally charged words capture your readers' attention by making them "feel" and want to continue reading. Build interest and trust. For example, can you insert joy, frustration, solitude, or a sense of accomplishment into your story?
It doesn't matter if your book is about the mating habits of the Bilby or rebuilding a car engine; people want to feel. So take your readers on a journey. (Got you thinking about what a Bilby is, didn't I?)

Provide a solution. Whatever the topic, provide tips or answers to your book's issue. For example, if I am reading a book on strawberry plants, I want to walk away knowing how best to plant and care for them, their different uses, and how to sustain healthy growth. But I want to learn more than just the basic steps of planting; I want to read what it feels like to see the plants grow and know a sense of accomplishment.

Share the funny. Non-fiction doesn't have to be boring. Funny things happen to all of us or what we perceive as amusing. So share those silly moments in your book, whether a self-help book or a personal story; leaving your reader laughing out loud or bringing a smile to their face is high praise in my book! And hey, if you get the occasional snort out of them? Even better!

Don't let self-doubt, naysayers, or procrastination stop you. Just start writing.

​Links:
https://www.kimlenglingauthor.com/
https://www.amazon.com/author/kimlengling
 
 
 

​16) Marie Lavender 
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Genre: Multi-genre (various types of romance, mystery/thriller, fantasy, paranormal fiction, science fiction, urban fantasy, literary fiction, humor, dramatic fiction, and poetry); I’ve written tales for adults (so many) and younger audiences (1 children’s story and 1 YA)
 
Advice: 

1. Don’t corner yourself into one genre. Be open to trying something new and you will always have an endless flow of book ideas.

2. Save your politics for another forum. Honestly, no one cares how you voted and being upfront about it will only turn potential readers away. Save the politics for a more private circumstances – at home with your family, hanging out with your friends, or with whomever you trust. I promise that nothing good will come of stating your political views on social media, for all to see. It will eventually come back to haunt you. Unless it’s a situation that affects the whole planet and you know most people agree – such as the pandemic – it’s best to keep your own counsel.

3. Editing is a must! Do whatever you can to edit your own work. Consult articles by experts. Run a spell-checker. But go deeper as well, further than that. Hire a professional editor or ask a proofreader friend for help. Whether you’re self-publishing, or even submitting to a literary journal or a big publisher (or a literary agent), your book or story should stand on its own. Don’t give someone an excuse to throw your manuscript aside because you handed them a subpar draft. Do the extra work. Put in the effort of making your manuscript as clean as possible. Yes, we’re all human, and there may be a small detail you’ve missed along the way, but you wouldn’t want your published or unpublished work to be riddled with obvious errors. At least if other eyes are going to see it.

4. Take anti-technology vacations. This will give you a much needed break from the chaos of social media and the demands of being an author with a public image. It will also allow you to fully immerse yourself in your surroundings and spend time with your family or friends. Don’t surrender to the urge to keep checking your phone or email for updates. Stepping away will give you a chance to recharge your batteries, so to speak. Use your phone for emergencies, sure. But you're on vacation, by the way. DO NOT make everything worse by being obsessed with who said what online or posting a pic on Instagram. Also, don't feel guilty if you need more time and are forced to take a real hiatus. Burn-out happens. By avoiding the madness for a bit, you’ll feel more refreshed and ready to tackle any task when you return from break.
​

5. Try not to get discouraged. Just because one marketing method or tool works well for another author doesn’t mean it will work for you. There isn’t any one way or formula to get it done. Unfortunately, trial and error is par for the course and we all must go through the guessing game to get there. The same goes with being published. Rejections do occur, sometimes many of them. But this journey is your own. Your time will come. The best thing to do is just to keep going and learn from your mistakes. Oh, and don’t close the door to new opportunities that might pop up. 

Links list:
 https://linktr.ee/marielavender1
 
 
 

17) Stef Smulders 
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Genres: short stories, humor, expat memoir

Advice:
1. Choose the third person perspective, especially if you are a beginner. This way you avoid the most common pitfall, that of remaining in the head of the main character and so-called filtering (‘I saw…’, ‘I heard…’ et cetera). The majority of beginners automatically choose first person perspective, but I think you learn faster choosing the third.
2. Stay within the perspective you have chosen, at least within a chapter. It is very easy to forget this and switch point of view so be aware. Even experienced famous writers go wrong here now and then. Staying within one perspective allows readers to come close to and identify with the character much easier and this will definitely lead them to appreciate your work more.

3. Read a few books about writing technique, differences between types of perspective, the ‘show don’t tell’ adage, et cetera. Some of the ones I found very valuable are Understanding Show Don’t Tell (And Really Getting It) by Janice Hardy and Writing Fiction: A Guide to Narrative Craft by Janet Burroway. Both to read and reread! 

4. Read a lot, in your genre and outside it. Once you start writing, you’ll be confronted with questions about how to solve certain problems, which solutions to take, and by reading the work of experienced authors, you’ll come across possible solutions.

5. Take part in forums, Facebook groups where aspiring writers critique each other’s work, such as Critique Circle (a whole list of possibilities you’ll find here https://blog.reedsy.com/critique-circle/).

​Links:

http://italiaanse-toestanden.duepadroni.it/italy-expat-memoir-book/
https://www.amazon.com/stores/Stef-Smulders/author/B00OPVPTSS
 
 
 

18) Susan Lynn Solomon
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Genre: Mystery

Advice:
1.      Carry a writer’s journal with you wherever you go. Make notes about places, what people look like, and the way they dress. Note people’s body language when they speak to each other.
2.      Set your stories in the place you live or places that you know well. Include descriptions of these places within your stories. The object is for readers who go to these places to recognize them.
3.      When writing a mystery, put in a number of clues and several red herrings for your lead characters to follow, but don’t make these clues too obvious to the reader until near the end of your story. Agatha Christie once stopped a story after about 90 percent of it, and put in a page that, in effect, told the reader that if they’d paid attention and followed the clues by now, they should know who committed the crime and why.
4.      Join a writers group. At meetings of this group, present a portion of your story. Make notes of comments made to your story and to the stories of others. Carefully consider each of these comments.
5.      Do research. Even fictional stories need to be accurate—almost half of my writing time is spent doing research. For example, if a person is shot, what kind of weapon was used—not just whether it was a pistol or a rifle. If a pistol, was it a luger; if a rifle, was it an AK 47? If a person is poisoned, what poison was used? How long before death did it have to be administered? How was it administered—in a drink or by injection?

Links:
Amazon: 
https://www.amazon.com/Books-Susan-Lynn-Solomon/s?rh=n%3A283155%2Cp_27%3ASusan+Lynn+Solomon
Facebook: https://www.facebook.com/susan.solomon.33
 

 

19) Karina Bartow
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Genres: Mystery and Romance
 
Advice:
When I started writing mysteries in 2012, I had many insecurities about it. Mysteries weren’t my preferred genre to read, yet I had one forming in my head, eager to leap onto paper. Eleven years later, I’m hooked on crafting tales with intrigue and sleuthing. Here are some lessons I’ve learned along the way.


Five Tips for Mystery Writers:
​

1. Early on, decide what you intend your readers to know about the villain and his/her motive. Some stories give a peek at the crime and/or the reasons that lead up to it, while others leave their audience in complete cluelessness until almost the last page. There’s no right or wrong here, but choose whatever best fits your style and determine how often you want to switch perspectives.
2. Don’t wait too long before the crime takes place. During my first few years of composing mysteries, I liked to set up the characters and such before I brought in the case, usually at the end of chapter one. As I shopped my second mystery novel, however, a publisher counseled me to address it earlier, even if it’s just a hint about what mayhem is coming. You might do this in the form of a distressed phone call, threatening letter, or the like.
3. If you don’t know who the perpetrator is, don’t worry! Sometimes, your own puzzlement can work to your advantage. After all, if you can’t figure out whodunit right away, how will your reader? Once you do, you can go back and add breadcrumbs if you wish.
4. Be selective about with whom you share your work. This goes for any genre. When you start out on your writing journey, you may be tempted to let anybody and everybody read your manuscript. That can get tricky, though, because everyone has their ideas about your book. If it’s unpolished in the first place, they’ll likely point out flaws you probably would’ve caught sooner or later. You definitely should have someone else look at it before you submit it for professional consideration, but you can spare yourself a lot of frustration and perhaps discouragement by choosing the right time and person.
5. Don’t give up! Whether you’ve hit writer’s block or are fielding rejection after rejection, keep in mind that many authors, past and present, have encountered the same challenges. With patience and persistence, they’ve triumphed, and so can you!  

​Links:

https://www.KarinaBartow.com
https://www.goodreads.com/author/show/15045283.Karina_Bartow
 
 
 

20) Kayelle Allen
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Genres: Science Fiction, Science Fiction Romance, MM Romance

​Tips/advice/lessons:

1. Question the premise of advice. Advice is given through the lens of the giver's experience, ability, and personal strength. For example, you might not be the type who needs to write every day. And contrary to the popular saying, some people can indeed edit without words being on paper or screen. Some have to spend a long time thinking before writing. That is still writing. And why must everyone "write to market?" The answer is, they don't. We are not all the same. Writing to market is not the only avenue to success. Figure out what works for you and stick to it. No piece of writing advice fits everyone.
2. Information about how to write or market is out there. If you need to know something, chances are, you can find it online. Some of the best workshops I've taken have been free for signing up for a newsletter. No one knows it all. There is always something you hadn't thought of, or until now, didn't understand or need. Go find someone who knows the answers. You might discover the answers to other questions you didn't know enough to even ask.
3. Take the free course Starting From Zero by David Gaughran and sign up for his newsletter. You won't get a hard sell or pressure to upgrade or go premium and buy things. He gives you everything you need at no cost. Plain, simple, easy to understand. I can't tell you how revolutionary his advice has been. Using what he taught me, I had a 650% increase in sales in one year.
4. Using David's advice, I read and re-read Newsletter Ninja by Tammi Labrecque. The biggest takeaway was to get to know my readers. I do that by asking questions in my newsletter and then when readers respond, I do my best to continue the conversation. When I write now, I'm thinking of specific readers and gearing material toward what they've told me they want to know. It's called getting to know your audience. There's no shortcut to spending time talking to people. I'm a major introvert, but I can talk to people online via email. I love writing my newsletter now, because I'm writing it for people that I'm getting to know.
5. Last piece of advice: Be who you are. Do not sugarcoat your identity. Those who flock to you when you are being your authentic self will become your tribe. And with a tribe, you can accomplish anything.  

Links:
Website: 
https://kayelleallen.com
Kayelle's Keepers: http://facebook.com/groups/KayellesKeepers
 
 
​ 

21) Debby Grahl
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Genre: Romance
 
Advice:
1.
Take writing classes. These are extremely helpful in learning about changing POV, character development, dialogue, punctuation, editing, and more. A number of online writing groups offer these classes at a reasonable price.
2. Research. Doing your research on your story is very important. Make sure the dialogue, setting, clothing, and characters' actions are true to the time period of your story. This is especially true in writing historicals.
3. Location. When you choose your location for your story, be sure to once again do your research. Trust me, if your story takes place in New Orleans and you have a hotel or restaurant on the wrong street, a reader will let you know.
4. Conferences. Writer conferences are a great way to meet fellow writers, take advantage of informative workshops, and pitch your story to an agent or publisher. I find I enjoy smaller conferences more than larger ones. They have a tendency not to be so intimidating and the cost can be more affordable.
5. Critique groups. Joining a Critique group is a great way for authors to bounce their ideas off other authors, read parts of your manuscript for advice and come up with story ideas. They can also be a wonderful support group.
Links:
Amazon Author Page:
 https://www.amazon.com/Debby-Grahl/e/B00B34HM26
Bookbub: https://www.bookbub.com/search/authors?search=debby%20grahl
 
 
 

22) Diane Bator
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Genre:  Mystery/Cozy Mystery

​Advice:
1.     Write what you would want to read, not necessarily what is trendy. Trends change constantly.
2.     Don’t give up.
3.     If you want to publish, do your research!
4.     Find like-minded people to learn from and write with.
5.     Don’t think you need to set aside hours at a time to write. A lot can be accomplished 15 minutes at a time.
 
Links:
Website: 
 https://dianebator.ca/
Blog:  http://dbator.blogspot.ca/
 
 
 

23) Dr. Bob Rich
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I don’t have a specific genre. If you try to stuff my writing into a box, you will end up with it leaking all over the place.
So, I’d like to step outside the box and leak out five principles that guide my writing when I am not looking (they are terribly shy and will hide if I do look).

Advice:

1. Life is too short for the seriousness it deserves.
I have already illustrated this.
One of my current projects is a book on grieving. I have bits in there to make you laugh. Same is true for my book, From Depression to Contentment: A self-therapy guide. You see, it takes extreme effort to stay miserable while laughing.
I don’t write horror—real life is horrible enough—but inevitably, my fiction needs to have horrible events in it. Even then, a laugh will liven it up.
One of my current novels-to-be starts like this:
“Looking in the mirror, Bill saw the weapon point straight at his back. The thought came: I’m only a kid; too young to die!”
Since this is the first two lines, it’s obvious that he managed to escape. A few minutes later, he is telling his sister about it. His way: “I mustn’t drag her down into my worry pit. I know, a tease will lift both of us.”
It does, and lifts the book, too.

2. Pecking at a keyboard is recording. The writing happens while I do other things.
I refuse to tell you about this here. Why should I, when I have a perfectly good post that does so? 
http://wp.me/p3Xihq-Lx
And you can read a recent little essay that illustrates how this works: https://wp.me/p3Xihq-2ME

3. Purpose and passion without preaching makes for perfect.
I hope you appreciate alliteration.
A cookbook has recipes. A self-help manual gives advice on how to improve in some way. A novel is meant to entertain. A kids book should teach in a pleasurable way.
There are gazillion books of each of these types that are read-once-and-forget. Occasionally, though, you come across a keeper, which you will read more than once, and recommend to others. You will find yourself thinking of it months or even years after you’ve read it.
These are the books written with passion, from a deep conviction, intended to make the world a better place. This is fine, but I now give you three guesses: what should you avoid when writing such a book?
One of my current projects is Jolanda’s Kitchen Magic. My wife is a champion cook, and our grandchildren have inherited the interest. They love getting recipes from 'Oma'. So, she and I decided to collaborate on a cookbook for them. You can read the first installment here
: https://wp.me/p3Xihq-2Mv
It’s a recipe. It’s fun. But if you read behind the recipe, it is also a recipe for sustainable living. If I have my way, this book will be a keeper, read for much more than the cooking content.

