New Release Feature: Michael Aronovitz’s THE SCULPTOR!

Hi, readers! We have a real treat in store for you today, a new release by Michael Aronovitz, a talented author! 
 
Congratulations on your latest book! 
 
Let's check out the details, shall we?

 

Here is the book blurb for The Sculptor.

At age seven, Michael Leonard Robinson commits his first murder, turning tragedy into an aesthetic. By the time he turns eighteen, he has become an expert with computers, gaming systems, and the art of video imaging. And now in his forties, fully realized, he has long erased his digital footprint. He is thirty years ahead of our most advanced scientists, military ops tacticians, and elite information tech specialists. He is a master of disguise. He can invent projected realities.

Of course, Michael Leonard Robinson could work his dark vision on a global scale, yet he doesn’t need “the world” for a fetishistic thrill, just a police captain, his receptionist, a detective, a rookie junior officer, his sister and mother, and a lot of dark theater. 

Robinson appears to these characters in disguise, film clips, and flashes as he torments them. Their multiple viewpoints are puzzle pieces.

When they fuse to finish the puzzle, the final sculpture becomes clear.

Release Date:  E-book - September 7, 2021 /Paperback - October 12, 2011

Genre:  Serial Killer Mystery

 

Publisher Link:  https://www.skyhorsepublishing.com/9781949102543/the-sculptor/

Universal Reader Link:  https://books2read.com/u/mdDdAw

 

Here is an excerpt...

 

Chapter 24

Beauty in the Eye of the Ripper’s Beholder

 

Captain Canfield ran into the storm. Cold stingers to the face, the front lawn was muddy, his clothing lay on him like lead. It was dark, the wind shaping the rain in what looked like the billowing cloak of some massive dark horseman, with intermittent moonlight coming through the road foliage and cemetery border trees.

Canfield took a position in the grass, gun leveled. He didn’t have a clear shot, not as a sniper would have had with a rifle with a scope.

Across the street on the sidewalk was the huge figure. He was smiling. His feet were spread, his left arm clamped around Erika’s waist, his right palm pressed to her mouth. She was straining hard, arms pinned to her sides, feet kicking insane bicycle pedals against his thick legs. Her T-shirt had ridden up; you could see the shape of her waist. Her ponytail had come loose, and wet strands were plastered to her forehead and jawline like skull-fissures.

The big man spoke. His hat pushed a shadow across his forehead, but below that his skin looked bad—spoiled and cracked like a leper’s. It was the caked-on makeup. The moisture out here had begun to erode it.

“Captain,” he called. “Advantage perp. You can’t risk discharging your firearm. And your prerogative is clear. As the first officer on the scene, you are to look after the safety of the victim before securing the arrest. And if the citizen endures physical harm at the crime scene, you are obligated to care for the injured before arresting the offender.” His grin became monstrous.

“Officer,” he said, “I’d like to report an injury.”

He took the hand covering her mouth and groped it up the side of her face. She squirmed, kicking harder, and he pawed at her, fingering. She jerked her head, and he smeared the cat’s eye makeup in a hash-mark up her left temple. He pulled back across, and she let loose a gargled scream, kicking like a frenzied horsefly held by the wings. He mashed his hand-heel into the other side of her face, slipping down along the bone like wet marble, and this time he streaked thick mascara onto her cheek, hooking down like an athlete’s smeared eye-black. He made an adjustment, and with the base of his thumb, his ring finger, and pinkie he cupped her chin, holding her still. He had to work it like the old Spock Vulcan “live-long-and-prosper” sign, but he spread his middle and index fingers back across the bridge of her nose, then started spider-crawling them up toward her right eye.

Canfield screamed “No!”

The monster’s two fingers were poised like a claw, uneven tongs.

He pushed in, over the eyeball, deep into the socket. Blood squirted up over his middle knuckles. She screamed herself raw, her kicking went nuclear. He let go of her mouth so he could work in the thumb, forming a pincer-grip. For a bare moment it cleared the horrific sightline; he dug in his fingers, and Canfield could see Erika’s eyeball slip from one side of the socket to the other as the monster worked in deep, trying to get to the back of it. Blood wept down his wrist, but the rain washed it away, making the effect seem ghostlike and illusory. He yanked, her head jerked forward, give, but no climax. He couldn’t pull it home, stubborn muscles and nerve fibers proving their elasticity, and he re-angled his elbow, bunched, set, and ripped that eye straight out of its socket.

She stopped kicking.

