I don’t know if anyone is actually reading this, but I really hope they are. I feel I have some great stuff to share and I hope I’m not being read as too arrogant. But let’s move on.

Why do we write fiction? I think there are many reasons, but one pertains to the fact that when we write fiction we get to create the world of our choice. This is one reason. As a writer, I always throw in a part of me in everything I write and I will do the same here. Though, I may be more throwing myself out into the slaughterhouse. But hey, writers are weird; we express our emotions. Enough jabber, here I go:

In Creative Writing right now, the class has been assigned to read short stories of our peers in our group. So far, I haven’t found anything that I consider to be “bad writing,” though, I do believe that all writing is good anyway. The point is, I’ve read a few where people throw love into the story. Love is a prominent issue and is probably addressed in every story. Though, I could be wrong. Remember the Einstein quote:

“No amount of experimentation can ever prove me right; a single experiment can prove me wrong.”

Anyway, what’s my point here? My point is, we all think of love whether we have it or not. In this sense, I’m talking about passionate relationships between a boy and a girl, or a boy and a boy, or a girl and a girl. I’m not going to get into transgenders. I’m not talking about love for your parents or friends. Though, love is important in all aspects. I’m not focusing on what you may call 'family love' or 'friend love'. I guess you could call this love 'sexual attraction' - attraction to the opposite or same sex. If we have this love, well, as a writer, we may write about our loved ones. If not, we may write about our wish to be with 'the one'. Petrarchan poems are all about the longing for the one you can’t have, but I’m not really addressing that. I’m more thinking about “dreaming” about that one who you haven’t met yet. Think of the Michael Bublé song, Haven’t Met You Yet. Is that Petrarchan? I don’t believe so.

In creating these stories, you get to decide what occurs. If you feel very negative, you may write a very negative end. If the story’s hopeful, well, it would be filled with hope. The feelings you express can affect the writing or the exact opposite. I find that when I read these love stories, so far the ones I’ve read, they end happy. But, sometimes it seems so easy. Within a story, it is. But it’s harder in real life. I think time and time again about 'the one', and I always wonder if I’ll ever find them. I don’t think about physical characteristics. I think more of just having fun and enjoying their company. All right, you want me to really throw myself out there? I envision a slim body, but not unhealthy. Nothing cruel, I assure you. Ask me more questions and you’ll be dead. Well, not really. 

I guess the real title for this article/curious essay is 'Why Do We Write Love Stories?'.

I believe it has to do with your feelings. I think, in order to write a great love story, we must be playing the feelings we actually have; if we want to bring in that affection from the reader, that is. I relate to more teenage novels/young adult fiction because the characters are closer to my age. Not that those younger or older characters don’t seem real, they do, but I can’t relate to them as well. It’s what makes a good book: reaching your audience. Everyone can read it, but if you really want to capture the reader you’ve got to find a connection within the writing. With love, it could be heart-wrenching or very sweet. But if it’s bland, no one will feel connected. And I think readers can usually tell if the emotions in the story are fake, unless you’re very good at conveying the opposite. For that, I congratulate you. You can join T.S. Eliot. He believed that poetry should be written through characters not feelings. He creates characters and they have no relation to him whatsoever. Maybe not directly, but maybe there’s more meaning. I don’ t know and can’t exactly ask him.

What am I getting at here? With fiction, you are constructing a fake reality, but in order to get readers involved, it has to contain realism. I’m not writing that fantasy should be scrapped, I’m saying that the characters need to be three dimensional.

But, what’s the main reason we write fiction?

To tell a story and share our ideas. And above all, to be creative.

So true. Many thanks for visiting us today, Andy!

Guest Blogger Bio

  

Andy Ruffett is a writer who lives in Toronto (Ontario, Canada). He is getting a Bachelor of Arts degree at the University of British Columbia. His focus is Creative Writing. In high school, he was lead editor at the school newspaper. He is a proficient editor and writer, and you can connect with   him on LinkedIn, Facebook, Twitter or his blog.