4. Every sentient being is an apprentice Jesus; an apprentice Buddha.
How does an apprentice learn? By following one or more masters, and by making mistakes and learning from them. The Dalai Lama is one of my masters. He says, “The aim of enlightenment is to be of service,” and “My religion is kindness.”
We live at the best time in human history, and the worst time. This planet is officially in its sixth major extinction event, and, for me, this overshadows everything else.
I can no longer be bothered to read or write anything that is unrelated to saving a tomorrow for today’s youngsters, and a tomorrow worth living in.
Join my team. In one way or another, make the passion and purpose in your writing a tool for creating a better world. If you write romances, fine. But you can invite generosity and compassion and decency to peek out from between the lines.
​
5. Fiction is magic.
Again, I have a perfectly good post on this at
 https://wp.me/p3Xihq-1ag so, being a good conservationist, I’ll recycle it rather than reproduce it.

​Links:
Bobbing Around blog:
 https://bobrich18.wordpress.com
Book List: https://bobrich18.wordpress.com/bobs-booklist/
 
 
 

24) Amber Daulton
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Genre: Romance
 
Advice:

1. Read books in the genre you want to write in to better learn the genre norm and wrap your own writing style around it.
2. Don’t be a diva. Unless you’re a multi-published author with a legion of fans, several years of writing #1 bestsellers under your belt, and millions of dollars to your name, acting like a diva could kill your career.
3. Make friends with other authors. Social media, writing forums, and book clubs at your local library (if there are any) are good places to find like-minded people. For me, I’ve found most of my author friends via writing forums and publisher chat loops.
4. Take rejection letters in stride. If a publisher or editor gives you feedback on why he/she rejected your work, put aside your pride and listen to their feedback. It’s hard, I know, but accepting help or criticism with an open mind usually is.
5. Just keep writing. I know it sounds cliché, but there’s nothing else to do. If you don’t try, you won’t succeed. Period. 

​Links:
Want to stay in touch? Learn more and contact me on my website:
 https://amberdaulton.com
Or join my exclusive newsletter: https://amberdaulton.com/newsletter-signup/
 
 
 

25) KC Grifant
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Genre: Horror and Dark Fantasy

Advice:
1- Create a habit of writing. Whether it’s a little bit every day--or a longer weekend writing binge every few months--try different methods until you find what works for you. Just like exercise, getting words down on the page every day or week will work that mental muscle until writing is second nature. Remember that it's fine if the first draft is terrible--it can always be edited later.

2- Guard against bitterness. I've seen many writers get frustrated at limitations: not having enough time to write, or money for conferences, or connections to publishing, et cetera. This is a dangerous path of thinking that can interfere with creativity. In addition to accepting your own writing path and not comparing yourself to others, connecting with fellow writers who positively lift up each other's work can help fend off bitterness.

3- Follow your instincts. Even if you think your story is unmarketable, too "genre-blending" or that no one would read it, you owe yourself the chance to pursue the idea fully. If you love the story, no matter how off the beaten path it is, chances are readers will as well.

4- Find your community. Are you a horror writer? Memoir writer? Perhaps you love short stories? Finding your writing genre or niche can help you to understand your craft better and will give you more tools to grow. Connecting with like-minded writers will also grant more opportunities to network.

5- Ignore imposter syndrome. Even writers who everyone would consider successful — who’ve had their works made into movies and shows, for example — still experience imposter syndrome. This can be especially challenging for new writers. Ignore it and get busy writing.

Links:
Website:
 https://scifiwri.com 
Amazon Author Page: https://www.amazon.com/stores/KC-Grifant/author/B01B3O66AY
 
 
 

26) Shannon MacLeod
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Genre:  Paranormal Romance, Metaphysical reference, and coming soon - Psychological Horror

Advice: 

1. As any editor will tell you, adverbs are the devil. Many online dictionaries have email options to send you a new word to learn daily – do that. You can describe your drama queen heroine as lachrymose instead of weepy. Just remember there’s a fine line between great description and magniloquence (expressed in a lofty, pompous or grandiose style). You don’t want your reader needing a dictionary for every other sentence. Write for your intended audience, not to show off your vocabulary skills.  
 
2. Read every chance you get. I do most of mine on my phone, standing in the checkout line, doctor’s office, et cetera. Read outside your genre; it’s amazing how many good ideas you can get. Keep a notebook WITH A WORKING PEN. I carry one with me literally everywhere I go to jot down interesting phrases and words, ideas. The amazing plot twist that woke you out of a sound sleep at 3 a.m. will be gone with the dawn if you don’t write it down immediately.
 
3. Read the blurbs in daily new releases to avoid clich
éd characters/themes; some have been done way past their expiration date. Play with character traits/combinations. Your tortured hero is a recently discharged Navy Seal? Instead of dropping him in a motorcycle gang or making him a freelance assassin, take him out of his element. Maybe he opened a bakery, a dance studio or pet sitting service instead. The possibilities are limited only by your imagination. 
 
4. Learn what literary tropes are and how to use them. There are dozens of good websites and books on this topic. I’m not saying more in hopes you’ll go investigate on your own.  
 
5. Learn the readability guidelines for your genre and utilize the statistics tool in your word processing program. It is priceless in that it will also tell you how much of your written work is in passive voice (also the devil). I periodically do CTRL+F to search the word “was” to reword passive sentences whenever possible. Show, don’t tell. Each sentence needs to pull the reader to the next. 

 
Links: 

www.shannonmacleod.com
Amazon.com: Shannon MacLeod: books, biography, latest update


 
 

27) Gil Snider/Judy Snider  ​
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Genres: Children's books and Suspense

Five Tips/Advice for Other Suspense Authors:

1. Watch suspense movies, read suspense books, and get a feel of "what works" in creating suspense. Hopefully you like/love suspense books so you really can create  'Oh, No, what is going to happen next?' for the readers.

2. I would recommend a brief outline of the book.
I don't do that, I just start writing, but my husband likes an outline. See what works better for you. I get my ideas from things that happen in real life, and go from there.


3. Have a sheet of characters and details about them, their lives, friends, and come up with various names for them and your characters. You can always change a name. I ask my readers what cat or dog names to use, as I am a member of The Cat Writer's Association, so always put a cat in my books.

4. Join local or national writer's groups for education, inspiration, and to meet nice people. I do mine mostly online, but I am not great at zoom, et cetera. Find a good PR person/persons (Like Crystal/Marsha ) to spread the word about your book, and also radio shows or podcasts . I have met lots of great people who spread the word.   Important! to set up a website that is professional, but also interesting. 


5. I am not a good editor, so don't stop writing if you are not good at editing. Yes, learn to be a better one, but there are plenty of people who can do that. Also, for children's books, I cannot draw, so I found two great illustrators. One book I did with my sisters, and another with a group of women, so again, have fun doing this.

Links:
Official Author Website: www.judysnider.com  
Facebook:  https://www.facebook.com/people/Judy-K-Snider/100063442886550/
 
 
 

28) Stephanie Ellis
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Genres: Horror/Dark fiction and dark poetry

Advice:
1. Read in the genre you wish to write in (as well as reading widely in genre). This allows you to not only recognize the quality you need to produce but to also truly understand the genre and not play to stereotypes.

2. Be selective in the advice you take! Don’t feel you have to do something just because others do, this leaves you measuring yourself against fellow writers and feeling somehow ‘less’. If you can’t do 2000 words a day, don’t! If you don’t want to plan/outline and prefer to simply write, do so! Find what works for you and don’t judge yourself.

3. Submit clean copy. The odd typo will always sneak through, but make your manuscript as clean as you can. Check spelling and grammar. Double check it against the submission guidelines
– the latter is absolutely critical.

4. Don’t let rejection get you down. Easier said than done, but all writers will experience rejection and often on a regular basis. Acceptance rates are notoriously low, learn that it’s not always down to your work – it is very much a numbers game these days. Keep writing, keep submitting, and you will eventually achieve some success, as well as improving your work in the process.

5. Try and find fellow writers and build a small support network. This helps relieve the sense of isolation as well as providing you with a ‘safe space’ to ask for critiques and beta reads and writing advice. If you haven’t got a writing group where you live or it doesn’t offer quite what you want, check out the various groups on different social media platforms. (The horror community in general is very welcoming.)

Links:

www.stephanieellis.org
www.brigidsgatepress.com

 
 

29) Dr. Roger Leslie
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Preferred Genre: Spirituality/Self-Help 
 
Advice:
What top five pieces of advice (or tips) would you offer to another writer in your specific genre?
 
Throughout my career, now approaching five decades, I have often learned glowing embers of wisdom that made me think, Wow! Had I known that before, my entire journey to success would have been much shorter and faster. 
​
Here are my favorites:
 

1. What you have to say is helpful.
In any endeavor, I always encourage my followers and fellow seekers, “Take inspiration to action.” In so personal a genre as spirituality/self-help, it is very inviting to second-guess ourselves and assume we have nothing new to say. In my writing classes, I teach that there are only two stories told throughout history in every genre and medium.

Somebody goes on a journey.
A stranger comes to town.

Then, what makes any book original? The author’s voice. Write your book with sincerity and conviction, and there will always be readers approaching that level of spiritual development who can benefit from what you say.
 

2. Bare your soul.
For fiction and non-fiction, I encourage my writing clients to bare their soul in the first draft. No genre demands that kind of courage more than spirituality/self-help. Often, writers in this genre have suffered and overcome, the two ingredients for any great story. You must be willing to share the most painful details for readers to believe in your authenticity and trust you enough to use your wisdom as a guide for their own spiritual growth.
 

3. Readers benefit from your story more than your advice.
Readers live vicariously through the books they read. Instead of offering advice, simply share with them your story. They will naturally find parallels to their own life and discover for themselves how your pearls of wisdom can benefit them. They will actually find more insights they read into your story than the bits of advice you would've thought they wanted to hear.

 4. 
Invite readers to follow a journey.
The greatest stories have the forward momentum of suspense. Spiritual exploration and personal development (self-help) usually begin with a crisis of faith that the writer had the courage to face head-on until they found new insights that brought them peace or revived their spirits. Journeys are the easiest to write. Begin with the struggle, the question, and then let readers follow your path as you work your way toward the light of new insight. The end of the journey doesn’t have to be a life-shattering epiphany. It only needs to suggest, for you and the reader, a sense of hope.
​
 5. 
Raise the questions and let readers determine their own answers.

Novice non-fiction authors often believe their book has to supply answers. For some subgenres, such as business or financial planning, that may be true. For spiritual/self-help, simply having the courage to explore the territory and traverse the terrain of what is for you uncharted spiritual exploration invites readers to trust their own path and follow their own spiritual guidance. Raise the questions and then share with readers the path you took in search of answers. Some of those answers might be shattering insights. Others might be glimmers of hope that revived your soul. Either way, readers will benefit from your courage, and most will be eager to read where your next questions lead you in subsequent books.  
 
Links: 
My Website: 
https://rogerleslie.com/
Facebook: https://www.facebook.com/DrRogerLeslie/
 
 
 
 30) 
The writing duo of Charles Breakfield and Roxanne Burkey
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Genre: TechnoThriller
 
Advice: 
Foundation
Like a building, a story starts with the groundwork. For us, selecting the focus of the thriller begins with identifying the proper threat or risk of technology. Without that premise, our cyber heroes versus attacks from the Darknet have no purpose.

Our professional career illustrates that the benefits of technology outweigh the risks. We also find it only takes one conniving manipulator with programming skills and evil intentions to ruin it for the rest of us. We chose Identity Theft as the risk or problem in The Enigma Factor. We decided to ramp up the intrigue, making the attack's target a tech-savvy protagonist with family secrets he never heard from his mother. 

Readers get invested in navigating through the digital framework of the story with the character. The action includes twists, turns, and unexpected friends or foes, increasing the tension as the story progresses. The risks from misused or underestimated technology are real, so we slip security reminders into each tale. We know from experience the bad guys stay ahead in the technology race, putting the good guys in catch-up mode. Good tension gets created in this kind of environment.

Balance
Positioning threats or solutions using technology needs to provide enough credibility to the topic. Readers of fiction enjoy the twists, turns, and thrills, but often aren’t working in technology. People today handle more digital influence in their mobile devices than they often realize. 
 
Sometimes we go a little deep into a subject, inserting jargon like, “the rootkit allowed the virus to infect the operating system.”  Folks shake their heads, thinking they went from an exciting thriller to a way to make plants grow more robust. You lost the audience. 
 
Different words provide a general way to say the same thing, such as “Jacob created a unique application, destroying the virus without ruining the data on the computer.”  Situations with digital security are challenging to convey, yet do not get too confusing for readers. 
 
Years ago, Breakfield was having supper with the family. He regaled his girls with his day building a new digital network infrastructure using the associated jargon. His youngest daughter pulled on his sleeve, ‘Dad, we don’t understand what you’re saying, but we’re glad you like it." We strive to balance sharing actual knowledge while telling an exciting thriller.
 
Suspense
Elements of a story that alter a reader's feelings are critical to any fictional creation. Creating a journey with risky stops and turns along the way might include the computers running the financial programs for the bank going haywire because of a virus. These types of events often appear in the news. The rise of hackers, cyber threats, and creative programmers with malicious intent is rising. When you show the reader the impact of a situation on the character, the drama grows with each sentence.

Our connected world opens the door to suspense across the globe, twenty-four-seven. You turn on your phone. An ad pops up which captures your imagination. You click the link, and in seconds, your bank account is compromised. That sort of activity is a reality, but we use those everyday activities to build the tension and get readers to grip the edge of the pages, hoping the hero escapes unscathed. Invoking reader empathy is the objective.