Thick blood welled in the dark crater and poured down her cheek. The rain doused and diluted it, ebbing down her face with the beat of her heart, tendrils and threads gyrating there on her cheekbone like algae floating off coral in a current. She was twitching, hanging there in his arms. He slapped her cheek and she jolted awake, shrieking incoherently, body in spasm, the broken doll, the lunatic stage-puppet.

He set her on her feet in front of him, bending his knees so she was still mostly blocking the line of fire. Both big hands moved to her hips to steady her, and he walked her back to an oak tree.

He whispered something in her ear. It took a moment. Then he smacked her hard on the ass and barked:

“Go!”

He ducked behind the wide tree and she ran, faster than one would have ever expected, moaning and crying, lumbering desperately away toward Sproul Road.

Canfield pounded after her, grass to driveway. Cutting across the corner of the neighbor’s lawn, he noticed quite academically that they had been gardening, planting shrubs. Passing through the line of them at the perimeter, he stepped on a trowel. It hurt, fucked his rhythm, and his ankles banged together; he went down. He hit the street, skinned an elbow, quick-rolled, and somehow managed to cradle the gun without having it blow a hole in his stomach. He didn’t allow himself time to recover. He sprang up and broke into a straight sprint, thinking, “Knees high, push hard, strong kick, arms in sync,” and by the time he caught up, she was almost to the streetlamp. She stumbled and collapsed, trying to grab hold on her way down, and he caught her from behind just in time to save her from falling onto her face. He went to the ground with her, held her, turned her so he could look at her.

She’d been truly violated, disfigured, it was real, no illusions. She had two faces now, the left profile all sleek cuts and angles, the makeup bird-winged up off her left eye giving her a futuristic look like a runway model, yet turned to the right, her profile was that of a ghost-witch, her long skull and jawline accented by the rough crater peering at you with blank recognition. She looked very much like the kind of thing you bought in an island hut, stuck on a voodoo stick with beads hanging off of the fist-guard. She was sobbing, still convulsing.

Canfield wanted to comfort her, but he didn’t know the words. He wanted to give her some kind of gentlemanly reassurance, but he didn’t know that song either. What came out was mechanical, almost programmed.

“What did he say to you?” he said softly, flatly. He felt terribly about it, but he was who he was.

“What?” she said. “What? When, Bill, what?”

“Easy,” he said. “What did he say to you in your ear? Just now. I’ll catch him, but I need all the data.”

She started weeping again and buried her face in Bill Canfield’s chest, shoulders shaking.

“He told me,” she said, voice muffled, “that I had to run hard, I had to run like the wind, toward Sproul Road. He said that I had to run straight into traffic. He said he was going to flush my right eye down a toilet, and if I didn’t run as fast as I could he’d hunt me down, find me at the hospital, at work, in the parking lot, the grocery store, my apartment.”

She pulled back and looked up at Canfield with her left eye.

“He promised he would give me round two,” she said. “He promised he’d rip out the other one.”

 

So, what are readers saying about this book?

★★★★★ “The Sculptor is one of the most grimly terrifying serial killers in recent literature.” - Horror scholar and editor ST Joshi

 

Whoa...what a disturbing teaser!

Get your copy of this serial killer mystery today, readers!

 

About the Author:

 

Michael Aronovitz is a college professor, rock critic, and author of dark fiction. His published novels include Alice Walks, The Witch of the Wood, and Phantom Effect, his collections – Seven Deadly Pleasures and The Voices in Our Heads. Aronovitz has published more than forty short stories, and has appeared in magazines and anthologies such as Weird Tales, Searchers After Horror, and Apostles of the Weird. His short story titled “How Bria Died” was featured in The Year’s Best Dark Fantasy and Horror, 2011, Prime Books, and currently, Aronovitz has much of the above-mentioned work being translated into German and re-released by Firma Edition Barenklau. His lifetime collection of novellas and short stories, titled Dancing with Tombstones, will be published by Cemetery Dance Publications in the fall of 2021, and his fourth novel titled The Sculptor will be released by Night Shade / Skyhorse in the fall of 2021.

Author Links:

Website: michaelaronovitz.com

Facebook: https://www.facebook.com/michael.aronovitz

Twitter: https://twitter.com/michaelaronovi2

Amazon Author Page: http://amzn.to/2yprVlr

Goodreads: https://www.goodreads.com/author/show/551323.Michael_Aronovitz

FictionDB: https://www.fictiondb.com/author/michael-aronovitz~99909.htm

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