LinkedIn:  http://www.linkedin.com/profile/view?id=192002172

Facebook:  https://www.facebook.com/pages/Andy-Ruffett/159163347452440                     
Twitter:  https://twitter.com/AndRuff8

Blog:  http://ruffpost.tumblr.com/

Check out our latest Writing in the Modern Age blog article here.

"No one is asking, let alone demanding, that you write. The world is not waiting with bated breath for your article. Whether or not you get a single word on paper, the sun will rise, the earth will spin, the universe will expand. Writing is forever and always a choice - your choice."

~Beth Mende Conny

That's an interesting quote by Ms. Conny, and it's true. Nothing in the world will change if I write or don't write. Writing really is a choice, but it's a most interesting choice ...

I've talked to a lot of writers about why they write and those reasons are as varied as the number of writers I asked. Some write because it's their job and it's what they're paid to do.  Some write because it's a hobby and something they enjoy doing.  Some write because it's a challenge, maybe by a writing community, or a teacher in school.  Some write because they're in love and want to express their innermost feelings. Some 

write because it's a driving compulsion, a mental lava flow, if you will.   [I'm assuming this is the category the prolific Steven King falls into].  And still others write because they're uncomfortable with the words banging-clanging around aimlessly down inside of them. They just have to write and let the words come out.

The one response that was almost universal among them was that the ones who are serious writers write for the sheer love of writing.  All writers want to be good, and so unique, as to be able to write one thought, one idea, one poem, one story -- just one thing -- in such a new and wondrous way that they'll be remembered for it forever. I'm reminded of something Anais Nin once said:  "The role of a writer is not to say what we all can say, but what we are unable to say."

As for me, I write for the sheer love of writing -- it doesn't really matter what I write. I do it because it's an addiction and I have to get the banging-clanging words and ideas out and into the daylight. I write to leave something of me behind, something that I hope is good, something so new and unique and different that my children's children's children will read it some day, smile, and say, "That was my great-grandmother.  She wrote that.  What a character she was. How I wish I had known her ..."

So true.  I think we all want to be remembered for our work.  Thanks so much for visiting us today, CJ!

 

Guest Blogger Bio

CJ Heck is a published poet, writer, blogger, and the author of three children's books, a collection of short stories, and her newest, a poetry book for adults. She is also a Vietnam War widow.

CJ has three daughters and eleven grandchildren. She lives and writes in Florida with her partner, Robert Cosmar, who is also an author.

For book excerpts, more information, interviews, or to invite CJ to your school, or organization, please call 352-299-5634 or visit her website, Barking Spiders Poetry.

Website: http://www.barkingspiderspoetry.com

LinkedIn: http://www.linkedin.com/pub/cj-heck/17/312/b76

Twitter: https://twitter.com/CJHeck60

Facebook: https://www.facebook.com/cj.heck1

https://www.facebook.com/CJHeckAuthor

Amazon: http://www.amazon.com/C.J.-Heck/e/B000APRMC4

Blogs: http://memoirsfromnam.blogspot.com/

http://cjswriterthoughts.blogspot.com/

http://knowingwhispers.blogspot.com/

Youtube: http://www.youtube.com/user/cjheck1949/videos

Goodreads: http://www.goodreads.com/author/show/5308345.C_J_Heck

Shelfari: http://www.shelfari.com/cj_heck

Books:

Barking Spiders (and Other Such Stuff)
Barking Spiders 2 (sequel)
Me Too!  Preschool Poetry 
Bits and Pieces (Short Story Collection)Anatomy of a Poet

Read Excerpts at Barking Spiders Poetry!

 

 

 

Check out our latest Writing in the Modern Age blog article here.

My guest today is KateMarie Collins. Hello, KateMarie! Welcome to Writing in the Modern Age! It’s such a pleasure to have you here today.

Can you tell us a little bit about your latest book? When did it come out? Where can we get it? 

My new book is titled Mark of the Successor. It's about a young woman, Lily, who finds out her entire life was a lie. She has to find her inner strength to break free of how she was raised and be who she wants to be, over what others demand of her. It hasn't released yet, but we're hoping for sometime in May or June of 2013. Once it's out, you can get it via Solstice Publishing's website (www.solsticepublishing.com), and it should also be available on Amazon and Barnes & Noble's websites.