In The Enigma Beyond, a computer uses the eyes of drones to gather information to locate the hero. The computer, named Joan, almost succeeds during a phone call using a synthesized voice during a conversation with the hero. Our protagonist yells at a machine and gets nowhere because a device has no emotions. Ah, exploring the benefit and threats of artificial intelligence provides excellent possibilities of where it might go next in our stories.

Characters
We use characters to highlight different elements of our story—threats or solutions. Technology rarely has a single programmer on a complex program. For example, some programs have multiple paths, making it easy to divide between numerous people for speed to market or security aspects. In some cases, the programming languages changed over time, then bolted onto some older programs like a digital Frankenstein.

Co-authoring gives us an interesting perspective on people in our stories. We can help direct the dialogue as relevant to a specific character. We have extensive travel and exposure to multiple cultures, mainly where English is not the first language. We use these experiences in the location and people employed in the stories.
Like many authors, our characters talk to us and take us in various directions. We plan to have the antagonist do one thing, then they decide to make us write it differently. The results for us can change the original thoughts on the story, but make it a better thriller. Characters, like people, have characteristics to make them multi-dimensional. That is vital in helping readers invest in rooting for the heroes to win or the cyber scum to earn their just desserts.

What we find most rewarding is when people get invested in our characters. One reader remarked in a review about disliking a character who played an evil role in multiple volumes of the series, then recognized the person had grown and changed, becoming redeemable. Just like people we know, and you might as well.

Conclusion
In writing our series, we wanted to have each book stand alone as a great story. We also liked many of the characters and wanted them to grow as the series progressed. We wanted relationships to change, skills to improve, and families to grow. The R-Group is a family business that started during World War II with our stories in the contemporary digital world in which we thrive. Don’t forget to track the character’s genealogy if you have repeat characters in a series. Missed steps of character usage get spotted by loyal fans—they will let you know.

The actions and choices of the characters take the problem toward an unexpected finish. Sometimes they are correct, but often they don’t see the solution until it occurs. We put breadcrumbs to follow to let them think or ponder about what happens next.

Our story ends of the books in the series contain hints of more future technology threats to exploit, but not cliffhangers. We use those questions and suspense worries to move between chapters. Keep turning the pages to the satisfying end—that is our goal. 

We hope this helps you write your story or tell your tale in a thrilling, exciting, manner.

Links:
Visit Breakfield & Burkey at: https://www.EnigmaSeries.com
And Rox Burkey’s blog: https://roxburkey.com
 
 
​
 31) 
Kristin Kay
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Genre: Dark Romance

Advice:
1. Break the stereotypes - always. The romance genre is overflooded with the same old stories retold. Create new female characters - strong, bold, and inspiring, like the women today. 
2. Don’t be afraid to take risks and experiment with your writing to provoke readers' imagination and beliefs.
3. Not fitting in is the best you can hear for your book. Book publishing today is a huge marketing machine, so most of the writers aim to fit into a niche (from dark romance to super niched like biker romance). Not fitting into a box makes your story and voice unique.
4. Writing is the best possible way to self-discovery and self-healing. Enjoy the process, discover yourself, and have fun. Writing a romance novel should be a rewarding experience.
5. Celebrate all the wins - from the first draft of the first chapter to publishing day. It might not be easy at all times, but even the small wins matter. Enjoy the ride :)

Links:
My website:  
https://authorkristinkay.com/
My book: https://www.amazon.com/One-Contemporary-Romance-Awakening-Madness-ebook/dp/B0B6Q7XV7G/ref=tmm_kin_swatch_0?_encoding=UTF8&qid=1676723399&sr=1-1
 
 
 

32) Carole McKee 
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Genre: Romance
 
Advice: 
1. Write! 
2. Keep writing!
3. Read and reread what you have written.
4. Edit! Edit! Edit!
5. Don't give up! Rejections don't mean your work is bad. Keep trying.
6. When you write dialogue, read it out loud to see if it seems natural or flows naturally.

​Links:

https://about.me/mckeecarole
 
 
 
33) S. Cinders
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Genre/Genres: Romance- Fantasy, Contemporary, Historical, Paranormal

Advice:
Write because you love the story. Write because the words simply won't stay inside of you for another minute. Write because your characters deserve a chance to be heard. Write because it's who you are and what you live for. Writing for fame, money, acceptance, or even in desperation, will never unlock the true potential inside of you.

​Links:

www.scinders.com
https://www.amazon.com/stores/S.-Cinders/author/B01M6WPKBS
 
 
 

34) Leslie Hachtel
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Genre:  Romance (Historical and Romantic Suspense)

Advice:  
1. Do not quit! This is the most important advice since it's hard to write a book and then face possible rejection. The only way to lose is to quit.
2. Treat writing as a job. Do not think of it as a hobby that comes last in your day. If you want to be a writer, you have to write. Treat it as a priority.
3. Never compare yourself to anyone else. Your stories are yours and therefore unique.
4. You cannot edit a blank page. Write it, then you can edit it to make it better.
5. Don't set limits for yourself or be hindered by unhelpful criticism. If you have been writing in one genre, don't be afraid to try another one. And don't let others limit you. Any criticism that isn't constructive is just mean, so ignore it. When someone tells you you can't or you're not good enough, prove them wrong.

​Links:
Website: 
 https://www.lesliehachtel.com/
Facebook:  https://www.facebook.com/lesliehachtelwriter/
 
 
  

35) Linda Covella
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Genre/Genres: Children/Teens

I’ve been writing fiction, non-fiction, articles for print magazines and online for over 25 years. The following is advice that has helped me with my writing, particularly when writing for kids and teens…

Advice:
1. Read. Read. Read. Reading books in your genre can be super helpful. Read books that have won awards, that have a large audience. Read reviews of the books. What do you see that makes them successful? What do reviews highlight? Also, fundamentally, you should read adult books; read the classics. All these provide a good knowledge foundation for your writing.
2. Improve your craft. Writing is a craft, and it’s important to constantly be working to improve that craft. In college, I took creative writing classes as electives (my favorite classes!). Also, over the years, I’ve taken online writing classes that have been helpful. Just make sure you go with a reputable organization and/or instructor. For example, https://www.udemy.com/ has a variety of classes that are very affordable.
3. Join a critique group. For me, joining a critique group was one of the best things I ever did for my writing. At first, I was reluctant, nervous about putting my work out there for others to critique. Ultimately, I formed a group with a woman I met in one of my online classes. We created rules, interviewed other writers in our genre, and ended up with four other partners. We were scattered all over the country, and we communicated through email. I’ll mention here that if you’re writing (and/or illustrating) for children, you should join the Society of Children’s Book Writers and Illustrators https://www.scbwi.org/. There’s a wealth of information, and it’s one place to hook up with possible critique partners, either on their website or at conferences.
4. Do your research when querying. Whether you’re querying an agent or an editor, it’s important to research to find the right one for your genre and your story. Make sure to personalize your letter as to why you’re querying that particular person. Also, watch for scams. There are some publishers and agencies that may just be scamming for money, et cetera. This site is great for discovering those, and for a lot of other good information: https://www.sfwa.org/other-resources/for-authors/writer-beware/ and their blog https://writerbeware.blog/ for up-to-the-minute information and warnings.
5. Never give up! Really! The road to publication can sometimes be a long one. But keep writing, and when you’re ready, keep querying. If you’re lucky enough to get feedback from an agent or editor, take it seriously, as well as from your critique group. Criticism and rejection are hard to deal with, but raise your heart and your hopes up, keep writing, improving, querying, and someday your dream of publication will come true!

Links:

https://lindacovella.com/
https://www.amazon.com/stores/Linda-Covella/author/B00MBR9II0
 
 
 
 36) 
Virginia Babcock
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Genres: contemporary and clean romance, Sci-Fi
 
Advice: 
1. Plot or not as you prefer. Some of us plot our stories before writing. Others think on the stories and write them after, some discovering the story as they write. Do what works for you!
2. Use beta readers who understand plot, editing, and grammar. Some readers give subjective opinions that are hard to act on. Though, if it’s a plot or storyline issue, listen and adjust. Any reader can diagnose a weak story.
3. Feedback is a gift. Whether a review, comment, or critique, feedback will make your story better. No feedback could be a sign that your story is beyond repair. Feedback means your story is fixable.
4. Have a marketing magnet—Something small and cheap that you can give to new readers. Tie it to the main place people can find your brand like your website or social. Make it if you can. You’ll need to put in hard work for things you can’t pay for.
5. Find a community of other writers. Support them and get support from them. Readers always need new stories and cross-promoting with authors like you will enable you to find more strangers who love your books. You can also find writing friends to share costs with you, like stalls at fairs, headshots, or advertising.
 
Links:

http://VirginiaBabcock.com
@VirginiaBabcockBooks on Insta and Facebook 
@VBabcockBooks on Twitter

 
 
 

37) James Glass
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Genre: Crime Thriller

Advice:


​5 Links for New Writers
https://www.jamescglass.com/creating-tension-for-your-readers/
https://www.jamescglass.com/dont-muddle-your-story/
https://www.jamescglass.com/interrogation-techniques-verbal-cues/
https://www.jamescglass.com/interrogation-techniques-part-twonon-verbal-cues/
https://www.jamescglass.com/targeting-enemy-words/

Author Link:
Amazon Page:
 https://www.amazon.com/stores/author/B00B1XI25K/allbooks?ingress=0&visitId=17c64618-502b-42ab-9bd8-536fbaa8686c&store_ref=ap_rdr&ref_=ap_rdr
 
 
 

38) Lynn Chantale
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Genre/Genres:  I write erotic romantic suspense with African-American heroes and heroines. From time to time, I’ll write Interracial couples and have ventured into characters with disabilities, primarily visual disabilities as I have one.
 
Advice: 

1. Write what you like — When I started as an author, it was to write stories with people who looked like me and lived in places I lived or would actually visit. And I wanted to see strong, independent women who could hold their own against a strong man. Of course, this led to secret baby stories or lovers who were afraid to trust one another. I like stories with intrigue, some romance, adventure, and makes you think. So I write this. I also like writing stories which involve second chances.  

​2. 
Promote Yourself — If you’re new to the biz, you’ll have to work a little harder. Even if you don’t have anything out, start getting your name out there. Join reader groups in your genre, do blog hops and posts, tweet, pin, make videos, hashtags, and interact. Even if you’re an established author, you will still need to do the same things to keep your name in front of readers and fans. The publisher does not have the time and money to devote to promoting you unless you’re one of those household names. :-) And even those big names do some of their own promotion and marketing. Doing live vids are a great idea.  
​

3. Ask questions — whether it’s about the business of writing or everyday life, ask questions. Case in point, I was at an event and sitting next to the promoter for the democratic party nominee. This was the perfect opportunity to ask how she got into the business, what all it interred and so forth. Who knows, I may want to give a character that type of job. I even ask my nail tech questions about what she’s doing to my nails and why. Ask questions. The more you know, the more you can write. 
 
4. Do read reviews — For a long time, I didn’t want to read the reviews because some people can just be plain nasty. Those you can skip, but the ones I’m talking about are the constructive ones. If you see a common thread - example: I kept getting reviews pointing out character development. It was more than one or two, but enough for me to take notice, step back a bit, and re-evaluate how I was creating my characters. Comments like that can and will improve your writing if you’re willing to take the time to address them.
​
  
5. Mingle with other Authors and Writers — We are solitary creatures and come out of the writing cave when prompted, cajoled, and sometimes threatened. But keeping a solid network of other authors and writers to bounce ideas off of, get marketing advice, or just to have a sympathetic ear can do wonders.


Link:
https://www.thehouseoflynn.com/
 
 
  
 39) 
Andy Ruffett
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Genre/Genres:  Crime Fiction and Young Adult

Advice:
1. Read immensely in the crime narrative. To be fully rounded, don't just continue reading crime fiction but also true crime.
2. Take mental and physical notes whenever you are reading, watching, or observing your art.
3. Follow some crime writers, either on Twitter, Goodreads, or what have you. Try to have a conversation if you can.
4. Write letters to the crime writers you admire. Please don't worry if they don't get back to you.
5. Do not give up on writing. The moment you realize you're losing interest in your genre is the moment something great is going to happen.

Links:

https://www.amazon.ca/Wrongdoer-Andy-Ruffett-ebook/dp/B00EZ7XIA8
https://www.goodreads.com/author/show/7264289.Andy_Ruffett
 
 
 
40) Tina Proffitt
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Genre/Genres:  Reincarnation Romance
 
Advice:
1.     I find that my Reincarnation romance, while it is a subgenre of Romance, fits (for now) within the Paranormal and Science Fiction.
2.     I recommend reading the books of one of my favorite romance authors of all time, Elizabeth Lowell. While her stories published in the 1990s are not based on reincarnation as subject matter, the idea that the hero and heroine recognize each other, though not from this life, is prevalent throughout.
3.     For inspiration, read everything you can get your hands on about reincarnation. Scientific accounts of past lives have been published by Jim B. Tucker, a researcher at the University of Virginia School of Medicine.
4.     You need not believe in reincarnation to write stories about it, though it does help keep your juices flowing if you write about what intrigues you.
5.     Try mixing the idea of reincarnation with ordinary people’s lives. The stories you write need not be set in alternative realities to be appealing to romance readers.
 
Links:

Amazon
tinaproffittbooks.com
 
 


41) Ann (Ana) Morris
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Genre:  Children's Picture Books (English & Spanish)
 
Advice:
1.Know the material you want to share. Even kindergarteners know the correct terminology for the life cycle of a butterfly. 
2.Use vocabulary appropriate for the target audience, but don't underestimate the young ones.
3.Think like a child. 
4.Many books will be read on the lap of an adult. Entertain them both.
5.If you have a lesson to present, do so gently, for the adults' sake.
 
Links:

www.authorannmorris.com 
https://m.facebook.com/100058599294961/
 
 
 

42) Mark Iles
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Genre/Genres: Non-fiction: interviews/blogs/how to. Fiction: sci-fi, horror, and fantasy
 
Advice:

1. My author advice is firstly to believe in yourself. Write what you want to write. I wrote werewolf tales back in the day, but was told it was impractical due to the differences in weight – transforming from one to another. But then, look at the recent trends on the subject.
2. Secondly, join a writer’s group and get regular feedback on your work. Also, by reciprocating. you develop your skills as an editor. On completion of the work. get it Beta Read, and edit after each round. In addition to the Betas, I self-edit at least five times when the work is completed.
3. My third piece of advice is to research and research again. It’s really frustrating how many authors don’t do this and just assume something. If you make a mistake,  your readers will pick up on it. Research is also physical. If you are writing about caves, then visit one. Use the five senses – what does it feel like…et cetera.
4. Read. I have a reading list, but cheat. I listen to much of it on audio, and then listen to it again – usually while driving or doing chores.
5. Research your target publisher. What/who else do they publish and what is their target market?

Links:
Twitter:
@welcometoearth
Website: www.markiles.co.uk
Amazon Author Page: Amazon.co.uk: Mark Iles: Books, Biography, Blogs, Audiobooks, Kindle
 
 
 

43) Lara Zielinsky
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Genre: Sapphic Romance
 
Advice: 
For authors new to writing the genre, I'd offer these tips…
1) Build the main character and love interest's back stories into real women that you know and love.
2) Pay attention to what's going on around them and WHO is around them in the setting, this affects people's behaviors when choosing what characters will do regarding PSA in public.
3) Recognize that what most women notice in other women they are attracted to is less about patriarchal notions of beauty and more about their "soft skills" (interpersonal behaviors).
4) Learn the five love languages and show characters loving in ways that don't always use the specific words.
5) And there are always individual characters who will be exceptions to these rules, just like people are individuals everywhere. Build the background of your characters to show why they are who they are.

Links:
Readers can find out more about me and follow my work through my website, http://www.larazbooks.com, and social media at http://www.facebook.com/authorlarazielinsky.
 
 


44) Laura Vosika
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Genre: historical/time travel and paranormal
 
Advice:

1. Just write—write the first draft straight through without critiquing.
2. Be prepared to go through numerous drafts to really polish it up.
3. Find a good critique group or get at least half a dozen beta readers for feedback while editing.
4. Be willing to take constructive critique.
5. However, not every reader likes every book. Sometimes when people don't like your book, it's more about their preferences. I had one critique group member tell me she was sorry, but she just really hated my story & it was because she really didn't understand it. [I'm glad to say, she finally asked me a bunch of questions and once she understood it, she did like it!]

​Links:
www.lauravosika.com 
www.facebook.com/laura.vosika.author 
 
 
 

45) Wayne Neely
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Genre: Non-Fiction-Hurricanes/Weather
 
Advice:

1. Believe in yourself.
2. Read a variety of different genres of books to expand your horizons and over time, it will help you improve your experiences writing, editing, and prose.
3. Pay close attention of their structures, writing styles, sentences, format, and arrangements of each chapter and make them correlate with each other.
4. Never be afraid to ask for help with your manuscript writing from family, friends, co-workers, and a book editor. It will help your writing journey in the long run.
5. Always get a fresh set of eyes to read over and correct your manuscript because you are too attached to your work to find out all of your mistakes, such as spelling and grammar. But a new set of eyes will recognize them right away or more quickly than you. Don't be afraid to get professional help in correcting and editing your manuscript before it goes to the publisher.

​Link: 
www.wayneneely.com
 
 
 
 46) 
Mark H. Newhouse
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Genre/Genres:  Historical Fiction and Children's Mysteries
 
Advice: 
1. If you have the passion, never give up. 
2. Join a writing group to avoid costly mistakes and improve your skills.
3. Don't sell books. Sell yourself. Help others. 
4. Be sure your book is the best it can be by having it edited carefully. 
5. Do the research: authenticity is important, even in fiction.

Links:

newhousecreativegroup.com
amazon.com/author/markhnewhouse
 
 
 

47) C.L. Bush/Tom Garzan/Quinn Dixon
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Genre/Genres:
C.L. Bush - Historical mystery romance, Young Adult thriller/suspense/mystery
Tom Garzan - Children’s
Quinn Dixon - Spicy Smut
​
Advice:

1. Make sure you do your research! Nothing pulls me out of a book faster than when someone from a set time period uses modern language or modern materials. The internet makes researching so much easier and it can really polish your writing.
2. For children’s books, male author names tend to sell better. Don’t ask me why! I just know that I write under a male pen name because it worked. :)
3. Young Adult fiction means NO sex. If you are having a losing virginity moment or such, that is not YA. That is Coming-of-age. Make sure you are picking the right genre otherwise it can lead to a slump in sales or negative reviews. YA adult readers are looking for a little bit of romance, but usually no overtly sexual content.
4. For Erotica, make sure your covers are dynamic and not like the old dime store novels of the past. People want to feel intrigued the moment they see the cover and its 99% of the sale when it comes to eBooks. Make sure you hire a professional cover designer, and if you are making a series, keep the styles similar throughout so that readers can easily eyeball what books are associated with which series.
5. Have fun! It is hard work. It is expensive, but man, can writing and publishing be fun. If you get creative with your marketing, you can really get a winner. Not everything has to be marketed traditionally. Look into blogs, radio shows, podcasts, influencers that aren’t selling books, but are in the genre your book is in. You can do this! Don’t give up and remember that fame isn’t the goal. You writing and enjoying what you’ve accomplished is.  

​Author Links:

https://www.amazon.com/Original-Lost-Boy-Heroes-Always/dp/1521173346
https://www.amazon.com/MINECRAFT-Endermen-minecraft-adventures-Minecraft-ebook/dp/B01A9OO4EY?ref_=ast_author_d
Wow, all of that was great! Most of the advice offered could be applied to any genre, but yes, a few of them were more geared toward a specific category. How apropos, as a lot of writers are usually focused on one genre at a time.
 
I hope this advice was as helpful to you as it was for me.
 
Here’s to ten awesome years on Writing in the Modern Age! ♥
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Image by Freepik.
As always, happy reading! And have a wonderful spring season!
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Check out our latest Writing in the Modern Age blog post here.
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2 Comments

Blog Tour Feature: THE TRIALS OF ADELINE TURNER by Angela Terry

10/25/2021

0 Comments

 

Hi, readers! We have a real treat in store for you today, a spotlight on a book by Angela Terry, a talented author! 

Angela, an author I met on my journey, has a blog tour running right now.

Let's check out the details, shall we?

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From Charming Falls Apart author Angela Terry comes a story about finding the courage to face your past, be true to your heart, and live your best life.

​"From the very first page, I was hooked on this tale of heartbreak, self-discovery, and one woman's charming determination to turn lemons into lemonade. Fans of Emily Giffin and Lauren Weisberger will love this engaging and entertaining debut!"―Meg Donohue, USA Today best-selling author of You, Me, and the Sea
 
"The Trials of Adeline Turner is a fast-paced tale of dating in your 30s and learning to trust your inner voice. Brimming with wit, banter, romance and heart, it has all the ingredients of the perfect beach read. I was charmed!" ―Lindsay Cameron, award-winning author of BIGLAW and Just One Look

 
A career-driven early thirty-something, Adeline is climbing the law firm ladder and navigating the roulette of “tall, dark and toxic” bachelors in the Chicago dating scene when opportunities new and old fall in her lap on a business trip to sunny California. Book clubs and fans of women’s fiction will enjoy cheering for Adeline Turner as she navigates the twists and turns of her newly complicated life in this fun, heartwarming novel.

The Trials of Adeline Turner: A Novel
By Angela Terry

 
A FUN AND CHARMING STORY OF REINVENTION, THIS CHARACTER-DRIVEN NOVEL IS THE PERFECT BEACH READ
 
Anyone who’s ever reminisced about their unrequited first love or longed for a shakeup just when they thought they were settled will love the charming and fun story of Adeline Turner. A career-driven early thirty-something, Adeline is climbing the law firm ladder and navigating the roulette of “tall, dark and toxic” bachelors in the Chicago dating scene when opportunities new and old fall in her lap on a business trip to sunny California. Book clubs and fans of women’s fiction will devour The Trials of Adeline Turner by Angela Terry.

Risk-averse Adeline uncharacteristically takes the leap into a new life in San Francisco. But a suddenly messy romantic life and suspicions of an office sabotage threaten to derail her high-flying future before it’s off the ground. Without the safety net of her old life in Chicago, Addie must become her own advocate and learn that people aren’t always what they seem. Does the key to having the future she desires lie in uncovering the truth of the past?

“Like my character, I moved from Chicago to San Francisco as an adult and had to go through the process creating a new life and friendships,” Terry says. “I want my stories to illuminate the importance of being true to yourself and finding what makes you happy – which often involves getting out of your comfort zone, letting go of any old stories that hold you back, and listening to your heart.”

Fans of Sophie Kinsella, Lauren Weisberger and Emily Giffin’s iconic Something Borrowed and Something Blue novels will adore The Trials of Adeline Turner.

Title: The Trials of Adeline Turner
Author: Angela Terry

Release Date: October 19, 2021
Publisher: Girl Friday Books
Genre: Women's Fiction
Pages: 277
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 BLURB:

​
From Charming Falls Apart author Angela Terry comes a story about finding the courage to face your past, be true to your heart, and live your best life. Fans of Sophie Kinsella and Emily Giffin will enjoy cheering for Adeline Turner as she navigates the twists and turns of her newly complicated life in this fun, heartwarming novel.

Thirty-three-year-old corporate attorney Adeline Turner has built her adult life around stability. Her professional life is thriving, but her personal life . . . not so much. Deep down she wants more, but finds it’s easier to brush aside her dreams and hide behind her billable hours. That is, until a new client and a chance encounter with her high school crush have her taking leaps she never planned. Suddenly, unadventurous, nose-to-the-grindstone Adeline finds herself moving across the country from her predictable life in Chicago to San Francisco, falling into messy romantic situations, and trying to unravel an office-sabotage plot before it ruins her career.

Without the safety net of her old life in Chicago, Adeline must become her own advocate and learn that people aren’t always who they seem. Which makes her wonder if the key to having the future she desires lies in uncovering the truth of the past.

Goodreads:  
https://www.goodreads.com/book/show/57934079-the-trials-of-adeline-turner
BookBub: 
https://www.bookbub.com/books/the-trials-of-adeline-turner-by-angela-terry
 
Purchase links:
Amazon:

https://www.amazon.com/Trials-Adeline-Turner-Angela-Terry-ebook/dp/B08XKJW6V9/
Universal Reader Link:  https://books2read.com/u/mlEgBq


MORE ABOUT THE BOOK:


Intriguing! Let's chat with the author for a bit...

Angela, nice to have you here on Writing in the Modern Age! Glad you could stop by!
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Angela: Hi, thanks for inviting me!

Marie Lavender (host): Sure! So, Who do you think is the ideal reader for The Trials of Adeline Turner?

Author Angela Terry: Generally, this book is for anyone who enjoys voice-driven, contemporary escapist women’s fiction. Specifically, this book is for someone who may be like Adeline, where they might have a successful career, but want more in their personal life. And, of course, this book is for anyone who still thinks about their first crush and wonders, “What if?” (although, sometimes the dream is better than the reality!).
 
Marie: You’re a big fan of “chick lit”. What are your feelings about that name for the niche of fun and flirty women’s voices?

Angela: The first “chick-lit” book I read was Bridget Jones’s Diary, and it introduced me (and a generation) to books about women who were going through similar issues as I was in my twenties and thirties. I was navigating and balancing my career, dating, family and friends, and asking the question of, “What do I want my life to look like?”. These books were usually told in a light, entertaining, first-person voice, and the characters felt real to me. So, while I know the term has fallen out of favor over the years, it still has a soft spot in my heart.
 
My books have been called rom-com, chick lit, and women’s fiction. I personally consider my books to be women’s fiction, since they focus more on the emotional growth of my heroine towards a more fulfilled self. But I also love a good happily-ever-after. So, if my novel is hanging out on the rom-com table, I’m happy with that because I just want readers to be able to discover my books.

 
Marie: What books and authors have inspired you?

Angela: The first chick-lit book I read was Bridget Jones’s Diary by Helen Fielding, and from there I was hooked on these lighter tone, voice-driven, confessional type of stories. From there, I read Sophie Kinsella’s Shopaholic series, and I absolutely loved, and still love, Jane Green’s novels, which have evolved from early chick lit to women’s fiction.
 
Emily Giffin’s books, though, finally gave me that push to start writing my own books. When returning home from a vacation, I had picked up Something Blue at the airport and devoured it in one sitting. I love how honest and complicated her characters are, and how effortless her writing style seems. When I turned the book over to read her biography, which read, “After practicing litigation at a Manhattan firm for several years, she moved to London to write full time…”, it struck me that hers was the first “attorney bio” I read where I thought, “I want to do that!” That was the moment I decided to commit to my writing.

 
Marie: Where is your favorite place to read?

Angela: My favorite place to read would be my sofa with my cats. But where I get the most reading done would be at airports and on airplanes. I’m terrified of flying, and so I will save up books to read for my flight to have something to look forward to. Now I can’t wait to get to the airport and will be at my gate two hours early to catch up on my reading.
 
Marie: How has the pandemic affected your reading (and writing) habits?

Angela: In the beginning of the pandemic, I found it hard to concentrate on reading and writing. But thanks to my book club and being introduced to the Bookstagram community, I managed to get back my reading mojo. Though I will say, I found myself reaching for lighter, uplifting reads during this time.
 
The pandemic also affected my writing. Normally, whenever I get stuck on a scene, I like to go for a walk or head to a coffee shop. Seeing people on the street and eavesdropping on conversations always gives me new inspiration. With shelter-in-place, I found myself watching television a lot more to study people’s expressions, as well as voice inflections and cadence for dialogue purposes. 


Marie: I know what you mean. My reading and writing habits were affected too.

In any case, it was such a pleasure to have you here today. ♥

Emilia: For myself as well. Thanks for allowing me to visit!

Marie: Of course! 
Hope to see you back here sometime...
​
(Waves goodbye to her guest.)


​Readers, how about a look inside Angela's new release?

​​
Let's check out an excerpt!