Is there anything that prompted your latest book? Something that inspired you? 

I belonged to an online writing group where we did challenges every week. Someone would put a topic out, and we'd write whatever our take on it was. This particular week, the challenge was a known unknown. I wrote a small story about a small child seeing a school bus for the first time. But then Lily would not shut up! I had to keep writing about her until the story was complete. The challenge part is actually the prologue in the book.

Great! So, when did you know you wanted to write? Or has it always been a pastime of yours?

I've always been creative, even though I can't draw a straight stick figure without a ruler. Where I grew up, though, things like being published were reserved for 'other people', not me. By the time I finished high school, I saw my talent as little more than being able to bs my way through the essay portion of a test. Five years ago, something inside me unlocked the muse I'd kept caged for all those years. I started to write, and it scared me. For the first time I could recall, I liked what I wrote. Once the muse was out, though, she refused to go back inside. 

Do you have any favorite authors? 

Nick Pollotta, Stephen Boyett, David Eddings, and Patricia Kennelly-Morrison are people I will always read. Mr. Pollotta is the only author that'll make me laugh aloud while I'm reading. The others have this sense of realness to their writing. 

Do you write in a specific place? Time of day?

I've got an office space in our house. I've got to get the right music in the stereo first. Normally, I do a lot of my writing when my kids are at school and the hubby's at work. I can crank the stereo, ignore the telemarketers (yeah for caller i.d.!), and let things flow. 

Are there any words you'd like to impart to fellow writers. Any advice?

Don't give up. Yes, you're going to get rejections. We all do. It's part of the business. If you get any feedback from a publisher or agent, take it to heart. It's not a good feeling to be told no, but be open to analyzing the story if something's brought to your attention. None of us ever start with the perfect manuscript after one draft.  

Here is the blurb for Mark of the Successor.

Dominated and controlled by an abusive mother, Lily does what she can to enjoy fleeting moments of normality. When a break from school only provides the opportunity for more abuse at home, the sudden appearance of a stranger turns her world even bleaker. Disappearing without a trace, he has left a lingering fear in Lily. His parting words to her mother, “Have her ready to travel tomorrow,” is something her mind refuses to accept.

Running away is the only answer. But before Lily can execute her plan, a shimmering portal appears in her room. Along with two strangers who promise to help keep her safe. With time running out, she accepts their offer for escape and accompanies them into a brand new world. A world in which she is the kidnapped daughter of a Queen, and the heir to the throne of Tanisal.

Can she find her own strength to overcome both an abusive past and avoid those who would use her as a means to power?

Here's an excerpt from Mark of the Succesor. 

PROLOGUE

 

"But why do I have ta go, Mama?" Tears streamed down Lily's cheeks.

Mama bent down, enfolding her in a tight embrace. "It not my choice, Lily. Them folk down the road, the ones that keep tryin’ to talk us into going to church with them, they did call important folk. Them think they knows more than I do."

"No one knows more than you do, Mama!" Lily pulled back a little, wiping at the tears.

"You just remember that, Lily, when them teachers tell you something different!" Mama straightened up. "Now, you go down to the end of the driveway. There goin’ to be someone come pick you up. You be brave, now. I be here when you come back."

Lily knew better than to try and kick up rocks or dirt on the walk to the main road. Mama didn’t like that. She got mad at the delivery man one day, even got the shotgun down when he drove too fast. Told him to go slow and stop making the dust kick up or she'd shoot him.

The end of the drive loomed ahead. A small wooden shed with a bench, open on one side, shone bright in the morning sun. It was newly built, the yellow pine still had the fresh cut look to it.

Lily waited next to it, not knowing what it was for.

A low rumble reached her ears, slowly growing in volume. Lily quickly checked her

raven black hair, making sure it was arranged in the way Mama liked. Mama didn't like the back of her neck showing for some reason. If anyone else saw it, Lily would go to hell, Mama told her.