Since I’ll be gone for almost a week and had to bring a full lineup of suits, business casual, and sportswear, I have to go through the whole ordeal of checking luggage. After handing my suitcase to the airline clerk and receiving my luggage tag, I smile, say thank you, and turn around while readjusting my tote bag on my shoulder. As I do, I run smack into a blue shirt. 
“Ow, sorry,” I say apologetically. “I should really look where I’m going.” 
“No problem.” A deep male voice laughs as he places his hands on my elbows, obviously trying to stop me from running him over. “Are you okay?” 
As I’m standing there rubbing the tip of my nose, something about his voice strikes a chord inside me and I look up. 
Whoa! This man is beautiful, and his smile is even more so, and I stumble a little as I take a small step back. 
“Yeah, thanks. Sorry again for my clumsiness!” I answer laughingly, embarrassed. 
“No problem.” 
He releases my elbows, and I move aside as he goes up to the check-in counter. 
Away from the line, I recombobulate myself, pulling my tote back onto my shoulder. I’m a little shaky, though, and feel a flush spreading across my chest. I sneak a look at the back of the man I just bumped into. Very tall and fit-looking with a gorgeous head of hair. The most perfect shade of chestnut, it’s thick and a little wavy and flops in all the right directions. He’s running his hand through it as he waits for the airline clerk. He’s looking around now. Mmm . . . what nice, strong-looking shoulders. Oh wait, he’s looking at me! Probably because I’m staring at him. Oops! I give a half smile, and just as I turn around to head to security, the clerk says, “Thank you, Mr. Summers,” and I freeze. 
I know this man! 
My flush escapes my crewneck to my cheeks, and I’m freaking out—not so much that I know him, but at my reaction. Am I sweating? One half of me wants to get the hell out of here, but the other half, the deer in the headlights, is rooted to the spot. Even if I wanted to run, my legs are like Jell-O and I’m too shaken to even try to take a step. 
The blue shirt appears in front of me again. “Hi,” Brad says. 
Brad Summers, my unrequited high school crush, is standing in front of me eighteen years later. 

***
When we reach the Starbucks, we order our coffee, and Brad kindly says, “Here, let me get this. It’s nice to see an old friend.” The fifteen-year-old girl inside me swoons. If he considers his plain former neighbor an old friend, who am I to argue? 
We sit down at a table and begin firing off more questions. Would you believe that my beloved Brad is, of all things, a real estate attorney? Who would have guessed? Especially since, let’s be honest, most attorneys are pretty bland personality-wise. But Brad is nothing like that. He’s funny and charming, and his eyes sparkle when he laughs. I’m dying to ask him, And why aren’t you married? but we stay on nonromantic conversation points, such as where we went to school, why we decided to become attorneys, and what our chosen career would be if we could do anything and not worry about finances. (He’d renovate houses full-time, and I’d be a writer, and yes, we both would travel.) Throughout the conversation, I simply bask in the warmth of his smile and the full focus of his attention. At some point, though, I glance at my watch and realize I need to get to my gate now. 
“Shoot. I better go if I want to catch my flight,” I say with definite disappointment in my voice. 
He in turn looks at his watch. “Oh, yeah, you better get a move on.” 
We both stand up at the same time. “Yes, well, it was really great running into you. Have a good flight,” I say. 
“Yeah. You too.” 
I’m about to reach out to shake his hand, but then I figure, what the hell? He did say earlier I was an old friend, right? So I lean in and give him a hug. A hug that lingers a little too long. But as I feel the warmth of his skin rising and catch a delicious scent of cologne/aftershave, I don’t want to let go, ever. 


So...what are other readers saying about The Trials of Adeline Turner?
PictureImage by Tomislav Kaučić from Pixabay.

"This novel has a delightful rom com tone which is fun and easy to read, but doesn’t let itself be boxed into common tropes. Adeline Turner has no life-balance and a less than perfect romantic life, but other than that she has it all together—the sought after legal job on a track to partnership, a father who’s proud of her, a client who’s impressed, and soon a job offer to move to San Francisco.
So she’s well-grounded, that is until she runs into her unrequited high school crush, who reappears in real life. She’s way too old (in her thirties) and is too much of a professional to be blushing and flushing over a fellow lawyer, but yes, she is. And she’s embarrassed about it and trying hard to keep her professional and personal lives separate.
Add in a subplot of corporate intrigue and backstabbing, and leaving her best friend and confidante behind in Chicago and Adeline has plenty to deal with.
I enjoyed the balanced tone of this book. It covers real questions around regrets and whether we take chances on love, but in a lighthearted way that’s enjoyable to read.
A truly satisfying read."
 -- L Cameron, Amazon

"A Charming Slice-of-Life Read. Give me a delightful heroine, an engaging journey of self-discovery, and a healthy dose of romance and I’ll give you my undivided attention. That’s exactly what happened when I picked up Angela Terry’s new novel, The Trials of Adeline Turner.
I’m always craving those delicious slice-of-life tales of women finding their way through new friendships, work drama, and the complex world of dating, and The Trials of Adeline Turner perfectly satisfied that sweet spot. Angela Terry’s writing is fresh, funny, and sharp, and in Adeline, she has created a character that I not only rooted and felt for, but that I wanted to hang out with. Like Adeline, I never knew what was going to happen, and through all of the ups and downs, I just loved being along for the ride.
If you’re looking for a book about finding your way, coming to terms with the past, and braving the way towards a new future, don’t miss out on The Trials of Adeline Turner."
 --  Stephanie Burns, Amazon

"I took to Adeline immediately. She’s a Chicago lawyer, merely existing, but asking too much from life. Suddenly, she has a career opportunity and also a potential crush turns real. While a good attorney, Adeline has a lot to learn in the People department. Adeline finally comes to realizations in her life and takes action. She doesn’t just settle, although that would be the easy way out. I liked that she was a Midwesterner and it was home for her. It’s a great read." -- J.K., Amazon


Wow, this book sounds so compelling!
 
Readers, you'll have to check out this read! Or, add it to your Goodreads bookshelf or save it to your BookBub wishlist!


Looks awesome to me! :)
​

Thanks so much, Angela!

Let's also give kudos to Angela's sponsor:
​
Grab a copy of this one, everyone. 

Thank you for letting us know all about your women's fiction novel. It sounds like quite a read!
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Angela Terry is an attorney who formerly practiced intellectual property law at large firms in Chicago and San Francisco. She is also a Chicago Marathon legacy runner and races to raise money for PAWS Chicago—the Midwest’s largest no-kill shelter. She resides in San Francisco with her husband and two cats and enjoys throwing novel-themed dinner parties for her women’s fiction book club. Her debut novel, Charming Falls Apart, is a 2021 Independent Press Awards Winner, 2021 IPBA Benjamin Franklin Awards Finalist, and 2020 Best Book Awards Finalist.

Author links:
​http://www.angelaterry.com/
http://www.facebook.com/angelaterryauthor
http://www.instagram.com/angelaterryauthor
http://www.twitter.com/angelaterrylit
https://www.goodreads.com/author/show/20487515.Angela_Terry
https://www.bookbub.com/authors/angela-terry
​
Thanks for stopping by to let us know about your new release, Angela! ♥

Check out our latest Writing in the Modern Age guest article here.

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We're on FollowIT!

10/3/2021

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***In case you missed it...

Yes, we've moved to this domain on Weebly from Blogger/Blogspot, and you can sign up to receive notifications of our latest blog posts through Follow.it.

The old Feedburner system on the previous host is dying out, and it's giving bloggers no choice but to get creative. Additional features are now available, which Feedburner didn't have. For example, you can define filters and more delivery channels to receive your news via Telegram, news page, et cetera. Numerous other options are to follow soon. Here is our updated sign-up page, with the new service. https://follow.it/marie-lavender-s-writing-in-the-modern-age-blog-blog-posts?action=followPub&filter

So, to make a long story short, Follow.it is a good Feedburner replacement.

Please go ahead and subscribe to our new mailing list, to get emails about new blog posts. Thanks! ♥

Check out our latest Writing in the Modern Age book spotlight here.

 

Check out our latest Writing in the Modern Age guest article here.

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Blog Tour Feature: Ivy Nelson’s FOREVER, plus a giveaway!

10/1/2021

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Hi, readers! We have a real treat in store for you today, a spotlight on a book by Ivy Nelson, a talented author! 

Ivy, an author I met on my journey, has a blog tour running right now.

Let's check out the details, shall we?

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Title: Forever (A Diamond Doms Novel)
Author: Ivy Nelson

Release Date: September 28, 2021
Genres: Adult, Contemporary, Erotic Romance, Some Suspense, BDSM elements

 
BLURB:
Russel Adler has one job while Elijah Barrett is away. Keep Holly Barrett and her best friend Gemma Livingston safe from those out to collapse Club Solitaire. There’s just one problem, Gemma is pain in the ass. A gorgeous, irresistible, pain in the ass determined to make his job impossible. She makes the Dom in him twitch, but he knows he can’t lose focus or people might die.

Forever is the long-awaited conclusion to the Diamond Doms series.


Goodreads: https://www.goodreads.com/book/show/57509293-forever
 
Purchase links:
Amazon: https://amzn.to/39A5Zpr
Universal Reader Link:  https://books2read.com/u/bOJw60


So, what are readers saying about this book?

☆☆☆☆☆
"Hot!
I really recommend reading this series from the beginning, to get the full information package of character introductions, as well as the bridging ‘mystery’ that spans the series, and the other intriguing details that I am sure would enhance your reading experience even more.
This is a contemporary romance with a sexy and erotic storyline that set my kindle on fire. The story is not for the faint of heart though- as it has some reallly intense BDSM scenes that may be too much for some readers. But, there is more to the story than just the sizzle and steam- there is mystery, tension, suspense, danger, adventure, action, and plenty of dramatic developments that had me flipping the pages to find out what happens next. I couldn’t put it down, reading the entire book in one session…… what a ride!
" -- Angela Hayes, Amazon
"
I can’t believe it’s all wrapped up!! Ivy Nelson has made the last addition of the Diamond Doms a whopper!!! If you know anything about BDSM, the main mantra is Safe, Sane & Consensual. In this tale, the alpha male Russell is a Sadist and the leading lady Gemma is a Masochist. So their limits and kinks go well together. But, WOW!! my eyes were opened a bit wider with this one. But in books, as in real life, it takes all kinds. The best thing about this type of relationship is the absolute trust needed in each other for it to work. Limits and safe words are there for a reason. The storylines got all sewn up with a bow! This HEA was absolutely so awesome! Great reading! If you like intrigue, danger, excitement and villains then start this series ASAP. You will be blown away!!" -- Anne Young-Cronister, Amazon
"Great story, great series.
***This story contains depictions of BDSM, with some extreme kink. It may not be suitable for some readers.*** The final chapter. You will finally learn who has it out for the members of Solitaire. It is well written and includes most of the characters from the previous books. This whole series is addictive, and definitely worth your time." -- Deborah McClellan, Amazon
"A
truly incredible series. This book can be read as a stand-alone although I urge you to ready this series in order. I honestly think you will get so much more enjoyment out of it if you do.
I cannot begin to tell you how much I loved the characters in this book. They were absolutely perfect for each other and had undeniable chemistry. It literally poured from every single page. There was so much going on with this book as well. The story is so well developed. It is built up and really keeps you on your toes. I think the author has done an amazing job of rounding out all the storylines and keeping everything straight. This is a brilliant book.
" -- Kerry Baker, Amazon
"Satisfying, steamy, spunky dialogue- The perfect book to end a series." -- Linda Foley, Amazon

Intriguing! How about a look inside?

Excerpt 1

Russell slipped some fresh produce and meat into the cart, but Gemma wrinkled her nose. “I don’t really know how to cook.”
Her response didn’t faze him, and he added a bag of spinach. “I’ll get someone to prep some things for you, and I happen to know the guard who works the late shift is an excellent cook. I know chocolate and ice cream are good foods for crying into, but you have to give your body at least some nutrition.”
“I believe your role is to protect me, not monitor my eating habits.”
“I’m protecting you from yourself, love.”
“Don’t call me that. And I’m perfectly capable of feeding myself.”
He just hummed and added a loaf of whole grain bread to the cart.
“Let me guess, you don’t put sugar in your coffee either.”
“I don’t. No cream either.”
“Healthy people are boring,” she muttered under her breath as she went down one aisle and then another.
A moment later, he heard her curse under her breath.
“What’s wrong?” He pushed the cart up next to her and waited while she stared at the shelf. Her shoulders shook, and he realized she was crying.
“Christ, Gemma. Come here.” He turned her around and pulled her against his chest.
While she cried, he kept one arm tightly around her and used his free hand to fish out his cellphone to text the driver of the car that had followed them.
Less than a minute later, the drivers of both cars approached.
“Pay for this and bring it back to the house. I’m taking Gemma home now.”
She lifted her head and wiped at her eyes. At first, he thought she might argue, but she nodded and let him lead her out of the store.
In the car, he handed her his phone. “Text that number what you need added to the list.”
She took it and sent the message.
“Sorry I’m a mess.”
He took his phone and squeezed her hand. “Don’t be. If anyone has a good excuse to be a mess right now, it’s you. I’m here, though.”
“Why?”
He blinked and looked at her as he pulled out of the grocery store parking lot.
“Because you’re part of the family. Because I’m a bastard.”
Gemma blinked hard and jerked her head back. “How are you a bastard?”
“Because I can’t keep you out of my head. You just lost your husband and all I can think about is how good it felt to have my arms around you. Pretty sure that makes me a bastard.”
“It’s not like you’re being inappropriate. If your thoughts move beyond that into actions, then you might be a bastard, but so far, you’ve just let me cry on your shoulder and bought me food. I don’t think either of those things makes you a monster. That role is reserved for me.”
♦♦♦♦
At first, Russell didn’t respond. Just reached for her hand and gave it a squeeze. Gemma hated herself for breaking down in the shop. It was so embarrassing, especially at the point that he called in reinforcements to finish her shopping for her. And now he was being so sweet her heart almost couldn’t stand it.
“You’re not a monster. Let’s get you home where you can relax.”
She shuddered. “Don’t call it that. I am grateful for the safe place to stay, but we both know that isn’t home.”
He squeezed her hand again.
“I’m not saying this safe house will ever be home, but you can rest assured that you have people in your corner. We’re going to get you through this. And on the other side, when it’s safe for you to be on your own again, you can decide if you want to stick around a while or go back to the place you currently call home.”
When they got to the house, Russell opened the front door for her and let her in. Then he walked to the bedroom and into the bathroom where he turned the bathtub on and pushed the stopper down.
“You take a bath, try to relax. I’ll get your groceries put away and see what I can do to make this place a little more comfortable for you.”
“How long do you think I’ll have to stay here?”
He shook his head. “It’s impossible to say right now.”
“Can’t I stay with one of you? What about Holly or Dakota? I like them. It would at least give me some company.”
He picked up her hand and pulled her closer to the tub.
“Right now, we have to assess the danger and figure out who else might be in harm’s way. Once we’ve done that, we can talk about moving you somewhere else. Now, do I need to undress you and put you in the tub, or can I leave you to it?”
She smacked his shoulder. “Get out of here. I’m fine.”
He chuckled and headed for the door.
“Russell.”
He turned to face her again.
“Thank you.”
“Just doing my job, love.”


Excerpt 2 

Gemma’s heart raced as she followed Russell up the stairs. She’d almost lost her sister. That thought wouldn’t stop repeating in her mind. The amount of danger that seemed to follow her these days made her nauseous.
None of it made sense to Gemma, but Kendall was genuinely shaken by the things she saw, and it had set everyone on high alert. Elijah was now on his way to London for a business deal that had been in the works for a long time and couldn’t be put on hold, so Russell was stepping up security and running the entire operation in person. Now he wanted to ask her some questions. After weeks of avoiding her, they were going to be alone in a room together and she didn’t know how to handle it other than to be a smart ass.
“What did you want to ask me?” She dropped into the chair in front of the desk and waited for Russell to speak.
“I need to hear everything you can tell me about Jonathan Niel and his family.”
Gemma whistled. “Everything? That could take a while. How about you narrow it down for me a bit?”
He scowled, bringing his eyebrows together. “Did Niel know you were about to divorce Matthew?”
Gemma wrinkled her nose. “God, I hope not. But I suppose it’s possible that something leaked. He has an excellent PR team that monitors several issues that are important to him.”
“And what is important to him?”
She laughed. “Money. Power. The ability to snap his fingers and have a woman launch herself at his feet. He’s a total prick. Are you ever going to give in and flirt with me?”
He frowned. “You’re still married and now I’m in charge of your protection detail.”
She shook her head. “You’ve been in charge of it since I arrived in town, and we both know it. That didn’t stop you from kissing me the other night when my safe house was compromised.”
“I’ve already apologized for that. Now focus on my questions, please.”
“I’m so tired of being interrogated by people towering over me assuming I’m some weak little rich girl.”
He rolled his eyes but slid off the desk and sat in the chair beside her. “I’m not interrogating you. I’m asking questions that will aid in getting everyone back to a normal life.”
She folded her arms across her chest to hide the fact that her nipples had hardened under his dominant stare.
“I really don’t know how I can help. I haven’t actually spoken to Jonathan in over a year when he came to my office to talk about a business deal he wanted to push through.”
“Do you have access to a copy of that information?”
“Why is this important? He’s probably part of a murderous cult. Shouldn’t that be what we’re focused on.”
“I told you. Every detail, Gemma. This is an organization that does a lot of expensive work. We have to scrutinize any business deal made or attempted so that we can understand how they tick and see if we can find patterns that lead us to how they’re funding the organization.”
Gemma nodded. “Fair enough. I don’t know if I can access the information. I suppose since we’ve decided I’m not dead or missing anymore, it wouldn’t hurt to reach out to my assistant and get her to send me everything she can.”
Russell nodded. “Please do. And when you get done with that, you me and Holly are going to sit down and discuss safety protocols.”
“Oh, that ought to be fun.”
“Rule number one is no sass from either of you.”
She huffed. “You think because we both identify as submissive, you get to pull out the Dom card?”
He chuckled. “No lip, no sass, no bratty behavior. Are we clear, Gemma? Lives are at stake here.”
She waved him away. “Quit with the raised eyebrows and stern tone. I’m going to be good, but I’m a smart ass, and I won’t stop being a smart ass because you say so.”
“Then your smart ass may become a sore ass.”
“You say that like it’s a threat.”
He laughed and leaned closer to her. “Believe me, sweetheart. It is. Now go make your phone calls. We’ll talk again later.”
She gave him a salute followed by a middle-fingered wave as she backed out of the room. He tapped the buckle on his belt. Was he threatening to use it on her? The man didn’t have a clue.


Your book sounds so compelling!
 
Readers, you'll have to check out this read! Or, add it to your Goodreads bookshelf or save it to your BookBub wishlist!

How about some more teasers? ;)

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Note: All the spicier excerpts have been edited out of this post, to comply with the blog's guidelines. For more information, visit our blog policy.
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Looks sizzling...plus, a chance for a $20 Amazon gift card!

Follow the tour HERE for special content and a giveaway!


GIVEAWAY
a Rafflecopter giveaway
Awesome! Thanks so much, Ivy!

Let's also give kudos to Ivy's sponsor:
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Grab a copy of this one! And don't forget to participate in the cool giveaway!

Discover the rest of the book tour here...

Thank you, Ivy, for letting us know all about your contemporary, erotic romance novel with some suspense. It sounds like quite a sexy, romantic tale!

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Ivy Nelson is an emerging contemporary romance author, hopeful romantic, and passionate advocate who is versed in all things steamy, sultry, and sensual. It all started back when she read her first steamy romance novel at the age of fourteen. From that point forward, it became her favorite genre--one she wanted to write in herself someday. Sylvia Day's writing style cemented that passion, and gave her just the inspiration she needed to be an author herself. In December of 2018, Ivy published her debut novel, Power Desired, at the age of 32.

Most recently, Ivy completed the "D.C. Power Games" series and the prequel to her forthcoming "Diamond Doms series", titled Hard (currently available for pre-order). In a not-so-distant past, she was a student affairs professional at a university and earned her political science degree, which explains her politically-driven romance debut.

When she isn't penning steamy scenes or attending writing conferences, you can find this contest-winning karaoke singer and bookworm passionately supporting human rights or growing her Sims 4 empire. She is also a wine aficionado and certified whiskey taster (no, really, she has the certificate to prove it). All that aside, Ivy loves spending quality time with her amazing son and husband of three years at their home in Houston, Texas.


Author links:
https://twitter.com/ivy_nelson_
https://www.ivynelsonbooks.com/
https://www.facebook.com/IvyNelsonBooks
https://www.instagram.com/ivynelsonbooks/
https://www.goodreads.com/author/show/18650771.Ivy_Nelson

Thanks for stopping by to let us know about your new release, as well as your full series, Ivy! ♥
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Check out our latest Writing in the Modern Age guest article here.

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0 Comments

New Release Feature: Francis H. Powell’s anthology TOGETHER BEHIND FOUR WALLS

9/20/2021

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Hi, readers! We have a real treat in store for you today, a new release by Francis H. Powell, a talented author! 
 
Congratulations on your latest book! 
 
Let's check out the details, shall we?

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Together Behind Four Walls

With the sudden arrival of Covid 19 and the introduction of a lockdown, many people might have wondered how they would spend their time.

Writers, poets and artists decided to express their feelings in words and pictures during this turbulent period. From humour to deep thoughts Together Behind Four Walls captures the many facets of the human spirit during the pandemic.
 
Proceeds from the book will go to Marie Curie nurses who continued their great work during this crisis. The book, indeed will give all funds raised to palliative care charity Marie Curie.

The book was the idea of writer and teacher Francis H. Powell.
 
As the world first went into lockdown in March 2020, father-of-one Mr. Powell turned to poetry, writing short stories and doing drawings to help “process what was happening”.
 
This, he says, sparked the idea for creating an anthology of Covid-inspired writing which would explore the collective concept of confinement and the “many facets of the human spirit during the pandemic”.
 
The book includes some well-known contributors, including:

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Wendy Cope
Wendy Cope: among other accolades, the author of five collections of adult poetry, a judge of the 2007 Man Booker Prize, and was voted the listeners’ choice in a BBC Radio 4 poll to succeed Ted Hughes as Poet Laureate in 1998.
Roger Robinson: a celebrated writer, musician, and performer, who has won the T.S. Eliot Prize and the Ondaatje Prize.
Peter Finch: an author, historian, poet, and former Chief Executive of First Academi, the Welsh National Literature Promotion Agency and Society of Writers.

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John Hegley
John Hegley: a performance poet, comedian musician and songwriter, who was the presenter of the Border Television series “Word of Mouth”, and has appeared on Never Mind the Buzzcocks.
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Arthur Smith
Arthur Smith: an alternative comedian, presenter and writer, who famously turned down a lifetime achievement award in 2005 from the Perrier Award organizers and won the Panel Prize at the Edinburgh Fringe in 2007.
Neal Zetter: a comedy performance poet, children’s author, and entertainer. He has nearly 30 years of experience performing in locations such as West End comedy clubs and the Royal Festival Hall. He uses the writing and/or performing of poetry to develop literacy, self-expression, confidence, creativity and presentation skills.
Sally Kindberg: award winning Swedish born artist.
 
The book also includes other contributors from around the world.

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Release Date:  September 2021
Genre:  Memoir, Creative Self-Help, Inspirational Anthology


Sounds like quite a read here!

Purchase Link:
https://www.goldcrestbooks.com/together-behind-four-walls/

Here is an excerpt...
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Excerpt 2:
‘The Garden Wall’
by Francis H Powell

 
The garden wall loomed tall and bushes were full with leaves. Her garden was rugged, some might say it needed attention. However it brought her joy, it was her possession, nobody else’s. At the far end of the garden was a cherry tree, which for a short period was covered in white frothy blossoms. It was to her mind the jewel of the garden, despite the fact it did not provide her with many cherries, which for the most part were devoured by greedy birds. There was a rope hanging from one branch, and in summer she could laze in an hammock chair, sheltered from the sun, either reading or just passing the time away.
Surrounding the tree was long grass and some wildflowers, including columbines, harebells, cornflowers, fox-gloves, and, depending on the time of year, wild daffodils. The lawn was shaggy and unkempt, with moss creeping and spreading like an uncontrolled fire. There was an inundation of ivy. She brought some decorations for the garden, ceramic pots and urns, as well as small ethnic sculptures - nothing of any value, but to her they added some character. Both sides of the lawn were lined with an incongruous assortment of flowers and a spindly rose bush that produced orange flame roses. She had a wooden wine barrel full of kale, swiss chard and mustard greens. She brought some rustic garden furniture and would eat outside when the weather permitted.
She’d bought the house to live with her partner at the time, but as they were about to move in together, he’d walked out on her. She had wondered, from time to time when they were together, if he was really the type who would manage the toils of a committed relationship. Of course, he was great fun, amusing, pleasant to be with, but not the type to have to deal with the practical side of life, the humdrum things everybody has to do, part of the daily grind.
Once their relationship got too serious, it was time for him move on; he’d got cold feet, the fun of the relationship died down when too many elements of practicality crept in. He had left her a handwritten note. In truth, it hadn’t amounted to much. At first the overall feeling was sadness, but then anger had set in. Once she read it a few times to take the words in, she screwed it up in her hand and hurled it at her bin in disgust. Then she sat down and wept.

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About Marie Curie Nurses
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Marie Curie nurses in our communities and hospices provide hands on nursing care to patients at the end of their lives. Throughout the Corona Virus Pandemic, our nurses have been at the frontline of care, looking after patients with all terminal illnesses, including caring for people with the virus.
The need for our work has never been greater. At the time when our nurses are in such demand, we have also faced a devastating loss in our income.
When living with a terminal illness it is vital that you can access crucial support, care and information.
Your support in buying this book, is enabling our frontline staff to continue to provide that expert care along with the vital bereavement advice and guidance we also provide to carers and families having to deal with loss and grief.

About author Francis H. Powell
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Born in 1961, in Reading, England, Francis H Powell attended Art Schools, receiving a degree in painting and an MA in printmaking. In 1995, Powell moved to Austria, teaching English as a foreign language while pursuing his varied artistic interests, adding music and writing.
He currently lives in Brittany, France, writing both prose and poetry. Powell has published short stories in the magazine, “Rat Mort” and other works on the internet site “Multi-dimensions.” His two published books are Flight of Destiny and Adventures of Death, Reincarnation and Annihilation.


Buy the Book
https://www.goldcrestbooks.com/together-behind-four-walls/

Wow, this looks fantastic!

Thanks for stopping by to tell us about your new release, Francis. Get your copy of this anthology which is dedicated to the human condition today, readers! 

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https://www.goldcrestbooks.com/together-behind-four-walls/

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Book Feature: A Look at YA Fantasy Novel FAIREST by Sophia Zaccaria

9/13/2021

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Hi, readers! We have a real treat in store for you today, a spotlight on a book by Sophia Zaccaria, quite a talented author!    
    
We wish you lots of success on your young adult fantasy novel! 
   
Let's check out the details, shall we?

book cover for Fairest a YA fantasy novel by Sophia Zaccaria depicting a mysterious witchy woman who also looks like a princess

About the Book

Here is the book blurb for Fairest.  

Flirting with evil will be the ruination of her soul.

Goodness is much easier to corrupt than it is to hold on to. And for Natasha, a woman reeling from the pain of losing a loved one, evil is all the more tempting. Luck or misfortune spirits Natasha away to the foreign Court of Velaris in a quest for a suitor but instead secures her a place among Velarian royalty. Craving revenge, Natasha makes use of this opportunity to enact her plans as she navigates the lush court where aristocracy is a double-edged blade. But when she befriends her soon-to-be husband Mikhail, the Beloved Prince, Natasha makes a deadly mistake. She captures the attention of the debonair Darkling Prince; a villainous man meant to ascend the Velarian throne.