A strange thing came rolling down the road. It was huge! Lily's green eyes bulged in

terror as it lumbered toward her. It was yellow, with bright glowing eyes below a dark forehead. Or was that a mouth? Black smoke bellowed from behind, reeking like sulfur and coal. She swallowed hard as the great beast pulled up, screeching to a halt in front of her.

A door opened at the side. Lily glanced up, and saw a long row of windows revealing other young folk trapped inside. A set of black stairs led up. A man sat at the top of them. He was looking at her, expectantly. One huge hand rested on a large black wheel. The other held the handle of some shiny device. Mama said the reason men had such big hands was so they could hit girls harder when they didn't obey their Mamas.

"C'mon, sweetheart. I haven't got all morning. Got more kids to pick up." 

Lily took a deep breath and slowly mounted the steps. The creature was full of seats. Lots of other kids stared at her like she was a freak. She stopped, panic rising in her.

"Find a seat, sweetheart. I can't move until you do." The voice made her jump.

Remembering what Mama had said about making men happy or they beat you, she slid into the closest empty seat. The black material felt hot.

The creature lurched as it moved forward, making her slam into the back of the seat.

Author Bio

Born in the late 60's, KateMarie has lived most of her life in the Pacific NW. While she's always been creative, she didn't turn towards writing until 2008. She found a love for the craft. With the encouragement of her husband and two daughters, she started submitting her work to publishers. When she's not taking care of her family, KateMarie enjoys attending events for the Society for Creative Anachronism. The SCA has allowed her to combine both a creative nature and love of history. She currently resides with her family and three cats in what she likes to refer to as "Seattle Suburbia".

Website: http://katemariecollins.wordpress.com/
Facebook: https://www.facebook.com/pages/KateMarie-Collins/217255151699492?ref=ts&fref=ts
Twitter: https://twitter.com/DaughterHauk
Amazon: http://www.amazon.com/KateMarie-Collins/e/B008I67BBE/

Check out our latest Writing in the Modern Age blog article here.

Our lives take a toll on us.  We amble through each day, dealing with each stressor the best way we can.  But, we are not infallible.  Nor are we indestructible.  
 

Some of us have to pay the bills somehow while we wait for our ship to come in.  So your job can put more stress on you.  There are a million distractions, and not always the good kind.  Yeah, it’s nice when the day looks pretty and you feel encouraged to go explore.  That’s a pleasant distraction.  The not so pleasant kind can deter from your writing.  We all know what that can entail.  Pressure in all directions.

  

I saw a quote recently that I think is very apropos.  Ray Bradbury said, “You must stay drunk on writing so reality cannot destroy you.”  So, what kind of reality does he mean?  Well, I think all of us can imagine.  What in your reality keeps you from working on your novel, poem or play?  I have a tendency to be too realistic, a flaw my fiancé reminds me of often.  But, I’m a creative soul too.  And my tendency to be so realistic does distract me from writing.  Because I tend to focus too much, to worry too much about the future.  What if?  What will happen…blah, blah, blah.  I’m sure some of you are familiar with that train of thought.

 

I have a manuscript, a sequel to my newly released book, that is just waiting to be finished.  My first historical romance took me years to write.  Years!  Why?  Because life got in the way.  Because I had this or that to do.  I’m realistic enough to know that I can’t just sit and write 24/7, whether I want to or not.  I have to sleep.  I have to eat.  I have to, well…live, for lack of a better word.  And those experiences do shape us as writers.  They add to our core.  They help us write.  But, they can kill the creative fire too.  

  
You know the fire.  The burn.  The urge to make your hands pick up a pen or fly across a keyboard.  You feel it every day, even underneath all those distractions.  You feel it when, finally, at some point, a scene comes into your mind.  The muse has blessed you again.  And yet, as writers, we can be hurt too.  Yes, we’re all human.  But, I don’t imagine many people know how hard it is not to write, not to feel that utter freedom of creativity.  How exhilarated you can be when something just clicks inside of you, some part of the plot, some facet of the character.  You start writing and don’t stop for twenty minutes or even longer.  Ah, the ecstasy of it.  No one knows better than a writer how that can feel.