Enamored, the Darkling Prince charms Natasha, and soon the two feel a forbidden emotion captivate their stoic, scabrous hearts. But with the existence of a violent rebel group capable of cataclysmic damage, there is little time for love. With war brewing amidst the enigmatic kingdom, the royals must become all the more cunning and devious if they wish to triumph over their adversaries. What draws the insidious line between right and wrong when it comes to a battle of survival? For Natasha, nothing is too far, too light, too bloody, too evil.

Soon, the only reflection Natasha sees in her mirror's beveled glass is that of an Evil Queen. Often, the cost of survival is more frightening than the beasts of death. But that's what gives the Queen of Shadow's beauty an edge: she wears her darkness adorned about her throat like the grandest of all diamonds, ebony, and bloodred in shade.

Release Date:  July 18, 2021

Genre:  YA Fantasy, Some Romance Elements

 

Sounds like an intriguing read here!

 

Purchase Links:

Goodreads     Amazon

Universal Reader link:  https://books2read.com/u/4Xreo9

 

Sophia is also giving us a peek at this book today!

Readers, here’s an excerpt...

Danilo’s blood drips mockingly from his mouth, a terrifying scarlet smile. “I think you know just how this has to end, my scarlet queen.”

Crimson blood slid down my alabaster skin as I innocently said, “With your heart on a platter for me to feast upon?” I tilted my head in consideration. “Or shall you prefer I maul your heart first, bathe in your blood, then feast upon your heart like the delicacy it is not?”

In a pique of rage, he snarls and lashes forward, his sword slicing into my left arm, reopening an old wound.

Attack. Attack!

In urgent, coaxing shouts like whispers and tears had become lovers and found their voices together, the alluring phantom’s voice said, Evil is to show mercy when death is inevitable. Instantly enraged with some ancient chaotic fervor, the adrenaline of the brawl masked my pain, and I lunged forward. Kill! Like before, I listened to the enigmatic voice. And now, I became a predator—lethality incarnate bent on only one goal: to kill.

I’d been depriving myself of revenge. I would do so no longer.

Ice exploded through my veins, heralding the darkness.

Drawing on a modicum of power, I summoned my darkness and turned the air around me to shadows of obsidian. Danilo deserves no mercy. At this thought, the shadows around me grew until I felt its edges touch the netherworld itself. My magic surged forward, and I twisted it into an imitation of the Velarian dungeons. Horrified, Danilo watched in morbid fascination as shadows reminiscent of a cell’s smothering walls surrounded him. “Don’t.” His voice was sharp with emotion, and a slow smile lifted my mouth.

“Don’t what? I mean you no harm.” No physical harm. The shadows merely created a mirage, a general impression of shades from dull greys to dried-out reds turned burgundy. Paired with chains and imposing spiked bars that seemed to asphyxiate its prisoner, my mirage was perfect. But not inescapable. If he had enough sense of mind, he could swipe his hand through the shadows, and the nightmare would disappear. But fear is the mind’s warden, and now it is Danilo’s prison. Danilo’s face contorted in a grave expression of pain. “S—stop.” I laughed caustically in the wake of his fear, remembering that a few hours ago, Danilo had stabbed me.

“Stop?” I parroted a moment later, stalking close enough to notice the tiny hairs on his neck standing straight while he trembled. “That word meant nothing to you then. It meant nothing when I begged. Nothing when I pleaded with you to show mercy.” I curled my fingers, analyzing his reaction to the prison encircling him. “Why should it matter to me now?” A mutinous smile of antipathy curled his mouth.

“I awoke you. Without me, you would still be the obedient Darkling Queen, nothing more than an antinome. I unleashed your darkness, and I will never leave you, even if I am gone.” No, it’s a lie, but . . . Danilo’s analysis is all the more poignant when I take into account the scene: Danilo, the victim, and me, the aggressor and villain. Embittered by this, I mocked, “Well, I want to know who we are without each other! I want to know if I’ll recover that broken piece of innocence you STOLE!” Collecting my magic for a finishing blow, I reared my arms back, aiming . . . Wait, whispered the feminine phantom. Against my better judgment, I did, reining in my power until it swirled in inky clouds and fulminated against the restraint. Keep him alive. Trust me, you’d rather make a wicked deal now than kill.

Intrigued by the suggestion, I scrutinized Danilo thoughtfully, my already opalescent complexion turning entirely statuesque as I stared down my enemy. Finally, I spoke, “I wish to have my curiosity satiated. To know what my temperament will be without you whispering evils in my ear.”

Intriguing!

So, what are other readers saying about this book?

☆☆☆☆☆

"Great dark fairytale!! I have a soft spot for villains. I always wonder what their backstories are and what caused them to become the bad guy. So, when I read the blurb for Fairest, I knew that I needed to read it. It is not very often where the origins of the Evil Queen from Snow White are explored!! I am glad that I did because this book had me glued to the pages.

Fairest tells the story of Alina (aka Natasha) and her rise/eventual metamorphosis to the Evil Queen. It was a sad but fascinating tale. A fantastic read.
"
– Read with Me Blog, Amazon

Wow, it sounds like quite a read!

Get your copy of this YA fantasy novel today, readers! Or, add it to your Goodreads bookshelf or BookBub!

Thanks for letting us know all about this book, Sophia! :)

About the Author:

Sophia Zaccaria is the author of her debut novel, Fairest, a retelling of Snow White, and is a massive fan of the classic Grimm fairy tales. As a young Canadian writer, Sophia is always looking to weave mystical and magical things into her stories. Sophia enjoys kickboxing, jogging, and visiting eighteenth-century Gothic scenes to appease her muse's darker side when she is not writing. You can discover her linguistic adventures by following her on Instagram @thesophiazaccaria and Inkitt.

Author Links:

Inkitt     

Instagram

Check out our latest Writing in the Modern Age guest article here.
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New Release Feature: Michael Aronovitz’s THE SCULPTOR!

9/10/2021

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Hi, readers! We have a real treat in store for you today, a new release by Michael Aronovitz, a talented author! 
 
Congratulations on your latest book! 
 
Let's check out the details, shall we?

 book cover image for The Sculptor by Michael Aronovitz depicting a distorted sad female sculpture with a red background hinting at a horror theme

Here is the book blurb for The Sculptor.

At age seven, Michael Leonard Robinson commits his first murder, turning tragedy into an aesthetic. By the time he turns eighteen, he has become an expert with computers, gaming systems, and the art of video imaging. And now in his forties, fully realized, he has long erased his digital footprint. He is thirty years ahead of our most advanced scientists, military ops tacticians, and elite information tech specialists. He is a master of disguise. He can invent projected realities.

Of course, Michael Leonard Robinson could work his dark vision on a global scale, yet he doesn’t need “the world” for a fetishistic thrill, just a police captain, his receptionist, a detective, a rookie junior officer, his sister and mother, and a lot of dark theater. 

Robinson appears to these characters in disguise, film clips, and flashes as he torments them. Their multiple viewpoints are puzzle pieces.

When they fuse to finish the puzzle, the final sculpture becomes clear.

Release Date:  E-book - September 7, 2021 /Paperback - October 12, 2011

Genre:  Serial Killer Mystery

 

Publisher Link:  https://www.skyhorsepublishing.com/9781949102543/the-sculptor/

Universal Reader Link:  https://books2read.com/u/mdDdAw

 

Here is an excerpt...

 

Chapter 24

Beauty in the Eye of the Ripper’s Beholder

 

Captain Canfield ran into the storm. Cold stingers to the face, the front lawn was muddy, his clothing lay on him like lead. It was dark, the wind shaping the rain in what looked like the billowing cloak of some massive dark horseman, with intermittent moonlight coming through the road foliage and cemetery border trees.

Canfield took a position in the grass, gun leveled. He didn’t have a clear shot, not as a sniper would have had with a rifle with a scope.

Across the street on the sidewalk was the huge figure. He was smiling. His feet were spread, his left arm clamped around Erika’s waist, his right palm pressed to her mouth. She was straining hard, arms pinned to her sides, feet kicking insane bicycle pedals against his thick legs. Her T-shirt had ridden up; you could see the shape of her waist. Her ponytail had come loose, and wet strands were plastered to her forehead and jawline like skull-fissures.

The big man spoke. His hat pushed a shadow across his forehead, but below that his skin looked bad—spoiled and cracked like a leper’s. It was the caked-on makeup. The moisture out here had begun to erode it.

“Captain,” he called. “Advantage perp. You can’t risk discharging your firearm. And your prerogative is clear. As the first officer on the scene, you are to look after the safety of the victim before securing the arrest. And if the citizen endures physical harm at the crime scene, you are obligated to care for the injured before arresting the offender.” His grin became monstrous.

“Officer,” he said, “I’d like to report an injury.”

He took the hand covering her mouth and groped it up the side of her face. She squirmed, kicking harder, and he pawed at her, fingering. She jerked her head, and he smeared the cat’s eye makeup in a hash-mark up her left temple. He pulled back across, and she let loose a gargled scream, kicking like a frenzied horsefly held by the wings. He mashed his hand-heel into the other side of her face, slipping down along the bone like wet marble, and this time he streaked thick mascara onto her cheek, hooking down like an athlete’s smeared eye-black. He made an adjustment, and with the base of his thumb, his ring finger, and pinkie he cupped her chin, holding her still. He had to work it like the old Spock Vulcan “live-long-and-prosper” sign, but he spread his middle and index fingers back across the bridge of her nose, then started spider-crawling them up toward her right eye.

Canfield screamed “No!”

The monster’s two fingers were poised like a claw, uneven tongs.

He pushed in, over the eyeball, deep into the socket. Blood squirted up over his middle knuckles. She screamed herself raw, her kicking went nuclear. He let go of her mouth so he could work in the thumb, forming a pincer-grip. For a bare moment it cleared the horrific sightline; he dug in his fingers, and Canfield could see Erika’s eyeball slip from one side of the socket to the other as the monster worked in deep, trying to get to the back of it. Blood wept down his wrist, but the rain washed it away, making the effect seem ghostlike and illusory. He yanked, her head jerked forward, give, but no climax. He couldn’t pull it home, stubborn muscles and nerve fibers proving their elasticity, and he re-angled his elbow, bunched, set, and ripped that eye straight out of its socket.

She stopped kicking.

Thick blood welled in the dark crater and poured down her cheek. The rain doused and diluted it, ebbing down her face with the beat of her heart, tendrils and threads gyrating there on her cheekbone like algae floating off coral in a current. She was twitching, hanging there in his arms. He slapped her cheek and she jolted awake, shrieking incoherently, body in spasm, the broken doll, the lunatic stage-puppet.

He set her on her feet in front of him, bending his knees so she was still mostly blocking the line of fire. Both big hands moved to her hips to steady her, and he walked her back to an oak tree.

He whispered something in her ear. It took a moment. Then he smacked her hard on the ass and barked:

“Go!”

He ducked behind the wide tree and she ran, faster than one would have ever expected, moaning and crying, lumbering desperately away toward Sproul Road.

Canfield pounded after her, grass to driveway. Cutting across the corner of the neighbor’s lawn, he noticed quite academically that they had been gardening, planting shrubs. Passing through the line of them at the perimeter, he stepped on a trowel. It hurt, fucked his rhythm, and his ankles banged together; he went down. He hit the street, skinned an elbow, quick-rolled, and somehow managed to cradle the gun without having it blow a hole in his stomach. He didn’t allow himself time to recover. He sprang up and broke into a straight sprint, thinking, “Knees high, push hard, strong kick, arms in sync,” and by the time he caught up, she was almost to the streetlamp. She stumbled and collapsed, trying to grab hold on her way down, and he caught her from behind just in time to save her from falling onto her face. He went to the ground with her, held her, turned her so he could look at her.

She’d been truly violated, disfigured, it was real, no illusions. She had two faces now, the left profile all sleek cuts and angles, the makeup bird-winged up off her left eye giving her a futuristic look like a runway model, yet turned to the right, her profile was that of a ghost-witch, her long skull and jawline accented by the rough crater peering at you with blank recognition. She looked very much like the kind of thing you bought in an island hut, stuck on a voodoo stick with beads hanging off of the fist-guard. She was sobbing, still convulsing.

Canfield wanted to comfort her, but he didn’t know the words. He wanted to give her some kind of gentlemanly reassurance, but he didn’t know that song either. What came out was mechanical, almost programmed.

“What did he say to you?” he said softly, flatly. He felt terribly about it, but he was who he was.

“What?” she said. “What? When, Bill, what?”

“Easy,” he said. “What did he say to you in your ear? Just now. I’ll catch him, but I need all the data.”

She started weeping again and buried her face in Bill Canfield’s chest, shoulders shaking.

“He told me,” she said, voice muffled, “that I had to run hard, I had to run like the wind, toward Sproul Road. He said that I had to run straight into traffic. He said he was going to flush my right eye down a toilet, and if I didn’t run as fast as I could he’d hunt me down, find me at the hospital, at work, in the parking lot, the grocery store, my apartment.”

She pulled back and looked up at Canfield with her left eye.

“He promised he would give me round two,” she said. “He promised he’d rip out the other one.”

 

So, what are readers saying about this book?

★★★★★ “The Sculptor is one of the most grimly terrifying serial killers in recent literature.” - Horror scholar and editor ST Joshi

 

Whoa...what a disturbing teaser!


Get your copy of this serial killer mystery today, readers!

 

About the Author:

 

Michael Aronovitz is a college professor, rock critic, and author of dark fiction. His published novels include Alice Walks, The Witch of the Wood, and Phantom Effect, his collections – Seven Deadly Pleasures and The Voices in Our Heads. Aronovitz has published more than forty short stories, and has appeared in magazines and anthologies such as Weird Tales, Searchers After Horror, and Apostles of the Weird. His short story titled “How Bria Died” was featured in The Year’s Best Dark Fantasy and Horror, 2011, Prime Books, and currently, Aronovitz has much of the above-mentioned work being translated into German and re-released by Firma Edition Barenklau. His lifetime collection of novellas and short stories, titled Dancing with Tombstones, will be published by Cemetery Dance Publications in the fall of 2021, and his fourth novel titled The Sculptor will be released by Night Shade / Skyhorse in the fall of 2021.