So, let’s examine Mr. Bradbury’s words a little.  Stay drunk on writing?  As if it’s a drug or alcohol?  Do we actually want to be intoxicated?  Well, maybe not in reality.  But, on writing?  Yes!  Oh, if only we could endlessly feel that freedom.  Every one of us wants to.  Don’t deny it.  And it is like a drug, addictive in its own way.  

And what else did Ray say?  Reality will destroy you.  Okay, being realistic isn’t so bad, right?  It helps us accomplish our tasks for the day.  Hell, it even takes a little realism to outline your story because you’re looking at it from a different perspective.  So, maybe what we can surmise from it is this:  too much reality destroys our joy of writing.  Sure, I can see that.  With all the deadlines and the phone calls and the bills (of course), and any other distraction in our lives, how can we truly enjoy writing?  I guess finding a good balance is a good way to live. 

Find your joy.  I urge you to write.  We know we can’t immerse ourselves too much in that world or things won’t get done, right?  How many times have you written or focused on a project for hours only to come up for air when someone in your family says, “Are you still working?”  I have to laugh at that.  Because you just did it.  You were able to close out the distractions of the world around you long enough to experience how wonderful writing is.  And you didn’t even realize it.  Isn’t that the best part?  How does the saying go?  How time flies when you’re having fun.  And despite all those deadlines and edits or rewrites, despite the way you have to promote yourself to sell a book, you were able to feel the joy of writing.  Because writing can be fun.  It can be fulfilling. 

So, my one piece of advice I can leave you with, friends, besides finding a happy medium, of course, is to be joyful.  Find the inner child in yourself.  The writer knows what I’m talking about.  Even those who aren't writers know what I'm talking about.  Maybe your passion is scrapbooking or pottery.  There is that part of yourself that cannot help but feel happy when you’re in the moment.  Nourish that part of yourself.  Sure, there will be things that drag your attention away from it, but as long as you can return to that joy time and time again, you’ll never stray too far.  And we can thank Ray Bradbury for his wise words.  “Stay drunk on writing” and never let reality destroy your joy.       


Author Bio
 
Marie Lavender has been writing for over twenty years. She has more works in progress than she can count on two hands. She has published sixteen books. Marie’s real love is writing romances, but she has also written mysteries, literary fiction and dabbled a little in paranormal stories. Her most recent release, Upon Your Return, a historical romance, was published with Foundations Books.   
 
Website:  http://www.marielavender.com/ 
Facebook:  https://www.facebook.com/AuthorMarieLavender
Twitter:  https://twitter.com/marielavender1

Check out our latest Writing in the Modern Age blog article here.

My guest today is Laura Graham. Hello, Laura! Welcome to Writing in the Modern Age! It’s such a pleasure to have you here.

Can you tell us a little bit about your latest book? When did it come out? Where can we get it? 


My book, Down a Tuscan Alley, which was published last year, can be bought on Amazon.com and Amazon.co.uk in paperback and e-books where it is collecting 5 star reviews. My other books are cat’s adventure stories for children, Tale of Two Tuscan Cats and Tuscan Cats Get Into Mischief. In paperback and e-books, they can also be found on Amazon.
 
Is there anything that prompted your latest book? Something that inspired you?

I was prompted to write Down a Tuscan Alley because it happened – I found myself at a loose end in life with no clear idea of what to do or where to go. But I owned a minute apartment down a back alley in Tuscany bought and paid for. So I was prepared to take the risk and change my life.

Great! So, when did you know you wanted to write? Or has it always been a pastime of yours?

I knew I wanted to write when I was about 17. But I won a scholarship into drama school and from then on worked as an actress in the theatre in London, understudying Helen Mirren and playing major roles in other productions both in theatre and television. But I always wrote, secretly, stuff hidden in a box, never dreamt it would any good. Then one day I dared to show it to a trusted friend. Because of her reaction I wrote with a passion every day, hoping that sometime in the future I might be published.