Author Links:

Website: michaelaronovitz.com

Facebook: https://www.facebook.com/michael.aronovitz

Twitter: https://twitter.com/michaelaronovi2

Amazon Author Page: http://amzn.to/2yprVlr

Goodreads: https://www.goodreads.com/author/show/551323.Michael_Aronovitz

FictionDB: https://www.fictiondb.com/author/michael-aronovitz~99909.htm

Check out our latest Writing in the Modern Age guest article here.

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How to Make Your Characters Believable by Stefan Vucak

7/26/2013

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How to Make Your Characters Believable:

a guest post by Stefan Vucak

 

 

People are quirky, unpredictable, emotional, and often cannot be relied upon. Governed by the environment within which they live, knowledge accumulated over years of learning, whether formal or through personal endeavor, and simply interacting with others, an individual is a complex matrix of what it means to be human. Above all things, people are self-centered, always looking for that angle which will make them come ahead—that quick fix to bypass the necessary hard work in-between. That’s why we gamble.

 

Standing on a busy street corner, waiting for the lights to change so I can cross, I am bemused by the sight of pedestrians hurrying, dawdling, or completely distracted with faces buried in a smart phone crossing the other way. There are tall people, skinny ones, some not so, Caucasian, Asian; all sorts. Some are wearing smiles, while others scowl, and there are those who seem to be stooped like they are bearing the load of the world on their shoulders. The teens skip gaily, chatting to each other and laughing, looking on us oldsters as incomprehensible cubes, wondering what all the fuss is about.


So, what’s with the philosophical sideline? Believe it or not, there is a point. Purse your lips and ask yourself if you have really looked at a stranger lately, and simply from his appearance tried to work out his personality, social status, mannerisms, identifying marks? If you can see them, does he have brown eyes or blue ones or green? Is his face round, square, long, gaunt, plump? Does he walk with confident strides or is he hesitant, his eyes darting suspiciously as he pushes through the crowd? Is he carrying anything? If so, what is it? Does it help you identify him? On an instinctive level, do you like him or do the hairs on the back of your neck tingle at the sight of him?


Are you starting to get the broader picture? Do you observe people or does the mass of humanity simply slide past your consciousness as you hurry across the street, your mind focused on whatever it is you need to do? Finishing that chapter you’ve been struggling with, perhaps? The struggle caused because your main character, and maybe the whole cast, is somewhat two-dimensional, a nobody, and you cannot quite figure out why? Then again, you might be thinking: I don’t need to describe my characters; the story is good enough to carry them. You could be right. You could also be wrong, you know.


Deciding how to portray characters in your writing can be a contributing factor in producing a great book, or something that’s okay for a once off read. Every book has two basic components: action sequences and characters who do the action or have action done unto them. Many books rely on action alone, and some do it with superb craftsmanship. Others get into a character’s mind and never let you leave it. That can be entertaining and enthralling—if done well. But how can you tell whether your characters are genuinely alive and real? Simple, really. Think of a recent book you have read and ask yourself this. Do the characters stand out? If so, why? Or are they cardboard cutouts who cannot utter a coherent sentence? It is an instinctive thing anyone can spot. Unfortunately, many writers can spot it in someone else’s book, but are unable to see it in their own writing.


All right, how do you make your characters believable? Before you even start writing that epic, you need a detailed outline, a story skeleton on which you’ll hang the words. Part of writing that outline will require that you line up your cast and stare at them, then pick those that will star in your book. Think of a casting director for a movie. Your cast will be determined by the type of book you are writing. Is it a love story, a techno thriller, a murder mystery, a convoluted spy thriller, a tearjerker? Are you looking for action men, sleuths, hard-boiled gumshoes, sleazy womanizers, or just mean guys? What does this process do for you? Whether you realize it or not, and you should, you are taking a first step toward making your characters believable. You are thinking of them as individuals with personalities.


To make every member of your cast a living person, you need a police profile that goes something like this:


- Height

- Weight

- Complexion

- What color eyes

- Does he chomp his food, or is he a dainty gentleman

- Does he swear

- What is his normal behavior: tense, relaxed, awkward, sharp…

- Special mannerisms, use of phrases, habits…


I think you are starting to get the idea. Why such a profile you might ask? For one thing, it will crystallize that character in your own mind. Whenever you write about him, the character will always behave consistently, true to himself. Any deviation will not be looked on favorably by your readers. There is nothing more irritating than reading on one page the character is five foot ten, and later, he is six feet two, or something like that. You may never employ all of the character’s profile in the book, so why bother? What this does is makes the character live, which is the important thing. He becomes a close friend, or an enemy. You will like him or you won’t. Either way, you will know this character, and so will your readers. If someone asks you to describe your sister, brother, mother or friend, you can readily spew out the words with hardly a pause. In the same way, you must be able to handle your characters in your writing.


Remember that cardboard cutout? He is a cutout simply because the writer doesn’t know him. He is a complete stranger, and he comes across as such to readers. That’s all there is to it. Well, there is a bit more, of course. That more being the dialogue.


You cannot handle a novel with a character not having to say anything—unless he is a Robinson Crusoe. Since there are no more unoccupied coral islands where someone can get away from it all and clam up, your characters will have to say something sometime. What they say and how they say it will go a long way toward making them real and believable, or two-dimensional cutout dummies. Some writers can handle dialogue with natural skills, while others agonize. How do you master dialogue? Grab one of your favorite books and check the dialogue. Why do you like it, and does your dialogue come anywhere close? If not, what can you do about it? That’s simple, but involves some sweat on your part. You are a writer, right? So, practice writing dialogue until it becomes second nature. Never mind about what, just write. Think of the last conversation you had with someone and write the ensuing dialogue. When you read it, does every aspect of that episode come through? And I am not talking only about what was said, but how it was said, what emotion was displayed, gestures, tone of voice, hidden meanings. If what you have written doesn’t match your memory, you obviously haven’t got it right. Give the piece to the person you had the conversation with and get his feedback.


If you have read this far, you are right to point out that there is much more to making your characters believable, but I hope I got you thinking and looking at your characters in a new light. By the way, get a professional editor to go over your writing. An impartial pair of eyes can do wonders for your novel.

 

Guest Blogger Bio

picture for author Stefan Vucak 

Stefan is an award-winning author of eight techno sci-fi novels, including With Shadow and Thunder which was a 2002 EPPIE finalist. His Shadow Gods Saga books have been highly acclaimed by critics. His political thriller, Cry of Eagles, won the coveted 2011 Readers Favorite silver medal award, and his All the Evils was the 2013 prestigious Eric Hoffer contest finalist.   

Stefan leveraged a successful career in the Information Technology industry and applied that discipline to create realistic, highly believable storylines for his books. Born in Croatia, he now lives in Melbourne, Australia.

Links:

Website:  http://www.stefanvucak.com/

Facebook:  https://www.facebook.com/StefanVucak

Twitter:  https://twitter.com/stefanvucak 

 

Shadow Gods Saga:  Series Link

 

Check out our latest Writing in the Modern Age blog article here.

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Book Review Etiquette by Paula Hrbacek

7/5/2013

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Book Review Etiquette

 

 

Authors can’t sell books without reviews. Especially now that a lot of authors are going the self-published route, book reviews are crucial elements that authors seek and crave. Well, good reviews are craved.

Recently, there has been a trend for readers to post reviews before they have even read the book.

A fellow author recently received the following ONE star review: "I did not read it I just downloaded it," says Raebeth Buda, author of ‘Silenced’ and host of the Writing World web site. “Last year I also got a ONE star review that said, 'I haven't read it yet, I will leave a review when I do.'  They have yet to review it. That star has been sitting there hurting my rating ever since. And with only 10 ratings on that particular site, it hurts a LOT.”

It hurts the author because most book review sites give an average star rating, figuring all the reviews into one score. It’s like getting straight A’s all semester, and then getting one F that pulls your grade average down to a C.

“It seems like common sense, but I think more people need to be aware of how much needless one star reviews can hurt. It's great you bought the book, [and] it's great you intend to review it. But leaving a one star 'placeholder' hurts the author much more than leaving no review at all,” Buda says.

Stars on a book review are pretty much equal to the five point grading system used in schools. A five star rating is the same as an A on an essay. It means you thoroughly enjoyed the book. Four stars means the book was enjoyable, but had a few faults. A three star rating means the book barely passed. Anything below three stars warns other readers to pass the book by and buy something else. A one star rating means the author should not have published the book in the first place.

When writing a review for a book, the reader should give a summary of the story to let the next reader know what the subject of the book is about. It also lets the reader know that the reviewer did in fact read the book. It should then point out the book’s virtues and weaknesses. Is it well paced? Does the plot make sense? Are the clues foreshadowed, or does the answer appear out of nowhere? Are the characters believable and likeable? Is it well researched? 

The conclusion of the review then gives an overall reaction to the book: it was a pleasant read, it was a page turner, I couldn’t put it down, I highly recommend the book, I can’t wait for the next one. The conclusion of the review should not be what is called a 'spoiler': the butler did it. It’s acceptable to say that the ending was surprising, but not to say what the surprise actually was.

So, please, write your reviews, but follow the rules and format of a good review. Even if your opinion is bad, every review posted should be good in quality, helpful to other readers, and a true reflection of the reader’s opinions.

 

Guest Blogger Bio 

 picture of author Paula Hrbacek

Paula Hrbacek is the author of five books, including Stars Shine After Dark, a sweet Christian romance, available in paperback, Kindle and Nook.

Day Camp in Hawaii, a complete program guide for summer camp or summer school, is available in paperback, Nook and Kindle. For more information see http://paulahrbacek.weebly.com or her author page at https://www.amazon.com/author/paulahrbacek.

She also writes two columns for The Examiner, a free online newspaper; Children’s Arts and Crafts, and Book Reviews.

Links:

LinkedIn: http://www.linkedin.com/profile/view?id=104609576&locale=en_US&trk=tyah2

Facebook:  https://www.facebook.com/PaulaHrbacek?fref=ts

https://www.facebook.com/pages/Paula-Hrbacek/199054570166688?fref=ts

Twitter:  https://twitter.com/PHrbacek 

book cover image for Day Camp in Hawaii an instructional summer school program by Paula Hrbacek depicting a tropical beach with boats

Universal Amazon link:  mybook.to/DayCampHawaii 

Also in paperback at B&N.

Check out our latest Writing in the Modern Age blog article here.

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What Does It Take to Be a Writer? by KateMarie Collins

6/7/2013

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A simple question, but a complex answer.

First off, I’d like to thank Marie for allowing me to visit her blog today! My second novel is about to be released later this month, but you’ll learn all about that later.

Recently, a friend of mine asked a group of us to answer a question for her. Keep in mind, the group is a very talented gathering of people. And while most of us had had some success getting short stories published, I was the only one who’d made the leap to novels. She’d been mulling it over in her mind for a few months and couldn’t come up with an answer. Her question was this: 

“What does it take to be a writer?”

My initial response to her was to ask her if she wanted to know what it took to be a writer or an author. I asked her this because there’s a difference. Anyone can write. My kids write every day at school, you’ve probably sent a dozen emails this week alone. Writing is not hard. Being an author, though, that’s a different story. Every author is a writer, but not every writer is an author. This is what I told her. 

First, it takes courage. Tons of it. It's no easy thing to hit that send button. Confidence is good, but it comes with time. Courage is more important at the start.

Being willing to see errors when pointed out, and learn from them. There's a difference between an opinion and a valid crit. Sometimes, the opinions are understandable and you should change something. Other times, you're going to go with what you wrote originally. A crit, however, is different. That's a comment about something that really doesn't work (putting the wrong name of a city, for example), technical help (should be went to the store, not had to the store!), or helping you find the holes in your story. If you want to be an author, you have to get ready to have people tear your 'baby' to pieces. 

Perseverance. It takes time. Time to get the contract (shall we play rejection letter lotto today? I've got lots of cards!), time for it to go from signing to release, time put into marketing (even the big Houses are going to expect you to do some), and time for readers to discover your book. Unless you've somehow got the name recognition already (Amanda Knox, Michael Jackson, a former President, or Brad Pitt), you will not get stellar sales out of the gate. It can take months, even years of concentrated effort to gain a loyal enough following that the royalty payments are going to buy you more than something to eat off the dollar menu at McDonalds.

Seriously, don't sweat the small stuff like adverb usage, tell vs. show, active vs. passive, and any of the two dozen so-called rules of good writing. Spelling, grammar, punctuation - as long as they're not blatantly bad, most EICs will look past that as something that can be easily corrected in editing/proofreading. As my wonderful late Big Brother told me, "Did it sell? Then it's good." The other stuff, eh, it's just guidelines. The story has to be engaging and grab the attention of the reader. I've read stories that followed 'the rules' - and rejected them because they were dry pieces of cardboard without any depth. Or made my eyeballs want to bleed.

An author's going to write, revise, cry, revise some more, and polish it within a millimeter of its life. A writer's going to slap something onto a piece of paper and call it good.

In the end, it’s your decision if you’re an author or a writer. Do the rewards outweigh the risks? Do you want to invest the time and work to market yourself? No one can make that decision for you.

Guest Blogger Bio 

picture of author KateMarie Collins

Born in the late 60's, KateMarie has lived most of her life in the Pacific NW. While she's always been creative, she didn't turn towards writing until 2008. She found a love for the craft. With the encouragement of her husband and two daughters, she started submitting her work to publishers. When she's not taking care of her family, KateMarie enjoys attending events for the Society for Creative Anachronism. The SCA has allowed her to combine both a creative nature and love of history. She currently resides with her family and three cats in what she likes to refer to as "Seattle Suburbia".

Links:

Twitter: @DaughterHauk

FB: http://www.facebook.com/pages/KateMarie-Collins/217255151699492

Blog: http://www.katemariecollins.wordpress.com

book cover for Daughter of Hauk by KateMarie Collins depicting half of a woman's face up close plus the symbol of a raven in the corner of the image

book cover for Mark of the Successor showing a mysterious woman in a cloak in the forest

Check out our latest Writing in the Modern Age blog article here.

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