Do you have any favorite authors? 

Iris Murdoch, Truman Capote, Joyce Carol Oates, Ian McEwan, Tolstoy, George Orwell, James Joyce, PD James, to name but a few.

Do you write in a specific place? Time of day?

I like writing in a bar down the road from my house every morning. It’s called the Divine Comedy (says everything really) There are people about, a counter crowded with cakes, But it is less distracting than being at home.

Are there any words you'd like to impart to fellow writers. Any advice?

The only advice I feel capable of offering is to never give up. Write for yourself. Pour your heart and passionate ideas out onto the page. Give the very best of yourself. For that’s what any creative work is about – giving!

Here is the blurb for Down a Tuscan Alley.

A long relationship ends. At 48, house taken by the bank, Lorri has little money. What can she do? And where can she go? Gathering her meager savings and her two beloved cats, she escapes England for a new life in a remote Italian village, never imagining the intrigue, passion and romance she will find . . .

Here's an excerpt from Down a Tuscan Alley.

I’d lain on the bed, half covered with a sheet, and he had stepped across the room still wet from the shower and stretched himself on top of me. I’d gasped at the hardness of his body.

After, I’d sat at the window, looking out at the stars. The insistent thrumming of the crickets, the distant humming of the generator in the vineyards, the vibration sounds had closed us off, created our own separate reality. “Don’t think too much,” he’d said, turning over in bed.

I closed the shutters. When it rose, the sun would toast his body. It was not so much thinking as adjusting, I’d liked to have said, but couldn’t find the words in Italian. It would have to wait until I’d studied the dictionary.

This is a small review for Down a Tuscan Alley.

Neil Osborn, Arts Theatre review:

Lorri, a quintessentially English woman in her late forties decides to change her life and go to Tuscany. There’s only one problem: she has no money. But she does have two cats and a back alley apartment with a view of the street steps and the greengrocer’s moldy fruit – and I nearly forgot – an ex on the prowl, a shady character following her and a Quasimodo type lurking in the alleyway. Wonderful stuff! It gets even better when a passionate love affair blossoms with a younger man and friends arrive from England causing havoc. To sum up, Down a Tuscan Alley is a well written and entertaining read.

Author Bio

Laura Graham was an actress for many years performing in Shakespearean productions at the National Theatre in London. She has also played leading roles in Chekhov and Strindberg in major theatres in England. One of the major influences in her life was coming to Italy to live, with virtually no money, only two beloved cats for company, and coping with the mishaps, the passion and the intrigue. Which is what her first book, Down a Tuscan Alley, is about. Her second book, this time for children, Tale of Two Tuscan Cats, is about the adventures of her own two cats, one found in the forest, the other on the street. There is now a sequel, Tuscan Cats Get Into Mischief, which is also for sale on Amazon.co.uk.

Website:  http://www.lauragraham.co.uk/
Facebook:  https://www.facebook.com/lauragraham7
Amazon:  http://www.amazon.com/Laura-Graham/e/B007A0CQ6O/ref=sr_tc_2_0?qid=1365136990&sr=1-2-ent

Check out our latest Writing in the Modern Age blog article here.

I’ve had a lot of conversations about the best way to write a book. I have long believed there is no one system that works for everyone. It’s whatever process works for you; whether it’s outlines, daily word requirements, black boards, however you frame your story and get a draft onto paper. 

 

I write a story like you’d watch a movie, chapters being scenes, the end result being me as a director, assembling the chapter-scenes into a coherent story consisting of characters, conflict and resolution. Then I edit it. Someone asked me once, "How do you write a poem?" I told them I write it down and then I edit it for the next thirty years. This is a slight exaggeration, but there’s an elementary truth in it. Good writing requires good editing. Your imagination creates the story draft.  Editing is where you shape it into a book. Working with a good editor is a real plus.

 

My idea for a first draft always begins with the characters. My protagonist Ray in Children of the Enemy was a man I saw who ran a salvage yard, which could also be described more simply as a junkyard. He was sitting on a chair outside of a house trailer, smoking a cigarette, with virtual mountains of scrap metal pieces and junk appliances surrounding him. I imagined in real life he was perhaps a cross between Dirty Harry and James Earl Jones. It was just how he impressed me. Once I have a few characters I like, I put them into a situation. This is the conflict. The next step is I frame in my mind how I intend to resolve the conflict. The rest of the book consists of chapters that point toward the resolution.

 

The underlying theme in my latest book, The Death of Anyone, poses the Machiavellian question: Does the end justify the means? I developed this story around an impulsive former narcotics officer now in homicide called Bonnie Benham. Bonnie is a no nonsense cop who describes herself as a blond with a badge and a gun. Bonnie has her own answer to the question, but the legality of it will be answered in a real life courtroom in the California trial of a serial killer dubbed by the media: The Grim Sleeper.

 

Lonnie David Franklin, the Grim Sleeper, was caught because his son’s DNA was the closest match to DNA collected at the crime scenes in the database. Investigating Franklin’s son led them to investigate Lonnie Franklin. But there was no direct DNA evidence that linked Lonnie to the crime scene until they obtained a sample from him after his arrest. Lonnie Franklin will be the first person in the U.S. to ever stand trial based on this type of evidence, and its admissibility issues in court will be thoroughly tested by defense attorneys. These are the very same issues that face Detroit Homicide Detective Bonnie Benham and form the plot of my story. 

 

Thanks so much for visiting us today, DJ!

 

Guest Blogger Bio

DJ Swykert is a former 911 operator. His work has appeared in The Tampa Review, Detroit News, Monarch Review, Zodiac Review, Scissors & Spackle, Spittoon, Barbaric Yawp and Bull. His books include Children of the Enemy, a novel from Cambridge Books; Alpha Wolves, a novel from Noble Publishing, and The Death of Anyone is his third novel, just released by Melange Books. You can find him hanging out on the blogspot: www.magicmasterminds.com. He is a wolf expert.

Amazon author page:  https://www.amazon.com/D-J-Swykert/e/B00DD0B17U/

 

Here is a brief overview of two of his books:

 

Children of the Enemy

Jude St. Onge is a man on the run. He is an addict who has stolen a large cache of drugs from Detroit drug kingpin Mitchell Parson, who is determined to retrieve the drugs and take his revenge on Jude. After the torture slaying of Jude’s wife, and the kidnapping of Jude’s daughter, Angelina, the last thing Mitchell Parson expected to hear when he picked up the phone was: “I have your sons.” Raymond Little, with a murder conviction in his past, and newspaper reporter Ted Rogers have become unusual allies with Jude in an attempt to rescue his daughter. Together they kidnap Parson’s two boys, hoping to secure Angelina’s release. Risks for both hostage-takers skyrocket as the two sides square off, while Detroit Homicide Detectives work the case unaware of all that is at stake in the investigation. Only Ray and Ted can save the endangered children in Children of the Enemy.

Universal Reader Link:  https://books2read.com/u/mB2oAN

 

The Death of Anyone

Detroit homicide Detective Bonnie Benham has been transferred from narcotics for using more than arresting and is working the case of a killer of adolescent girls. CSI collects DNA evidence from the scene of the latest victim, which had not been detected on the other victims. But no suspect turns up in the FBI database. Due to the notoriety of the crimes a task force is put together with Bonnie as the lead detective, and she implores the D.A. to use an as yet unapproved type of a DNA Search in an effort to identify the killer. Homicide Detective Neil Jensen, with his own history of drug and alcohol problems, understands Bonnie's frailty and the two detectives become inseparable as they track this killer of children. 

Universal Reader Link:  https://books2read.com/u/b6vKl0

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Guest Blogger Bio

 Stefan Vucak is an award-winning author of the sci-fi Shadow Gods series of books. His contemporary political thriller Cry of Eagles has won the coveted 2011 Readers Favorite silver medal award.

Website: www.stefanvucak.com

Check out our latest Writing in the Modern Age blog article here.